I haven't had television since 1991, and it definitely influences me. As a child of the 1970s, I couldn't hold a narrative in my head; I was lucky if I could hold a joke in my head, because every time you turn on television or radio, it wipes the slate clean - at least in my case.

There's a lot of guys in WWE - you would know who they are - you know you're going to see the same thing every single match. You know you're going to hear the same thing every time they pick up a microphone. You know John Cena is never going to get mad at you no matter what you do.

Some people just seem like they are up to no good. Like, in high school, I was a good student and got straight As. It was very strict, and you couldn't do well there unless you studied very hard, but every time there was any trouble, I was the first person they would be talking to.

Absolutely, when you talk about the embarrassment that I caused in 2007 for myself, my family, the NBA, it was embarrassing then, and it's as embarrassing now seeing it play out in a movie 10 years later. It's tough to watch it. Every time I watch it, I cringe through the whole thing.

I was living an extremely burdensome life, because every time I prayed, I became more clearly aware of my faults. On the one hand, God was calling me. On the other, I was following the way of the world. Doing what God wanted made me happy; but I felt bound by the things of this world.

People write fiction in their minds all the time - every time we read a 'human interest' news story, or a true crime tale, we find ourselves fascinated because we're trying to understand why people behave the way they do, why they make the choices they do, how we become who we become.

I am honored to have served as our great nation's first National Ambassador for Young People's Literature. I will continue to serve as Ambassador Emeritus. And I will make good on my Ambassadorial promise to my wife to stop playing the 'Fanfare' every time I walk into or out of a room.

U2 are a great band; they've given us an unbelievable body of work, and all of us musicians owe them at least something. I can honestly say that every time I have played the Red Rocks Amphitheatre in Colorado, as soon as my drums are set up, I go into the beat of 'Sunday Bloody Sunday.'

Every time we go to Sacramento, I go see De'Aaron Fox. Every time he comes to Miami, he comes to the crib. We just kinda kick it and really think about it. 'We are in the NBA right now. This is real.' And we cherish those moments because you never know when your time is up on this earth.

Every time I want to impress someone about samples and hip-hop, I play 'Portrait of Tracy.' It's one of the greatest bass players ever doing a whole composition with only the two harmonics of electric bass; then a three-second loop in it became every great R&B song in five-year intervals.

I was trained as journalist never to use the word 'I,' never to put my own opinion there. In fact, if you had a dollar or a euro for every time I use the word 'I,' you would be a poor person. But this is not true in general. I like the idea of being able to stand away and make a judgement.

The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them. Every time I go back to Toronto, I see them and hang out with them.

I transcend earthly bounds. I never cease to amaze myself because I haven't yet found my limits. I am quite ready to accept the limits of what I can do, but every time I feel that way - boom! - God touches me and I do something that's even more stupendous than whatever I've done up to then.

The pressure on young chefs today is far greater than ever before in terms of social skills, marketing skills, cooking skills, personality and, more importantly, delivering on the plate. So you need to be strong. Physically fit. So my chefs get weighed every time they come into the kitchen.

My favorite dark comedy, which is also one of my favorite films of all time, is 'After Hours.' I've seen 'After Hours' as much as almost any film I've ever seen in my life; I've watched it dozens of times, and I still watch it once a year. I still get a thrill out of it every time I see it.

The Joker that Christopher Nolan created in 'The Dark Knight' had the scar across his mouth, and the first time you heard his explanation for it, he makes you believe that's how he got it. But then you get into the film, and every time he talks about his scar, it's a totally different story.

Scotland is so gorgeous that every time I'm there, I start to dream of living there. I want to buy one of those whitewashed cottages with the thatch roofs and gaze out at the sea and read my books. I want to be away from the Internet and the news and lawn mowers at 7 A.M. on Sunday mornings.

Every time a pundit or elected official is on any TV news program, it should be a polite formality to mention that GE has made such and such billions off the war in Iraq by selling arms or that Murdoch is a right-wing activist with a clear stake in who wins and who taxes his profits the least.

