Quotes of All Topics . Occasions . Authors
I really see food as subjective. It's a creative outlet. It's something that you do for fun. It's a gray area. It's not black and white or right and wrong.
I don't think it's a black and white issue. If a man's family is starving so to speak, I don't think I'll hold it against him for stealing a loaf of bread.
I like making black and white films in natural surroundings, but I much prefer shooting a color film inside a studio where the colors are easier to control.
It doesn't matter if it's black-and-white. If a movie has a story that is filled with emotion, you can have as much pleasure, and it's very good for cinema.
The great thing about the moon landing is that my grandmother got the first color TV in order to be able to see the moon landing that was in black and white.
I never needed Panavision and stereophonic sound to woo the world. I did it in black and white on a screen the size of a postage stamp. Honey, that's talent.
Measured by any standard, white or black, Washington must be regarded today as one of the great men of this country: and in the future he will be so honored.
I believe very strongly that when it comes to desire, when it comes to attraction, that things are never black and white, things are very much shades of grey.
We see in colour all the time. Everything around us is in colour. Black and white is therefore immediately an interpretation of the world, rather than a copy.
So much in TV today, you don't get to feel empathetic for the villain. The villains are the villains and the heroes are the heroes. It's very black and white.
The way I was brought up by my parents and guided through my football life by the influences of various managers means that in some ways I am black and white.
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
We talk of a rainbow nation - in a country that remains dichotomized between black and white. We must acknowledge that the rainbow, in fact, is still a dream.
Binaries, whether it's 'man' or 'woman,' or 'black' and 'white,' were created to separate us. So without binary, there is only 'us,' which makes us all equal.
I do know how life can go one way or another and that it's not all just black and white, and there are many different situations and twists and turns in life.
My teammates at Duke - all of them, black and white - were a band of brothers who came together to play at the highest level for the best coach in basketball.
They have invented a phrase, a phrase that is a black and white contradiction in two words - 'free-love' - as if a lover ever had been, or ever could be, free.
Only in black and white can I see the design and textures. I don't consider color photography art. Black and white is an interpretation. Color is a duplication.
I started 'Society's Child' on a bus in East Orange as I was going home from school. I saw a black and white couple sitting there and started thinking about it.
There has always been quite a strong black and white art tradition in Australia, with quite a large contingent of cartoonists, given the size of the population.
There are so many aspects of human sexuality that we're afraid to talk about, because people still don't understand it. It's not just black and white, you know?
Watching television in those days was not the same experience as it is today. After years of listening to radio, we found the black-and-white images mesmerizing.
It would be much easier to just make black, brown and beige clothes. But I do not see the world in black and white and beige. I find colors incredibly important.
I really am a guy who can be black and white. I don't understand, too much, the gray. And truly I can go from one type of character to another type of character.
Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.
I support any procedure that allows photographers to express themselves, whether that involves color, black and white, platinum, palladium and digital technology.
Another reason for switching to color is world television. In a few years, it will all be in color, and you can't compete against that with black-and-white films.
When the Beatles were on 'Ed Sullivan,' life went from black and white to color like in 'The Wizard of Oz' - and the irony I'm in the band Toto is not lost on me.
The Americans at heart are a pure and noble people; things to them are in black and white. It's either 'rawk' or it's not. We Brits putter around in the grey area.
I like grey, not black and white. Even the bad creatures, you want to give them a moment where you empathise with them. You realise that what they do isn't so evil.
I can only approach it as a woman. Masculinity has been depicted in very black-and-white terms. There never seems to be a wide range of emotional definitions of men.
Black and white are the colors of photography. To me they symbolize the alternatives of hope and despair to which mankind is forever subjected.
There is no black-and-white situation. It's all part of life. Highs, lows, middles.
I felt that the moral side of 'Black and White' was slightly confused. That's why I want the world to be in turmoil.
When you look at Darling and the Oscars, it has to be luck. It was a black and white film and it was the last time that there was a black and white Oscar.
Let's just shoot in black and white. Don't explain why. Have no reason for it. Just do it because it's interesting.
It's near impossible to make a movie in black and white in the system.
To some extent, the cult surrounding black-and-white photography is based on nostalgia.
Whenever there is discussion, I make it clear that I do not want any grey zones, just black and white.
Black and white are absolute...expressing the most delicate vibration, the most profound tranquility, and unlimited profundity.
I'm proud to be black and white and look the way I look. I'm proud to not speak down on women or glorify things that are unimportant.
Black and white is abstract; color is not. Looking at a black and white photograph, you are already looking at a strange world.
Life's a choice: you can live in black and white, or you can live in colour. I'll take every shade of the rainbow and the gazillion in between!
I don't see no black and white couples in England or America walking around proud holding their children and going out.
You can't shoot in sepia, so converting into black and white and then into brown makes everything feel less real.
There's a generation of children who don't like black and white movies. There's a level of impatience or intolerance now.
The resistance to black-and-white is huge, in the way that you have to sell the film. It's difficult to distribute around the world.
There are two kinds of people in the world—only two kinds. Not black or white, rich or poor, but those either dead in sin or dead to sin.
With the black and white films, one was concerned with tone... You had to make sure that the tone of your dress was not the same tone as the curtains, for instance.
A lot of black-and-white films generally have a color version that will be used for TV.