Quotes of All Topics . Occasions . Authors
So you see, the quality of humor is not a personal or a national monopoly. It's as free as salvation, and, I am afraid, far more widely distributed. But it has its value, I think. The hard and sordid things of life are too hard and too sordid and too cruel for us to know and touch them year after year without some mitigating influence, some kindly veil to draw over them, from time to time, to blur the craggy outlines, and make the thorns less sharp and the cruelties less malignant.
Today's political leaders demonstrate their low opinion of the public with every social law they pass. They believe that, if given the right to chose, the citizenry will probably make the wrong choice. Legislators do not think any more in terms of persuading people; they feel the need to force their agenda on the public at the point of a bayonet and the barrel of a gun, in the name of the IRS, the SEC, the FDA, the DEA, the EPA, or a multitude of other ABCs of government authority.
In order to make a success of old age, one must begin it earlier, and not try to postpone it as long as possible. In the middle of life we must stop to think, to organize our existence with an eye to a still distant future, instead of allowing ourselves to be entirely sucked into the professional and social whirl. It is then that it is important to give place little by little to less external activities, less technical and more cultural, which will survive the moment of retirement.
I think it is less the limited amount of information than the filters that information about the Middle East must pass through before being fairly addressed in the mainstream media. In more intellectual and geopolitical terms, the perceptions of the region are distorted by a combination of Orientalism and the priorities of the state of Israel, including the refusal to discuss the relevance of Israel's nuclear weapons arsenal in the context of addressing Iran on its nuclear program.
When I talk about feminism and what I think the women's movement needs more of, it's not to detract from anything going on - I think everything going on is fantastic - but there's this missing element. I think we could learn from our detractors a little bit because I feel like they have a plan, a better understanding of things than we necessarily do. You can't change things if you don't understand the other people involved. And if you don't understand yourself, you'll never change.
I think the world has mostly ended because the cities we wander through are as rotten as we are. Buildings have collapsed. Rusted cars clog the streets. Most glass is shattered and the wind drifting through the hollow high-rises moans like an animal left to die. I don't know what happened. Disease? War? Social collapse? Or was it just us? The Dead replacing the Living? I guess it's not so important. Once you're arrived at the end of the world, it hardly matters which road you took.
I think most people who decide to become a musician have to be prepared for some degree of struggle. It makes the art better if you go through some struggles. To be an artist, in any form, you have to develop some sense of compassion and empathy - it's an important quality for everyone to have, on a human level. But I think, as part of our job, you have to be able to do that, so suffering, tends - if you allow it - to let you look on the bright side. It will help with those senses.
I think everyone at some point comes up against a wall. Curiously, though, if you continue working, you might readdress that idea from another direction. If you didn't try something, you'd never have anything; if you didn't make an attempt to make the work, it wouldn't exist. There have been times when I could not work, and I would just go and sit down in the studio and wait to see what might happen. You can't always just go and take an exotic trip and come back and make something.
I was a coin collector.I didn't know I was nerdy at the time until I felt my 16-D Mercury Dime that was in uncirculated condition might be a panty dropper, and it turned out not to be. Then I stumbled into skateboarding, which kind of was cooler. But I wasn't aware of what was cool. My dad wasn't around so he couldn't shake me and say, 'Drop the coin collecting bit. It's not where you want to go.' So, that and the spelling bee and the chess, I think I had it figured out for myself.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
I do not like a high-organized church. I think that as soon as the congregation reaches a level of one hundred or so people, it is time to build a new church. As soon as the congregation gets to the point where you are not on fairly intimate terms with every other person in that church, then you have become a theater where people can attend services. I do not think you can attend a church service. Service is not something which is there to be viewed as if it were a play or a movie.
A few times in my life I've had moments of absolute clarity, when for a few brief seconds the silence drowns out the noise and I can feel rather than think, and things seem so sharp. And the world seems so fresh as though it had all just come into existence. I can never make these moments last. I cling to them, but like everything, they fade. I have lived my life on these moments. They pull me back to the present, and I realize that everything is exactly the way it was meant to be.
I think a lot why our lives shows are good is because of the crowd, and because of the energy that they bring. Also, there was a time when a lot of the people that came to our shows were a bunch of drunk bros. At a certain point, we decided we were going to start calling them out. We also decided to become more gay-positive and feminist and all that stuff, and that we were going to be really vocal about it. After that, our crowd became a lot friendlier, and honestly a lot more fun.
