Quotes of All Topics . Occasions . Authors
I became very interested [in philosophy] after attending the U.N. Conference on sustainable development in Brazil.I'm very concerned about climate change and the world reaching a tipping point. And, I see other people who really just want to survive to make it to the next election, rather than making means of change.
I've had to accept that - that everyone cannot love me. Because when there's love, there's hate. When there's light, there's dark. But it was really hard to accept as an artist that there's a lot of people that hate me, but on the other side, there are many more people who love me. I think everyone goes through that.
We're mathematically past the point where the accumulation of individual actions can add up quickly enough to make a difference. The individual action that actually matters is not being an individual. It's joining together with other people in groups large enough to change the political dynamic around climate change.
Things will be different this time," Caine said. "There was too much contention, too much violence the last time. I tried to be a peaceful leader. But thing went badly." "I wonder why," Diana muttered. "These people," Caine said grandly, sweeping his arm towards the town, "need more than a leader. They need...a king.
I'm trying to mediate between individual agency and structural determination. I accept that people make individual choices, quite thoughtful, quite careful, quite difficult choices, but they don't make them without constraints that shape what choices are possible and provide the intensity of the push toward choosing.
In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, "Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . ."
When I'm getting ready for a movie, let's just say my diet is "The Antisocial Diet." I don't go to restaurants. I don't eat what I really want to eat. I don't eat much. I eat small things frequently. Lots of protein and greens. And I don't eat with people, because there's a tendency to get social and then to overeat.
I'm the one who often makes the 'Murder, She Wrote' reference, and ABC hates that, they don't want me to do that. And I say that having never actually watched 'Murder, She Wrote'. I think people have been trying to compare it to crime shows that are on right now, and all I can do is listen. I don't watch a lot of TV.
Everything in life and business, you only earn more if you become more valuable. Because if you can do more for people than anybody else does, you can prosper. But you can't do that unless you're constantly educating yourself with the cutting edge. My whole life, even when I had no money, I would invest in education.
People love that kind of beginning, middle, and end. They like that comfort of turning on the TV week-to-week and being entertained with a good story. There's nothing wrong with TV franchises because, first of all, they're successful. They just make people feel good and hopefully make people think about other people.
I was just very into things that were the opposite of what other people liked. I didn't want to listen to music that I could find at a friend's house. My identity was really forged around that, and you know, eventually that kind of identity gets dismantled and fed to the vultures. But I was somehow on my own mission.
If people could only be taught that economy is a thing of littles and of individuals, and of every day, and not a thing of masses and of spasmodic efforts, then a true idea would begin to tell upon the habits of our domestic life, for the thrift and thriving of the individual is the thrift and thriving of the nation.
Most of my books are set in the American Midwest, where I have always lived. Midwesterners are lovely, down-to-earth people. The luxury of choosing this region as a setting is the endless supply of seasonal change images that accompany it; in addition to, the wide variety of settings, urban and rural, to choose from.
I think there is a misconception that when people are the face of something, or they're the voice, especially when they're young women, that they're being created or molded by someone else. I think more so than not wanting to be a singer I was afraid of being mislabeled as just a singer - not that that's a bad thing.
It boggles my mind that the same people who cry ‘foul’ about rationing an instant later argue to reduce health care benefits for the needy, to defund crucial programs of care and prevention, and to shift thousands of dollars of annual costs to people – elders, the poor, the disabled – who are least able to bear them.
We know that people are less open in conversations if the other conversant puts a cell phone on the table. Even if it's turned off. The sign is enough to close the mind and make a prospective client or lover less likely to do what you ask. As people realize this, they'll start putting away phones or turning them off.
The most obvious answer, that you can read in any leadership book is this - learn to say "no" so that you can make time for the important stuff, the stuff that is closest to your heart. And of course, as all entrepreneurs will say, "surround yourself with good people". That is the hardest thing : finding good people.
Street skating, which is what I grew up with, is completely free of rules. You can do anything. When I see a skater go by, I think, What is this person going to do here? It's the same with people who write, who make music, who draw, who make movies. Creative people tend to have all of those different avenues in them.
In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows.
The shaman is a person who is able to transcend the dimensional confines of cultural existence. They know more than the people they serve. The people they serve are like children within the game of culture. Only the shaman knows that culture is a game. Everyone else takes it seriously. That's how he can do his magic.
Look, the Mexican border wall is necessary. That's not just politics, and yet it is good for the heart of the nation in a certain way because people want protection. And a wall protects. All you have to do is ask Israel. They were having a total disaster coming across, and they had a wall. It's 99.9 percent stoppage.
My grandfather had asked me many times whether I'd like to come to South Carolina with him. He wanted to introduce me to our people down there and I didn't want to go. In those days, the South was still a place where black kids were lynched. Something horrible could happen to you. I've had that feeling my whole life.
I think sometimes younger people - not necessarily thinkers and intellectuals and the like, but people who are on social media and who are not as informed as journalists or professional thinkers - may get a bit, you know, impatient with the necessity of sustained thinking, sustained argumentation, sustained dialogue.
I learned quickly enough when to click the shutter, but what I was becoming aware of more slowly was a story-writer's truth: The thing to wait on, to reach for, is the moment in which people reveal themselves... I learned from my own pictures, one by one, and had to; for I think we are the breakers of our own hearts.
Probably those three things affect the most people: reproductive freedom, freedom from violence, and democratic families. But there may well be someone sitting at this table who has a great idea to do something else that wouldn't come under those umbrellas and that would really be great, and make all kinds of change.
I've come to understand over the years that you're not going to please everybody. Some people are not interested in seeing a woman in the role of a broadcaster. But there are a lot of people who do come into this with an open mind, and it's up to me to prove to them that I'm qualified for the job and can get it done.