I look up to Jimmy Fallon. He hosts talk shows as a fan himself, and that's how I do it. When the celebrities come in, I'm excited that they're there. It's not just like a formal, 'Hey, how are ya?' It's like, 'Dude, what the hell! So happy to see you!' That's what Jimmy Fallon does every time.

I don't care if Margot is a Dame of the British Empire or older than myself. For me she represents eternal youth; there is an absolute musical quality in her beautiful body and phrasing. Because we are sincere and gifted, an intense abstract love is born between us every time we dance together.

Every time I rap about being a big girl in a small world, it's doing a couple things: it's empowering my self-awareness, my body image, and it's also making the statement that we are all bigger than this; we're a part of something bigger than this, and we should live in each moment knowing that.

I put my life in danger every time I do some of these demonstrations, whether it's in the audience hanging upside down or on the stage. We now have a lot of dangerous stunts where anything can go wrong. In fact, I have fallen two stories and landed on the stage, so I am well aware of the dangers.

I have the biggest sweet tooth! You name it, I will eat it. My all-time favorite is my mother's butter cake. Every time I go home, my mom will already have the cake made because I love it so much. This makes my siblings mad because they think she favors me. I don't care because she probably does!

In every school, there's always the kid who gets it the worst, and I was, for sure, that kid. Every time you had to get in a line that was boys and girls, it was like my worst nightmare. A lot of kids I know got made fun of for being gay; that was not my issue: I was just called a girl endlessly.

I always believe that Kar-Wai has a complete script: he just doesn't show it to us. He wants us to experience and explore the character. He gives you a lot of space, and you know every time will be a very long journey. You just live in the character, and that's very different from other directors.

Almost every time I go to the ocean, I think about throwing my phone right into it. Sometimes, you pull that thing out of your pocket, you look at it, and you're like, 'What was I just going to do with this? Was I going to take a note? Was I going to check my email? Was I going to take a picture?'

Whereas recessive traits require two bad copies of a gene to become noticeable, a dominant trait expresses itself no matter what the other copy does. A benign example of dominance: If you inherit one gene for sticky wet earwax and one gene for dry earwax, the sticky earwax gene wins out every time.

MAC is truly at the forefront of trendsetting, which reminds me every time I see a MAC campaign or the incredible looks their artists create backstage at fashion weeks around the world. It's an honor to partner with a brand with such an incredible heritage and unrivaled expertise in makeup artistry.

I've been a fan of The Rock ever since he first came to wrestling. Every time I went to school, I talked about The Rock. So when I finally got to meet him I couldn't believe it! When he walked through the door, I went bug-eyed! 'I'm standing next to The Rock, man!' He's huge. He's very nice, though.

Every time I sit for a song, I feel I am finished. It's like a beggar sitting waiting for God to fill your bowl with the right thought. In every song, I ask help from Him. Everybody around is so good, so to create music that will connect with so many people is not humanly possible without inspiration.

Every time I'm a good guy in a movie, which is the 'Marine,' people are like, 'Wow, you can play endearing. You can play kind and nice and sweet but yet hardcore.' And I'm like, 'Yeah. Just because The Miz is a jerk and an egotistical maniac doesn't mean that there isn't a softer side to Mike Mizanin.'

My idea of an actor is to be different persons with different roles. Every time a script interests me, I look for interesting characters because I intend to completely transport myself into it. This happens only because I am a very greedy actor. I am not part of the rat race because I am living a dream.

Nobody aspires to be a backup. And although I take great pride in the supporting roles I've played in both Philadelphia and Kansas City, part of me still cringes every time I hear myself described that way. Not only is it limiting and one-dimensional, it doesn't come close to describing who I really am.

In theory, people would pick progression every time over being idle. But if you look at us as a culture, as a people, you would say that if you get up at five o'clock in the morning, eat your breakfast, go to work, make money, pay your bills, you're progressing, when you're still doing what's comfortable.