I think history is only ever invisible when it abets your sense of self, your desires, your ambitions, when it carries your life along in a kind of frictionless way. History is never invisible, finally, though some people seem to work very hard to be willfully blind. That's too harsh, or too self-righteous: none of us sees history fully; none of us is adequately aware of how the arrangements of the present moment foreclose the possibilities of others to fully live their only lives.
Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road. . . .
I think there are a lot of Republicans who recognize that investment in adolescent girls and empowering them is good for our foreign policy. When they're educated, they tend to give back more to their communities, to rise out of poverty in a way that is good for their families and their communities and ultimately, their countries. I think that we need to keep laying down these markers, and pointing out what's important to our national security and what's important around the world.
I think enjoying each other in a creative way is usually a result of when you're doing something that might be problematic - might be a little difficult to uncover. I've done it once in a stage production; we came in for two days and, just as an experiment, the director had us reading each other's roles. You hear another voice interpreting a line that maybe you were having trouble with. It can be very helpful. But we weren't really in the kind of situation where that was necessary.
The most dangerous thing you can do is to take any one impulse of your own nature and set it up as the thing you ought to follow at all costs. There is not one of them which will not make us into devils if we set it up as an absolute guide. You might think love of humanity in general was safe, but it is not. If you leave out justice you will find yourself breaking agreements and faking evidence in trials "for the sake of humanity", and become in the end a cruel and treacherous man.
Most of the time, people are not actually concerned with prostitution and sex work. They're concerned about seeing people who they think are prostitutes and sex workers in their community. Sometimes this just comes down to profiling, the feeling of "I don't want someone who looks like that in my neighborhood." We need communities and neighbors to regard sex workers as part of the community and fellow neighbors. But that's really difficult. There's certainly nothing supporting that.
When I was in graduate school at MIT I was trying to think about how to develop software and systems for farmers and villagers in India. In the process of doing that, I realized that my reference point was internal to the laboratory, rather than in the communities that I was wanting to serve. I realized that I could no longer assume what a good technology looks like from inside the laboratory; instead, I had to be in the world with people. Not just designing for them but with them.
The biggest piece of advice I would give to other women and girls is that it's really hard, and I feel like we're promised in like these phrases like, "Never give up," and stuff like that, it's going to be easier if you just listen to them. In my experience, and I think the experience of my friends and other women around me, it's a lot - you have to do a lot for yourself because the world isn't as friendly to women and girls as it should be, and it's not as helpful as it should be.
President Xi Jinping clearly understands, and I think agrees, that the situation in North Korea has intensified and has reached a certain level of threat that action has to be taken. And, indeed, the Chinese, even themselves, have said that they do not believe the conditions are right to engage in discussions with the government in Pyongyang. And so what I think we're hopeful is that we can work together with the Chinese to change the conditions in the minds of the DPRK leadership.
Our life as consumers seems light years away from that of our grandparents. But you don't change human nature. Optimism, for me, is the belief that we can spread the opportunity for everyone to be fully human. Sustainability, like music, is an impulse to make sense of the world around us. It is core to our humanity. If you only like one composer, or think all the best music has already been written, you have reason for pessimism. If not, it is within us to have good reason for hope
If you think that people today, like Hollywood, are ever gonna sing [Donald] Trump's praises, it's never gonna happen. It's only going to get worse. And they know it at the White House. They're not expecting these people to be won over. That's not why Trump's doing anything he's doing. They don't expect the establishment types to one day say, "You know what? You're right, Mr. Trump, this is great. We like what you're doing." It's never gonna happen. They don't expect that to happen.
Cheshire Cat: If I were looking for a white rabbit, I'd ask the Mad Hatter. Alice: The Mad Hatter? Oh, no no no... Cheshire Cat: Or, you could ask the March Hare, in that direction. Alice: Oh, thank you. I think I'll see him... Cheshire Cat: Of course, he's mad, too. Alice: But I don't want to go among mad people. Cheshire Cat: Oh, you can't help that. Most everyone's mad here. [laughs maniacally; starts to disappear] Cheshire Cat: You may have noticed that I'm not all there myself.
There's a reason why trainspotters are not girls, there's a reason why there's the myth of the slightly autistic male genius, there's a reason why Gertrude Stein believed that her self-presentation was male. One could argue that was Susan Sontag also. The things that we associate with femaleness are not the single-minded, exclusive pursuit of a vocation, whether it be art or anything else. It is not a model that is widespread in our culture, it's not something we think of for women.
