Quotes of All Topics . Occasions . Authors
I thought perhaps that when you told me you did not love me that my own feelings would fall away and atrophy, but they have not. They have grown every day. I love you now more desperately, this moment, than I have ever loved you before, and in an hour I will love you more than that
Some of you guys are sitting down, some of you guys are standing up. But if you really take a moment and you go inside your body, you can feel your weight against the earth, and you can recognize that you're the only person who's feeling your own weight against the earth right now.
Where is the boundary between your thoughts and feelings and my thoughts and feelings? Where does it end - the outer layer of epidermis? If you look at the body as energy - not matter - maybe there's a possibility we as human beings are more connected to one another than we realize.
There is nothing perhaps so generally consoling to a man as a well-established grievance; a feeling of having been injured, on which his mind can brood from hour to hour, allowing him to plead his own cause in his own court, within his own heart, and always to plead it successfully.
I like that feeling when you’re making art, that you’re taking the energy out of your body and putting it into a physical object. I like things that are labor-intensive : you make a little thing and another little thing and another little thing, and eventually you see a possibility.
So often I wonder whether it is my right to capitalize, as I feel, so often, on the grief of others. But then I justify, in my own particular thoughts, by feeling that I can contribute a little to the understanding of what others are going through; then there is reason for doing it.
Just make sure you find your own style rather than going with what everyone else is wearing. If you feel comfortable, it's going to get you noticed in the right way. That's better than worrying about what everyone else is wearing and feeling awkward. That's the most important thing.
I just want you to know,' said the girl, coldly, 'that whoever you are and whatever you intend with me, I shall give you no aid of any kind, nor shall I assist you, and I shall do whatever is in my power to frustrate your plans and devices.' And then she added, with feeling, 'Idiot.
The higher the heel, the more drastic it can get. But I do need heels to perform, which is strange. I can't perform in flats because I've built up this...I don't know, this sexual side that I find myself moving and getting into the music more when I'm feeling a little more feminine.
You must hand yourself and all your inward experiences, your temptations, your temperament, your frames and feelings, all over into the care of your God, and leave them there. He made you and therefore He understands you, and knows how to manage you, and you must trust Him to do it.
I got to a happier point and then started making a record [Wild Things]. I don't mind at all that it sounds like LA, because LA was integral to me feeling better. Seeing the sunshine and all that other sorts of stuff was definitely a huge part in why the album sounds like it sounds.
I told a joke and people laughed and it was the best feeling. I knew I wanted to do this as a career. I never knew I could get such a high from telling a joke. There's something so extraordinary about having people listening to you and hanging onto your words - it's a great feeling.
Sometimes, I'd take shots without aiming, just to see what happened. I'd rush into crowds - bang! bang! ... It must be close to what a fighter feels after jabbing and circling and getting hit, when suddenly there's an opening, and bang! Right on the button. It's a fantastic feeling.
I was hoping to do an impressionist painting, but I wanted a good likeness and I wanted to create a feeling of the lady as a person, as a human being rather than as a figurehead for the monarchy and a pomp-and-circumstance sort of formal portrait. I wanted more of a relaxed portrait.
One of the things I like about performing on the stage is that it is a kind of meditative experience. Time does stand still. You have no concept or feeling of the passing of two or three hours' time. It's all kind of one present moment, which is a kind of a description of meditation.
There is rest in this world nowhere except in Christ, the manifested love of God. Trust in excellence, and the better you become, the keener is the feeling of deficiency. Wrap up all in doubt, and there is a stern voice that will thunder at last out of the wilderness upon your dream.
My thing is related to who I am as a person. The clothes are an extension of me. The music is an extension of me. All my businesses are part of the culture, so I have to stay true to whatever I'm feeling at the time, whatever direction I'm heading in. And hopefully, everyone follows.
I've had my moments of feeling miserable in my life, as has everyone, but it's not often that you actually get the opportunity to indulge that feeling. Mostly when people are depressed or miserable, they have to snap out of it because it doesn't work. It doesn't suit day-to-day life.
I wanted someone a little more approachable," I explained. "What, like Captain McTropicalShorts back there? Where on earth did you find him anyway?" "Just did an Internet search." Feeling a need to defend my research, I added, "He comes highly recommended." "By who? Long John Silver?
Money comes and goes, but your inner feelings, your gut feelings, your manhood, your womanhood, whatever, that stays with you. That don't go anywhere. So you either proud of who you are and how you handle situations or you not. If you handle a situation wrong, you, it will haunt you.
Religions are the exponents of the highest comprehension of life... within a given age in a given society... a basis for evaluating human sentiments. If feelings bring people nearer to the religion's ideal... they are good; if these estrange them from it, and oppose it, they are bad.
I don't know if you've ever been shoved into the bow of a nutshell pram, a boat that is very easily almost liftable with one hand, and quite tippy, and is being piloted by a 12-year-old, but it is the true feeling of having your life in someone else's hands, and it's very precarious.
I am comfortable calling myself a writer of suspense, or a writer of thrillers; both terms are sort of interchangeable to me. I think that came from a sense of being at conflict with my true nature throughout my youth, and being afraid of discovery, and feeling as if I didn't belong.
A natural right in the strict sense is that which is naturally under a person's control, his body with its faculties of movement, feeling, thought, and speech. By extension, a natural right is what a person brings under his control without violating any other person's natural rights.
The five stages - denial, anger, bargaining, depression, and acceptance - are a part of the framework that makes up our learning to live with the one we lost. They are tools to help us frame and identify what we may be feeling. But they are not stops on some linear timeline in grief.
