Traditionally in crime fiction, women exist as a bedroom convenience or to screw up in order that the plot may progress. I wanted no part of that.

If you create a movie that is only character driven, with a weak plot, then you - as a director, you have to make sure you keep pushing the tempo.

I write sentence to sentence. That's the kind of writer I am. I don't have a plot when I begin. I have to be convinced and I have to be surprised.

Accordingly, the poet should prefer probable impossibilities to improbable possibilities. The tragic plot must not be composed of irrational parts.

When I wrote Rick, I had the idea that I would take the plot of nearly every opera and turn it into a dark film, which is something I still may do.

I lost the plot for a while then. And I lost the subplot, the script, the soundtrack, the intermission, my popcorn, the credits, and the exit sign.

I know from experience that I make the best decisions when I'm into the story and inspired by the story, not when I'm sitting there trying to plot.

My temper manifests itself when I can't find something. I could swear that there is a plot against me to put kitchen utensils in the wrong drawers.

Each of us needs an adequate biography: How do I put together into a coherent image the pieces of my life? How do I find the basic plot of my story?

My books are primarily plot driven but the best plot in the world is useless if you don't populate them with characters that readers can care about.

I know from the past, critics often say my films don't have any plot, that kind of thing. I'm used to being told, "Yeah, it's slow and has no plot."

Bohemia isn't somewhere an artist runs to escape society. It's a place where like-minded artists gather to plot the downfall of dogma and ignorance.

Truth may be stranger than fiction on a plot and narrative basis, but fiction can investigate tone in a way that things based on a true story can't.

Sometimes, like in 'Invisible Monsters,' I get too out of control, and instead of a plot point every chapter, I want a plot point in every sentence.

I don't read for plot, a story 'about' this or that. There must be some kind of philosophical depth rendered into the language, something happening.

I think with musicals, it's much more part of the script. They don't want songs that would stop the show; they need songs that keep the plot moving.

Conspiracy! Intrigue! A rapidly thickening plot! Add some bestiality and a lecherous priest and I'd say you have the beginnings of a beautiful novel.

My sister and brother are both writers as well. We are constantly discussing story and plot lines. And I love to discuss story ideas with my husband.

When I storyboard, they're just fragments of thoughts. I write in three acts like a movie, so I have my plot points up on the preliminary storyboard.

I don't plot with huge detail, just big moments and important elements, and then I have a structure but can fly by the seat of my pants when I write.

I confess that I cannot understand how we can plot, lie, cheat and commit murder abroad and remain humane, honorable, trustworthy and trusted at home.

Plot is tremendously important to me: I can't stand books where nothing happens, and I can't imagine ever writing a novel without at least one murder.

Countries across the world are taking action now to help them track paedophiles and terrorists who abuse new technology to plot their horrific crimes.

If your characters are two-dimensional and your plot uncompelling, it won't matter how incredibly detailed and believable your fantasy world might be.

There is one plot point in one of the 'D'Arnath' books that I don't think I handled as well as I could have. Am I going to tell you which one? No way!

I don't like to go to the movies to see violence or some kind of spy thing with all kinds of information you have to assimilate to understand the plot.

Bigotrys birthplace is the sinister back room of the mind where plots and schemes are hatched for the persecution and oppression of other human beings.

Any claim to actual identification as a drama must rest upon the construction of a plot independent of the assignment of affliction to the protagonist.

The rule for finding plots for character-centered novels, which is to ask: 'So what's the worst possible thing I can do to *this* guy?' And then do it.

I've paid the price; I definitely have a reputation that precedes me, and there is a camp that plots my demise. But then again... it's funner that way.

The sentence imposed on Abdul Kadir sends a powerful and clear message. We will bring to justice those who plot to attack the United States of America.

Plot is not my forte. It's like I have to live in my head in the book for a while before I figure out what the story is... My process is a bit messier.

I don't think I'm a natural novelist. Plot is definitely one of my weaker points. I've been working on it a long time, and it's not getting much better.

Plots are artificial. Does your life have a plot? It has characters. There is a narrative. There's a lot of story, a lot of character. But plot? Eh, no.

The biographical novel sets out to document this truth, for character is plot, character development is action, and character fulfillment is resolution.

As the plot of 'Condor' unfolds, you'll understand that nothing is sacred in the pharmacy world or in the behind-the-scenes workings of the CIA and FBI.

With the Red Sox, you have more of a literary interest in it. You know they're going to lose; you're just interested in how the plot is going to unfold.

Science fiction is an amazing literature: plot elements that you would think would be completely worn out by now keep changing into surprising new forms.

Every book has got its challenges. You run into a plot point that you can't figure out, or a scene that you struggle to write and have to write 50 times.

The thing with 'The Girl with a Dragon Tattoo' is that is it's like an Agatha Christie plot, and an investigating journalist is also a classic character.

There is nothing that's been in any of my novels that, in my view, hasn't been either illuminating surroundings or defining a character or moving a plot.

I really try to plot in a fearless fashion. I try not to care about not knowing the answer before I get there; I just jump in first and see what happens.

When we mean to build, We first survey the plot, then draw the model; And when we see the figure of the house, Then must we rate the cost of the erection.

'Liv and Maddie' actually started out as a different show called 'Bits and Pieces,' and it was a completely different plot, although it was the same cast.

A free and prosperous Iraq will be a major blow to the terrorists and their desire to establish a safe haven in Iraq where they can plan and plot attacks.

From a plot perspective, what I finally found for my touchstone was that I consider 'Upside' to be a loose telling of Jane Austen's 'Emma,' or 'Clueless.'

I love a well-plotted story. But I'm just not that kind of writer, and it's not necessarily by choice. When I manipulate plot, I feel I lose authenticity.

I'm not one of those politicians, to my probably discredit, who thinks very far ahead. It has to feel right to me and not be about a careful plot and plan.

The thing that I love is human behavior - why people do what they do, who they are, and the choices that they make - and that has to always be plot driven.

'The Merchant of Venice' is a straightforward, clear story, while 'The Winter's Tale,' as a general rule, is hard to present because there is so much plot.

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