Nothing frightens the 'Jews' more than a perfect unity in others: the unity of feeling in a movement, in a people. That is why they will always be for 'democracy' which has but one advantage, and that one for the nation's enemy. For democracy will break up the unity and spirit of a people.

At one point, I was in a place where it didn't feel like it was going to happen and I was feeling pretty down on myself. But I stuck to it, and now I have a hit comedy on my hands. You've got to keep plugging away at it. If you really believe in yourself, you can definitely make it happen.

I can’t help feeling a little bit competitive and a little bit disappointed in myself that I’m already so far behind. After all, Yulikova thinks Barron has a real future with the Bureau. She told me so. I told her that sociopaths are relentlessly charming. I think she figured I was joking.

Always in the big woods when you leave familiar ground and step off alone into a new place there will be, along with the feelings of curiosity and excitement, a little nagging of dread. It is the ancient fear of the Unknown, and it is your first bond with the wilderness you are going into.

I do love the feeling of a big win. But you don't have to have a World Series ring to be a winner. A winner is somebody who goes out there every day and exhausts himself trying to get something accomplished. Being able to get the most from their ability. That's what characterizes a winner.

Intuition is the wisdom formed by feeling and instinct - a gift of knowing without reasoning... Belief is ignited by hope and supported by facts and evidence - it builds alignment and creates confidence. Belief is what sets energy in motion and creates the success that breeds more success.

Yet you told him you loved him?" "Yes, I did." Bridgid was clearly impressed. "You're more courageous than I am. The fear of being rejected pains me to even think about, yet you boldly told Brodick how you felt, even though he hadn't spoken his feelings." "Actually, he told me I loved him.

A memoir forces me to stop and remember carefully. It is an exercise in truth. In a memoir, I look at myself, my life, and the people I love the most in the mirror of the blank screen. In a memoir, feelings are more important than facts, and to write honestly, I have to confront my demons.

Always, when you know what you don't want, that's when the rocket of desire is born of what you do want. That is the fruit of your experience. Now pluck it and savor it and enjoy it. Visualize it, and find the feeling place of it. And live happily ever after, once you get the hang of this.

We are neither this way nor that; we are a body which is in the midst of change and evaporating. We are timeless, thousands of years old, and involved with processes which go beyond our present identity. This gives us an eternal feeling, but one which is realizable right here in the moment.

I am fiercely loyal and over-possessive, but I am learning to control my being possessive. I have become quite mature, though not as much as I would like to be, but have still improved tremendously. I can't hide my feelings, and it takes a lot of effort to be closed about things I feel for.

He's not the relationship kind or so I hear." "And do you want a relationship?" I asked her. "No." She laughed, dabbing her fry. "But I have a feeling with someone like him, you get one taste and you will always want more." "Sort of like crack?" Jacob suggested. "Or Cheetos," Brit supplied.

The outside conditions of your life do not make you feel either secure or insecure. One person may feel secure with practically no money at all, while another may feel insecure with a million dollars in the bank. Your feelings of security or insecurity are due to your emotional programming.

Take away human beings from this planet and life would go on, nature would go on in all its loveliness and violence. Where would the problem be? No problem. You created the problem. You are the problem. You identified with "me" and that is the problem. The feeling is in you, not in reality.

I have learned to write about things that are personal without objectifying anybody or anything, and that's been an important lesson for me. It's useful not to dump on people while simultaneously expressing a truth or a feeling if it's necessary, without diluting the intensity of the lyric.

NELL. Because that's what an employer is going to have doubts about with a lady as I needn't tell you, whether she's got the guts to push through to a closing situation. They think we're too nice. They think we listen to the buyer's doubts. They think we consider his needs and his feelings.

To live without feeling or exciting sympathy, to be fortunate without adding to the felicity of others, or afflicted without tasting the balm of pity, is a state more gloomy than solitude; it is not retreat, but exclusion from mankind. Marriage has many pains, but celibacy has no pleasures.

At another level, though, poems can craft an eraser - we can't revise the past, but poems allow us some malleability, an increased freedom of response, comprehension, feeling. Choice, what choices are possible for any given person, is another theme that's run through my work from the start.

I guess bittersweet is probably my favorite tone, as a lover of Woody Allen and Federico Fellini and the French New Wave. You know, old Hollywood, sad movies. I guess it's my picture of suburban life, a lot of it being very, very lonely. I wanted to have that infused into the feeling of it.

We are all subject to the fates. But we must all act as if we are not, or die of despair...death will sweep through all the worlds; it will be the triumph of despair, forever. The universes will all become nothing more than interlocking machines, blind and empty of thought, feeling, life...

Feeling a little foolish over her confidences, Elizabeth glanced up at him with an embarrassed smile. “What is the most beautiful place you’ve ever seen?” Dragging his gaze from the beauty of the gardens, Ian looked down at the beauty beside him. “Any place,” he said huskily, “where you are.

I want the viewer to be overwhelmed. I want the space to feel like it is caving in on the viewer and that they are forcibly entering the world of my paintings. I want there to be a feeling of overpowering decadence to the work, that is almost too much to take. I don't want them to be subtle.

The book is an experience that allows you to witness your feelings without having to surrender to them, to succumb to them, or to be battered by them. It gives you access to a deep knowledge of how you would respond to things you would never, thank goodness, have been required to experience.

There is neither a proportional relationship, nor an inverse one, between a writer’s estimation of a work in progress & its actual quality. The feeling that the work is magnificent, & the feeling that it is abominable, are both mosquitoes to be repelled, ignored, or killed, but not indulged.