Don’t underestimate this gift of finding a place in the writing world: if you really work at describing creatively on paper the truth as you understand it, as you have experienced it, with the people or material who are in you, who are asking that you help them get written, you will come to a secret feeling of honor.
The experience of past ages may inform us, that when the circumstances of a people render them distressed, their rulers generally recur to severe, cruel, and oppressive measures. Instead of endeavoring to establish their authority in the affection of their subjects, they think they have no security but in their fear.
God has decided the rules of life, whereby you don't trespass on anybody else's rights, and sin is something that upsets the balance of things. There are three types of sin: sin against yourself; sin against other people; and sin against God. People often sin against themselves and others and misbehave with God, too.
Fast food is both evil and genius. Because of it we can feed a large number of people fairly decently at an affordable price. However, all the artificial flavors and artificial ingredients in some of their products are unacceptable. And it's designed so you can eat fast so you get back to work more quickly. Not good.
There's so much work in making movies, it's so easy to tear one down. When I watch a movie, even one that I don't particularly enjoy, I'm constantly impressed at the work that's in it. I respect the craftsmen and women. I tolerate a lot of movies that maybe other people don't, just because I know what goes into them.
I don't like filmmakers to tell people how they should react to their movies. I absolutely have favorites, and I have others that I'm mortified by, but I keep that to myself. I think I've managed to find some very interesting things that I've been very satisfied with recently. I don't know if that's gonna keep going.
The people that are really from the hood - and I'm raising my hand right now, you can't see that - we wanna get out the hood. We don't want to go back. We don't want to gang bang, we don't wanna do none of that. We wanna make it out! Like Jay Z did. We should be billionaires and owning businesses and stuff like that.
People are really beginning to see the mechanisms of imperialism. When colonialism existed people could see colonialism. When racial segregation existed in its apartheid form, people could see the "whites only" signs. But it's much more difficult to see the structures of neo-imperialism, neo-colonialism, neo-slavery.
I do want to have that feeling that people are actively involved in something, rather than just consuming something. I suppose that's what it comes down to, because it's such a dominant capitalist society, everything becomes a consumer product. And I don't think that's really appropriate to the creative arts, really.
In the times in which we live it is far too restricting to say that art can only be found in art galleries and not touch people's everyday lives. I want to use any means that are necessary to communicate with people what I feel about things. There are no rules. And if there are rules, then you may as well break them.
Imagine a world in which we saw beyond the lines that divide us, and celebrated our differences, instead of hiding from them. Imagine a world in which we finally recognized that, fundamentally, we are all the same. And imagine if we allowed that new understanding to build relations between people and between nations.
It is dangerous when you start calling people from one part of the world terrorists or fanatic, and you reduce them to some abstract notion. If evil has a geographical place, and if the evil has a name, that is the beginning of fascism. Real life is not this way. You have fanatics and narrow-minded people everywhere.
It's interesting how people who were once fairly radical can become, later in life, kind of conservative and not just in terms of politics - how if you're an artist, you can start out being somewhat avant-garde and then end up doing landscapes. Sometimes the opposite can happen, but it's usually the other way around.
I look for a sense of reality with everything I did. I didn't work in a studio, I didn't light anything. I found a way of working which pleased me because I didn't have to frighten people with heavy equipment. It was that little black box and me and £5 worth of film in my pocket or maybe it was only £2 in those days.
When I was young I asked more of people than they could give: everlasting friendship, endless feeling. Now I know to ask less of them than they can give: a straightforward companionship. And their feelings, their friendship, their generous actions seem in my eyes to be wholly miraculous: a consequence of grace alone.
While one is young is the time to investigate, to experiment with everything. The school should help its young people to discover their vocations and responsibilities, and not merely cram their minds with facts and technical knowledge; it should be the soil in which they can grow without fear, happily and integrally.
When was it that people decided as a society that your body is in one place and your sexuality in another place, something like a hat, or a coat, that when you leave home you hang it and when you come back home you say, "Ah! Let's wear my sexuality! I might wear it tonight"? It is something that belongs to your body.
When I started the diamond business, no black person, period, was in it to do what we're trying to do to change the industry. So I like to do things that I see clearly that are in my, you know, scope. And then, I had to figure how I get talented or smart business people around me to execute. That's what I have to do.
Whether it's by helping us search for health-related information, connecting us with doctors through online portals, or enabling us to store and retrieve our medical records online, the Internet is starting to show the promise it has to transform the way people interact with and improve their own health and wellness.
I love life and want to hold onto it. But my passion for justice for my tormented people, for their dignity and freedom, must be greater still. For of what value is a life of slavery, of humiliation and contempt for that which you hold most dear: Your identity! I will therefore not give in to the Turkish Inquisition.
Changers are characters who alter in significant ways as a result of the events of your story. They learn something or grow into better or worse people, but by the end of the story they are not the same personalities they were in the beginning. Their change, in its various stages, is called the story's emotional arc.
Thoughts are like bullets. They go right to you. You're like the target. When you walk around and you are depressed or there is fatigue or a behavior which you're not used to, that can be someone else's energy on you. You need to know how to clean that off. Also people want to contact loved ones who have passed over.
One of the first times I ever performed in front of a big group of people was at my kindergarten graduation. I did, like, a Michael Jackson impersonation as, like, a five year old. I had the suit and blazer, the glove and the fedora, and I just performed a whole Michael Jackson song. I'm sure it was 'Smooth Criminal.
At the Sahara, the seats are banked and most of the audience is looking down at the stage. Everybody in the business knows: Up for singers, down for comics. The people want to idealize a singer. They want to feel superior to a comic. You're trying to make them laugh. They can't laugh at someone they're looking up to.