If there is one thing I will never have, it is an eating disorder. I won't have girls - even if it is just one or two who care - thinking that. Because it is a serious sickness, not something to plaster on the cover of a magazine. And I am the opposite. I want girls to love themselves. I want them to feel good about who they areThe thing is, I'm lucky because I was loved. But I have seen so many young women who can't feel good about themselves because they just don't have that love.
When you make something, if you are a painter or a writer, a degree, or a sculptor or whatever or a musician, a degree of energy is required to make it, and I'm not sure that it is always aggressive, but when you have a great deal of energy it can appear to be more aggressive than it is. In fact, I mean you can talk about a waterfall being aggressive, but in fact it is just a very powerful forward movement of energy, and although I think sometimes my engine house is a kind of anger.
Labor party wants to make the economy fairer for everybody with a new industrial strategy and by investing in different parts of the UK. And we are not following the cynical approach of saying: Young people don't usually vote so we don't have to make any offer to them. But to succeed, we need a progressive future partnership with the EU. It is not easy, but I genuinely think it is possible to do. And I want Labour in power to do it, because the damage that is being done is profound.
I go into every meeting, into every room and for every speech understanding the standard deviation, the Bell Curve. I know there are about 10-15 percent of people in the room, who say, "I've been trying to say this for years. Finally. I agree. Yes, yes, yes." I know there are about 15 percent of the people in the room who think I'm an idiot, who think I don't know what I'm talking about, who think I'm naive or I have oversimplified everything. The majority who are open to the ideal.
I also think if you get sort of early success there's always this part of you which feels like, "I need to address the imbalance, I need to kind of earn that success after the fact". I try to find roles that are hard and also, I still find now, even after I've done loads of really random movies, directors are really surprised that I want to play the parts that I want to play. They just assume that you want to only do the honorable good guy lead who saves the day or dies at the end .
There’s a virtuous cycle when people have to defend challenges to their ideas. Any gaps in thinking or analysis become clear pretty quickly when smart people ask good, logical questions. You can’t be a good value investor without being an independent thinker – you’re seeing valuations that the market is not appreciating. But it’s critical that you understand why the market isn’t seeing the value you do. The back and forth that goes on in the investment process helps you get at that.
All too often, as we know from experience, people do not choose life; they do not accept the gospel of life, but let themselves be led by ideologies and ways of thinking that block life, that do not respect life, because they are dictated by selfishness, self-interest, profit, power and pleasure and not by love. ... As a result, the Living God is replaced by fleeting human idols, which offer the intoxication of a flash of freedom, but in the end bring new forms of slavery and death.
...instead of giving a rifle to somebody, build a school; instead of giving a rifle, build a community with adequate services. Instead of giving a rifle, develop an educational system that is not about conflict and violence, but one that promotes respect for values, for life, and respect for one's elders. This requires a huge investment. Yet if we can invest in a different vision of peaceful coexistence, I think we can change the world, because every problem has a nonviolent answer.
The Jews started it all-and by 'it' I mean so many of the things we care about, the underlying values that make all of us, Jew and Gentile, believer and aethiest, tick. Without the Jews, we would see the world through different eyes, hear with different ears, even feel with different feelings ... we would think with a different mind, interpret all our experience differently, draw different conclusions from the things that befall us. And we would set a different course for our lives.
This is something I think that blues music, or folk music, and all those particular genres that have a perspective about life deal with - where the difficulties of life are seen as something that are very natural and nothing to be embarrassed about, and something that we all go through; something that's part of our share of humanity. And it accepts those difficulties and pain as such. I think there's a wonderful forgiveness that can come over you, if you have that perspective on it.
Well I'm not making predictions. But the point I can - what I can say to you to contribute to your thinking is as somebody who has been out knocking on doors, doing the street corners, speaking to constituents right across the country is that the Government - that people understand that the Government's message of jobs and growth is addressing their concerns and they have a level of - a high level of confidence that Malcolm Turnbull and Scott Morrison are the people who can deliver.
I’m not a romantic, I’m a half-wit. Only stupid people would think I’m smart. I’m not something anyone should know. I’m a lunatic wandering around for scraps, I’m like every single miserable moron I’ve scorned and pretended I didn’t recognize. I’m all of them, every last ugly thing in a bad last-minute costume. I’m not different, not at all, not different from any other speck of a thing. I’m a blemished blemish, a ruined ruin, a stained wreck so failed I can’t see what I used to be.
Greed arises only because your present moment is empty, and to live in an empty moment hurts very much. To forget it you project greed into the future, thinking that tomorrow things are going to be better, a lottery is going to open in your name. But of course you have to wait for tomorrow, it cannot be just now - and tomorrow never comes. All that comes is always the present moment, which is empty. Greed is because we don't know how to live the present moment in its total richness.