And then... as you were sleeping, you said my name. You spoke so clearly, at first I thought you'd woken. But you rolled over restlessly and mumbled my name once more, and sighed. The feeling that coursed through me then was unnerving, staggering. And I knew I couldn't ignore you any longer.

Nobody else knows your reason for being. You do. Your bliss guides you to it. When you follow your bliss, when you follow your path to joy, your conversation is of joy, your feelings are of joy - you're right on the path of that which you intended when you came forth into this physical body.

There's something about materials like copper, woods, stone, trees, shells. You walk outside and these materials are part of the world before we touched anything. There's a feeling of pleasure that many of us have in materials that have some presence before us, like clay and wood and copper.

There may sometimes be ungenerous attempts to keep a young man down; and they will succeed too, if he allows his mind to be diverted from its true channel to brood over the attempted injury. Cast about, and see if this feeling has not injured every person you have ever known to fall into it.

When we're feeling fully alive, we're able to fully feel love. This doorway also relates to feeling our feelings fully. Not suppressing our feelings of anger, sadness or grief but allowing them to be felt. What's amazing is that when those feelings are felt, they actually dissolve into love.

Not part of any London combination and you have to go a long way from London really to... to throw that feeling off. So, it's right and fitting that the Beatles came from Liverpool. If they hadn't, I wouldn't have got involved. It wouldn't have interested me. And they wouldn't have hired me.

Your programming leads to your thoughts; your thoughts lead to your feelings; your feelings lead to your actions; your actions leads to your results. Therefore, just as is done with a personal computer, by changing your programming, you take the first essential step to changing your results.

To understand my feelings — and my conception of the role of Secretary General — the nature of my religious and cultural background must first be understood. I should therefore like to outline not only my beliefs but also my conception of human institutions and of the human situation itself.

The practice of hinting by single letters those expletives with which profane and violent persons are wont to garnish their discourse, strikes me as a proceeding which, however, well meant, is weak and futile. I cannot tell what good it does - what feeling it spares - what horror it conceals.

It is only the dull, sleepy mind that creates and clings to habit. A mind that is attentive from moment to moment - attentive to what it is saying, attentive to the movement of its hands, of its thoughts, of its feelings - will discover that the formation of further habits has come to an end.

I was aware that I was acting atrociously but I couldn't stop myself. Rarely had I behaved in such a manner. But I guess when we're feeling lonely in life, we attack those who actually do love us. It's one of the things that characterizes human nature and can be summed up in one word: FLAWED.

Leroy interrupted Chantal's fantasies: "Freedom? As you live our your desolation, you can be either unhappy or happy. Having that choice is what constitutes your freedom. You're free to melt your own individuality into the cauldron of the multitude either with a feeling of defeat or euphoria.

Facebook was founded on February 4, 2004. On February 5, we were feeling pretty confident, even from observing the first few hours of usage. Students used it like crazy. They'd sign up then spend the next 3-4 hours on it. Then we'd go to lecture hall and see it on every computer screen there.

Yeah. A feeling. Like the whole point of my life from the alleys in Bangkok to the yachts and private island to coming here like a crazy person trying to fly a helicopter like all of it from birth to here point A to point Z was all some big cosmic trick to get me to meet you. - Sanjit to Lana

The microwave oven is one of the modern objects that convey the most elemental feeling of power over the passing seconds ... If you suffer from hurry sickness in its most advanced stages, you may find yourself punching 88 seconds instead of 90 because it is faster to tap the same digit twice.

My experience of singing, as an actor, was that there's a different creative feeling of freedom. The acting thing is a bit more defined and cerebral. I can see why people would want to cross over. If you have so much freedom on stage then perhaps you want to be confined a bit, and vice versa.

Sometimes, you can incorporate things that you've experienced in your life and use that. And, other times, you just know what that feeling of hurt, love, anger and depression is, and you do whatever it takes to get there in your mind, and use it to your advantage, whichever way it works best.

Poetry is a second translation of the soul's feeling; it must be rendered into thought, and thought must change its nebulous robe of semi-wording into definite language, before it reaches another heart. Music is a first translation of feeling, needing no second, but entering the heart direct.

At some point, I get a weird feeling, and that's when I know it's done. I probably ruin a lot of really perfectly fine things. So part of working on paper, and trying to work really fast, is to see if I can expand the area of not being driven by taste. Not saying, "This looks good, I'll stop."

Sometimes you will do a close-up for a scene in the morning where you are totally distraught, then shoot the rest of that scene seven hours later. How do you hang on to that feeling all day without burning up, without going so far that you have nothing left to give when the cameras roll again?

Women can learn a lot about a guy because women, for the most part, want a guy to care about their feelings, to be a guy that is responsible. Women want to attract you, but they want you to know more how they feel. When a guy has a great relationship with a dog, it really says a lot about him.

The first thing I remember about the world and I pray that it may be the last is that I was a stranger in it. This feeling, which everyone has in some degree, and which is, at once, the glory and desolation of homo sapiens , provides the only thread of consistency that I can detect in my life.

The producer and writers [ of X-Men: Apocalypse ] were kind of feeling me out with, "Are you okay with the fact that you die?" and I was, like, "Yes." That's something that people would talk about, so I thought it was cool that I died. Havok was in three movies and then I get to be remembered.

The whole of life itself expresses the blues. That's why I always say the blues are the true facts of life expressed in words and song, inspiration, feeling and understanding. The blues can be about anything pertaining to the facts of life. The blues call on God as much as a spiritual song do.

I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.

You do need an outlet to release all of those fears. You build it up and then, when you go to a movie theater, it's the last place that it's socially acceptable to be terrified. It's saying that, for the next 90 minutes, you're allowed to be afraid and you're not a coward for feeling that way.

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