Quotes of All Topics . Occasions . Authors
To sum up my idea of on-ice costume fashion sense, it's probably that too much is never enough.
I love to put on a wig, a costume, inhabit a different world and be called something different.
I like a character, not a costume - the idea of putting on clothes and you become someone else.
I went to America to get away from constantly being cast in costume dramas, playing posh people.
I like to think that at the end of a show, you can just take your costume off and go to the pub.
There's no mystery to it. Nothing more complicated than learning lines and putting on a costume.
I just love doing costume dramas; I am very lucky, as I see myself as a part-time time traveller.
Whenever I put on a colored thing, I feel like I'm in a costume. Like when I put on a gray shirt.
The right costume determines the character, helps the actor feel who he is, and serves the story.
I put the costume on and said 'It's not very comfortable, but it looks amazing,' so it's all good.
Don't kid yourself; the guy who's onstage in ripped-up jeans is wearing as much a costume as I am.
When I create a sports costume, I remember that it must not look - how do you say? - 'bedraggled.'
People want to see something that isn't necessarily somebody walking around in a superhero costume.
The Costume Institute Benefit became my baby. It was something that I lived, breathed, day and night.
It gives me a lot of joy when I wear my design at a show and someone asks me who designed my costume.
I remember, as a kid, wearing the Batman costume for Halloween and feeling empowered by that as a kid.
I hear from many a man around Halloween that's dressed up as Mama for Halloween. It's a great costume.
I love costume jewelry, the stuff Givenchy/Riccardo Tisci do, and old school rock n' roll jewelry, too.
Everything is for sale in Hollywood; the fairy tale, the costume, the pumpkin, the footman and the mice.
I love Pinterest! Pinterest is absolutely phenomenal when you're trying to come up with a costume design.
I've done approximately 15 films, and most of the things I've done have either been stunt or costume work.
Once you embody the language, the character comes really naturally, especially when you put the costume on.
All my siblings became artists. One's a novelist, my brother is a painter, my sister was a costume designer.
I love fashion, and I've always wanted to do costume design, but I'm in jeans and T-shirts most of the time.
Clothes are interesting and they're there to be played with. I like the idea of costume rather than fashion.
During my school days, I was doing a play, and my costume fell on the stage. I really wish it didn't happen.
I love having a costume for The Vixen as getting into the look allows me to be a bit more snarky and snippy.
I think Jenny Beavan is a masterful costume designer and very deserving of the Oscar for 'Mad Max: Fury Road.'
Most drag queens, they put on music like it's a costume. It's not in their bones. It's not in their background.
I hate bananas. I just hate them. But I also think a banana suit is the funniest fruit costume a person can wear.
I've never thought of acting as rocket science - you put on the costume, get your hair cut, and that's it, really.
Fashion offers no greater challenge than finding what works for night without looking like you are wearing a costume.
Yes, I would love to step outside the costume drama category and play a young urbanite, something closer to who I am.
I think of clothes a lot like costumes. I think of what I wear in real life as being my real life character's costume.
Halloween is not only about putting on a costume, but it's about finding the imagination and costume within ourselves.
Most superheroes, when you look at origin stories - before they invent their costume, they just go with what's around.
People are often a bit more adventurous with swimming costume prints; they like the idea of something a bit more jolly.
I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing.
My mom made me a Shawn Michaels costume when I was a kid. I wore it every day and ran around the house dancing like him.
Costume is a huge part of getting into character. Your body soaks in what you're wearing, and you turn into someone else.
For me, I tend to enjoy wearing any period costume. I love how fashion and clothing has changed and evolved through time.
I am, in fact, Superman. Every morning I wake up and go into a telephone booth and change my costume, and then go to work.
I always liked clothes; since I was very, very young, I was interested. I studied costume as part of my theatre education.
I love fashion as an art; I love fashion as costume, as a character. I don't like dictates and the phoniness of appearance.
As a costume designer, I first try to figure out what the character's economic situation is and hit the stores they'd shop.
I love drawing Ryan Reynolds in his Deadpool costume. He looks amazing and is the true embodiment of the Merc with a Mouth!
'The Great Fire' is more what I'm used to - being in costume and make-up for a long time, trying to be 'period appropriate.'
I'm a pain in the ass to all of the costume designers with whom I work because I have very strong feelings about the subject.
When I jumped off a roof in Cannes in a bee costume, I looked ridiculous. But this is my business; I have to humiliate myself.
I love period drama as much as the next person, but there's a tendency to let all of the costume get in the way of the people.