When the lights go down, that's 30,000 peoples lives colliding. Everyone there working is working for that moment, everyone watching is watching for that moment. It's when you're all in agreement about what you're all doing so it's a wonderful feeling of togetherness and possibility.
I remember so many times taking classes and feeling completely discouraged because I felt like I wasn't getting it and I couldn't understand. I kept working at it and I kept going back to class, and I wouldn't let myself get intimidated or get scared away, and it really does pay off.
I had the feeling I had to stay focused on what's lying under. A big part of the story in Toni Erdmann happens on the sub-level. On the surface, a lot of scenes, it's banal. If the actor starts thinking, "Oh, I'm in a genre, I'm doing a comedy, I'm doing funny things," then you lose.
Feelings, she learned, were hard to fight. She treasured his smiles and compliments and tried not to dwell on the fact that he gave this things to his friend Kel. His dreamy-eyed gazes, poems, and fits of passionate melancholy were for Uline. It was hard not to resent the older girl.
I think it's a very important collaboration between the conductor and the orchestra - especially when the conductor is one more member of the orchestra in the way that you are leading, but also respecting, feeling and building the same way for all the players to understand the music.
Could the best and kindest of us who depart from the earth have an opportunity of revisiting it, I suppose he or she (assuming that any Vanity Fair feelings subsist in the sphere whither we are bound) would have a pang of mortification at finding how soon our survivors were consoled.
I like - there's a better word for it, but I like the danger that a comic brings to a role. It has a feeling, even though everything's scripted and everything's planned what you're going to do. When I see Will Ferrell or Sacha Baron Cohen, there's a feeling that anything could happen.
To me acting and doing movies is really strongly about the present time. It's all about when you do it. It's to create this feeling of extreme awareness and concentration. Because it doesn't happen without an extreme concentration, when you are completely immersed and focused on that.
Even before the withdrawal sets in, you'll do anything to get that feeling back, because as long as it lasts, nothing's wrong. It doesn't matter if you forget something, or lose something. Or if you fail someone. Nothing's wrong and everything feels good, and you never want it to end.
The film is ambiguous, an ambiguity that reflects on Japan today, and a world in which nothing is clear. Once I made the film [Takeshis'], I realized it was about this feeling of vague disquiet in Japan and in the rest of the world, a feeling that is gaining on us, getting less vague.
I have a feeling there is no ideal situation, unless she could go back in time and be 22 again. I think some of it is just kind of the shock of realizing that you're approaching middle age, or that you are middle-aged and kind of coming to terms with that in whatever incremental ways.
At the end of our conversation she (Martha Stout) turned to address you, the reader. She said if you're beginning to feel worried that you may be a psychopath, if you recognize some of those traits in yourself, if you're feeling a creeping anxiety about it, that means you are not one.
And also--to add to my problems--my parents and relatives kept telling me how they'd grown up feeling so close to the Almighty that they'd spoken to Him on a daily basis as one would speak to a friend and how, now and then, God had actually spoken back to them in the form of miracles.
One of the things I learned on the street was to trust life and to keep hands off of it, and that feeling continues in the rest of the works that I do, the portrait, the landscapes, or any interest that I have. Things are good enough as they are, there's no reason to tamper with them.
Now if any of you will deny the plurality of wives and continue to do so, I promise that you will be damned; and I will go still further, and say that this revelation, or any other revelation that the Lord had given, and deny it in your feelings, and I promise that you will be damned.
Many things are mechanical and should remain mechanical. But mechanical thoughts, mechanical feelings—that is what has to be studied and can and should be changed. Mechanical thinking is not worth a penny. You can think about many things mechanically, but you will get nothing from it.
If you simply ignored the feeling, you would never know what might happen, and in many ways that was worse than finding out in the first place. Because if you were wrong, you could go forward in your life without ever looking back over your shoulder and wondering what might have been.
I'm simply interested in what is going to happen next. I don't think I can control my life or my writing. Every other writer I know feels he is steering himself, and I don't have that feeling. I don't have that sort of control. I'm simply becoming. I'm startled that I became a writer.
We three belong to the Middle Ages. We have this need of heroism, and there is no place for such feelings in modern life. That is our tragedy. Once I wanted to be a saint. It seemed the only absolute act left to do, for what is most powerful in me is the craving for purity, greatness.
If you go on condemning, your condemnation shows that somewhere there is a wound, and you are feeling jealous - because without jealousy there can be no condemnation. You condemn people because somehow, somewhere, unconsciously you feel they are enjoying themselves and you have missed.
I don't really analyze my stuff when I write. I write about stuff that I'm interested in, that I'm feeling at that particular time. When I stand back and look at the complete work, I might see themes that run through the whole film, but I'm not really conscious of it when I'm doing it.
When you feel that you are a lonely, put-upon, isolated little stranger confronting all this, you are under the influence of an illusory feeling, because the truth is quite the reverse. You are the whole works, all that there is, and always was, and always has been, and always will be.
Star Wars came out when I was seven. It was so different from anything else, like peeking into the land of Oz. All you wanted to do was see it again and go back and see more of it. That feeling is not easy to reproduce. Eventually, you give up and try to recreate that feeling yourself.
If you're doing six takes, instead of doing six variations on the same words, why not just throw out the words and make them up as you go along, if you're comfortable with it? It gives the movies a slightly rangier feeling, and more of an accidental feel, but it also makes them edgier.
I'm sensitive to how people are feeling if they feel like they got it wrong, and sensitive to the people who are kind of gloating that they knew all along, they figured it out. I'm loving them through this process, because I know that it took me a while once I found out that it was me.