Here’s what I know about the realm of possibility— it is always expanding, it is never what you think it is. Everything around us was once deemed impossible. From the airplane overhead to the phones in our pockets to the choir girl putting her arm around the metalhead. As hard as it is for us to see sometimes, we all exist within the realm of possibility. Most of the limits are of our own world’s devising. And yet, every day we each do so many things that were once impossible to us.
Don Keough's (CEO Coca-Cola) 11 Rules on "HOW TO LOSE": 1. Stop taking risks 2. Be content 3. Never deviate from what the founder did 4. Be inflexible 5. Rely totally on research and experts 6. Concentrate on competitors instead of your customers 7. Put yourself - not the customer - first 8. Solve administrative concerns first 9. Let others do your thinking for example, headquarters 10. Rely on T-G-E: "That's Good Enough" and T-N-M-J: "That's Not My Job!" 11. Rationalize slow growth
I think the Control has really opened up the music to a whole new audience. I've met kids recently, kids of people I know who are 14 and 17 who love Joy Division and have been a fan before the movie, which is really weird. How does that happen? I have no idea. But, the music that's out there today is heavily influenced by these bands from the 70s and 80s like Joy Division. I want them to take away a little bit of what Ian Curtis was and, at such a young age, he had so much going on.
I suppose there is something in all of us that harks back to the soil. When you come to think of it, what are picnics but outcroppings of instinct? No one really enjoys them or expects to enjoy them, but with the first warm days some prehistoric instinct takes us out into the woods, to fry potatoes over a strangling wood fire or spend the next week getting grass stains out of our clothes. It must be instinct; every atom of intelligence warns us to stay at home near the refrigerator.
I know many Europeans and I think many of them don't even believe me when I say that people in US don't have vacations. Obviously a lot of people do but there are many, tens of millions of people that don't and there's certainly no guarantee of a vacation. So paid time off is very valuable where people know they could get four or five weeks vacation, which is absolutely standard in Europe. Denmark has 6 weeks. So I think that's something that's very valuable, giving people time off.
I think, as we go through life, we can sometimes, while still staying essentially true to ourselves, pick up mannerisms or modes of expression that are like curlicues. And there was a lot of that that I recognized sometimes. And I remembered, sometimes dimly, why those phrases felt so tasty to me, why that particular curl felt so good to me. But from my point of view now, it was almost inaccurate. It changed the meaning of what I was saying in a way that it seemed like a distortion.
To think of enduring to the end as ‘hanging in there,’ doing one’s duty relentlessly, is not inaccurate. Yet enduring to the end is more than outlasting and surviving, though it includes those qualities. We are called upon, as was the Prophet Joseph, to ‘endure it well,’ gracefully, not grudgingly. (D&C 121:8.) We are also told that we must ‘endure in faith.’ (D&C 101:35.) These dimensions of enduring are important to note. Likewise, we are asked to endure ‘valiantly.’ (D&C 121:29.)
Melancholia for Freud is the relationship that the subject takes up with respect to itself from the position of what he calls conscience or what he later calls the super-ego. And that can be lacerated - if you think of the anorexic who sees themselves from the perspective of the image they have, of the image they have of themselves in the mirror which is false - that would be the super-ego. Super-ego is what generates depression and it is what has to be dealt with in psychoanalysis.
Lee Harvey Oswald was boiling over about everything: the American ambassador; the Russians-he was mad at them because they wouldn't let him stay in Moscow. We talked to him for about half an hour, and my Italian friend didn't think the guy was worth filing a story about. Just another paranoid hysteric; the Moscow woods were rampant with those. I never thought about him again, not until many years later. Not until after the assassination when I saw his picture flashed on television.
When you go for something because you're curious about it, you get psyched up about the chance of getting into it. It's like an actor meets a role, and you slip into that body and see what happens, to experience certain conditions, to adopt a certain character. Even shooting is a study of the character. I think both the character and the actor, and eventually the filmmaker - myself - are finding a way to accept their environment and being accepted and feel comfortable of themselves.
You know, being Jewish is problematic. Most people really don't know what exactly it means to be a Jew. We belong to a community of suffering, and that's what binds us together. But we are also extremely diverse. That's something I wish people who hate Jews as a group because they think they're so different would understand. We're also completely different within our own group! Essentially, we're just part of a community that has suffered a great deal, and not just in the Holocaust.