Quotes of All Topics . Occasions . Authors
If I get a week off, I'll go to a hotel that has a golf course. I like to come downstairs and go right onto the course. I'll do that five days in a row.
I love music and I enjoy creating sounds. I got into making music when I was a child, starting with the spoons and the koto before moving onto the piano.
And what it depends on, of course, is whether the story itself is worth the ethical compromise it requires and whether the competition is onto the story.
Being a kid, as all kids do, you feel out of place or like kind of a freak. You wake up feeling like your head got put onto someone else's body that day.
For all those, who ever think of giving up and give in what others have to say, I would say hold onto your dream and watch it come alive, just like mine.
People are starved for the truth, and when something comes along that even looks like the truth, people will latch onto it because everything's so false.
Now, honestly, every movie set that I go on, I walk onto set with the confidence that there is nothing that they can throw at me that's gonna surprise me.
For me, the only thing I had to look forward to was the ring because my personal life wasn't doing that great, so my fake life was what I was holding onto.
The first time that I stepped onto a stage, it was life-changing. For once, I felt comfortable and in a place where I belonged. It changed my life forever.
You can get pictures into what people are sort of thinking about others. Just go onto Google and type 'Why are Indians' and then look for the autocomplete.
When I'm in a place like Iceland, I allow myself to take a little more time to divert off onto other paths creatively for a while and see what comes to me.
Everyone's projecting onto you, or you feel like everyone is judging you. I feel like I'm being judged a lot of the time. You become really self-conscious.
'The White Woman on the Green Bicycle' is a love story mapped onto an unfolding political tragedy: that of the failure of the Independence era in Trinidad.
It'd be awesome if you could see an actual player's faces projected onto an in-game character in a multiplayer game. Imagine how realistic that would feel.
I could always flip between emotions and be available to suddenly do something new. I think it's a part of playing, and you hang onto it when you're a kid.
When I was 18, I had a trial at Benfica, when Sven-Goran Eriksson was the manager. Then, at 21, I was working for a company loading vegetables onto trucks.
Family, work, familiarity. Listen, if I had a magic wand and I could make myself really be happy, I'd zap me onto a farm. And I know nothing about farming.
I can write a program that lets you break the copy protection on a music file. But I can't write a program that solders new connections onto a chip for you.
Everyone has needs, but Food for the Hungry is something that people can grasp onto as a practical way to step outside of themselves, take a risk, and give.
For me, rehearsal is very important, and I spend a lot of time doing it. Also, I work with my acting teacher for hours and hours before walking onto any set.
When I write I try as far as possible to forget I'm writing it at all. I tell it down onto the page, as if I'm telling it to one person only, my best friend.
What I wanted to do was to get that sense of being in touch with this lost world while holding onto what draws readers and audiences there in the first place.
I've never seen a truly great fighter get knocked onto the ropes unconscious... knocked out cold before... and I saw Roy Jones get knocked out twice in a row.
I think you are doing a disservice to a novel just by transposing it wholesale onto the screen, because it doesn't work. They are completely different beasts.
You can help build momentum in training by keeping the pace and intensity high. Make things happen in training, and then you can transfer that onto the pitch.
When you come across someone colorful and vibrant maybe in the present it isn't so interesting, but, in the past, it sheds a wonderful light onto living life.
General Howard informed me, in a haughty spirit, that he would give my people 30 days to go back home, collect all their stock, and move onto the reservation.
As an artist, you want as many people as possible to see your work with no interference. And usually, I've gone onto fringe channels: BBC Two, HBO, Channel 4.
The roots that weave up my right arm and onto my neck are my way of connecting with the earth: the earth's roots carry water like a human's veins carry blood.
I still love taking pictures with Polaroid film. For me, it offers the most beautiful way of capturing reality and transferring it onto a flat piece of paper.
I write by hand and then transfer the text onto the computer. I like the process of actually having a pen in my hand. Things flow more easily for me that way.
For me, acting is a long-term thing. I'm not in a hurry to make it. I have no desire to explode onto the film industry. I still want to be acting when I'm 60.
It's very tough to transfer ballroom technique onto the ice, to give the illusion of the proper hip motion and position, with the speed and glide of the blade.
I always feel that comedy, at its best, tackles issues that are controversial, polarizing, volatile, and sheds light onto those issues and the people involved.
I'm holding onto the hope that there is some reason that I got cancer and there is something - that may not be very clear to me right now - but that I will do.
I decided to do the maximum to hold onto the lead for as long as possible. That is why I pushed so hard from the beginning. I was at 100 percent concentration.
I tend to take on too many projects at the same time, but as I've always done, I will continue to shift my focus onto whatever feels most urgent in the moment.
I wanted to hold onto and exploit the power of narrative. This is not only a book about a great storyteller, but there have to be stories about the storyteller.
I'm such a product junkie - I love trying new products and new shades. For me, it's really exciting to see what new and wonderful products come onto the market.
I've held onto little musical sketches that I thought could be useful, and the more time that I spend doing them for each film, then the more I have to draw on.
I had the working class ethic. I wanted to make a living and there weren't many opportunities for an opera singer in Yorkshire, so I went onto the club circuit.
Every time I step onto an airplane, I turn to the right and take a good, hard stare into the maw of the engine. I don't know what I'm looking for. I just do it.
No director can ever deliver what's on his or her mind totally, but 'Baahubali-2' is the closest I can get in executing what I had envisaged onto the celluloid.
We're not good at propping up old carcasses. We want to be on top of what's vital at any particular time, and not just hold onto something because it has a name.
The transponder requirements have three major sections, namely the chip; the antenna; and the assembly of the chip and the antenna onto the goods being labelled.
I thought my second record was good, but it didn't have that smash hit we did on the first one that somehow found its way onto tons of formats of radio stations.
Sometimes success means having the right idea in the right place at the right time. Other times, it's about not being afraid to quit and move onto something new.
Grooming in football is quite big. I'm somebody that brings my Boss Bottled Unlimited to training or in my washbag, and I've put a few of my teammates onto that.
When I was 12, my friend and I tried to sneak onto a plane from my hometown of Cleveland to New York City! My dad encouraged us - he was a wild guy, big on jokes.
When you procrastinate, you're more likely to let your mind wander. That gives you a better chance of stumbling onto the unusual and spotting unexpected patterns.