Failure saves lives. In the airline industry, every time a plane crashes the probability of the next crash is lowered by that. The Titanic saved lives because we're building bigger and bigger ships. So these people died, but we have effectively improved the safety of the system, and nothing failed in vain.

Every time we give a musician the advice to give away the music and sell the T-shirt, we're saying, 'Don't make your living in this more elevated way. Instead, reverse this social progress, and choose a more physical way to make a living.' We're sending them to peasanthood, very much like the Maoists have.

I think my greatest victory was every time I walked out there, I gave it everything I had. I left everything out there. That's what I'm most proud of. I can't go win Wimbledon anymore, so if what I've done in the past is not good enough, let it go. Because I'm certainly not sitting around thinking about it.

It's a dirty little secret that I'm pretty self-conscious about coloring my own work. I just see so many people who love color more than me that I get freaked out every time I hit Photoshop. Black and white? I know exactly what to do, but color offers a million solutions to problems I don't even know exist.

Every child is a gift of Allah, and every child in Pakistan, to me, is like my own child, so I will do my best to take the message to every doorstep in Pakistan. Reaching every child, every time with the polio vaccine is not only necessary, but it is our duty. This disease can't deter us; we will defeat it.

It strikes me every time I do an interview that I don't really sit around thinking about my goals and my life and my career. I do what I love doing and I get a lot of feedback. I'm free as a bird, you know? If I do something good, it's, 'Wow, that was brilliant,' and if I do something bad, it just goes away.

Yeah, I think it motivates you as people start to count you out. It doesn't make you play any harder, because every time you go out on the field you give 110 percent, but it does give you more of an edge mentally, knowing that you were in the same situation, because in sports you always find yourself behind.

I went to school in New York and grew up in and out of New York. I love it, and I miss it, and every time I go back, I think, 'Why am I in Germany?' I do know that my career is really important to me, and in Germany, they've always been so much more supportive than my previous engagements in the dance world.

The label 'liberal' or 'conservative,' any - every time I hear that, I think of the great Gilbert and Sullivan song from 'Iolanthe.' It goes, 'Every gal and every boy that's born alive is either a little liberal or else a little conservative.' What do those labels mean? It depends on whose ox is being gored.

You can't play not to lose. You kind of have to put your ego aside and accept the fact that careers are long, and there's gonna be stuff people like and stuff that people don't like, and you try to get better every time, and always put something out that you're proud of. And let the chips fall where they may.

Laughter is binary: It either happens or it doesn't. As each joke arrives in the course of a film, the cavernous space of the theater is either filled with joy and laughter or with the quiet of cringing embarrassment. Every time you step to the plate to make a joke, you're going to experience one or the other.

Most firms are hierarchical in nature, with everyone getting different slices of the economic pie. The problem is those slices are negotiated every time a firm raises a new fund, so in between funds, which is most of the time, the partners are trying to outgun one another to make a stronger case for themselves.

I love being an enigma. Every time I'm tempted to respond to someone who tries to put me in a box, politically - you know, someone who gets on the Internet and says, you're pro-gun, or you're anti-gun - I stop and say to myself, 'This is great; this is what I wanted. I wanted to be the guy you can't figure out.'

Every time a twenty-something CEO turns down a multibillion-dollar offer for a company that has little or no revenues, it hits a raw nerve in me. Unlike most professionals, I am not shocked by the seemingly bizarre behavior of those founders who pursue their vision beyond all rational thought or monetary reward.

There's no reason that we need to be counting things and adding things up in order to sit down and eat a meal. I enjoy eating so much; I don't want to do match every time I eat. I guarantee you, maybe your diet soda has no calories, but it's still poison. We have to think about what are we putting in our mouths.

Every time I've done comedy in, like, traditional comedy clubs, there's always these comedians that do really well with audiences but that the other comedians hate because they're just, you know, doing kind of cheap stuff like dancing around or doing, like, very kind of base sex humor a lot, and stuff like that.

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