It is really hard for me to impress myself with the work that I do.

You find me at work; excuse the dust on my blouse. I sculpt my marble myself.

I promised myself I wouldn't work again until I found something that excited me.

I did feel that a part of my work was to empty myself out and let it move through me.

It's not seeing myself 40 feet tall on a movie screen - it's the work. That's what thrills me.

I don't use my writing career as a vehicle to get me acting work or to write roles for myself.

I set myself up to be a bass guitarist and bass players get a lot more work than people like me.

I just follow what inspires me as an artist and a storyteller, and stay true to myself in my work.

I wouldn't call myself a feminist. I am just me. I like boxing and acting and doing my charity work.

I made a pact with myself when I was 12 that I would only work with people who make me happy. I choose happy.

I'm so critical of my own work that it's difficult for me to disassociate myself and watch it as an audience.

A school out of Canberra sends me a term's worth of work. I sit on the couch by myself and complete it and send it back.

I don't look at my work in a critical or analytical way; I just don't think of myself objectively. It doesn't interest me.

All of my experiences modeling, acting, doing theater, it's all in the work now. And the work freed me to transform myself.

The work itself is what motivates me. I like my own stuff, you know? I like the way it looks. I do it to please myself first.

The fact that the Lord can work and act even with insufficient means consoles me, and above all I entrust myself to your prayers.

For me, making films is about trying to work something out by myself in quite a lonely way. I find the whole thing very lonely really.

Hollywood Regency is a label some people put on me, but I consider myself a modernist in that I always try to make the work feel fresh.

I have some pride in the things I've done, but I'm pretty hard on myself. Part of looking at my old work is to motivate me to try harder.

Snoop ain't never cosigned me, but I know everybody is like, 'That's the next Snoop.' Nah, I'm Nipsey, and I got to work to define myself.

My kind of work is very intense. The trouble with me is that I completely fling myself into it. I get giddy. I get terrible crushes on jobs.

The goal for me has always been to learn how to express myself in radio and to have fun doing it and work with whatever contingencies arise.

Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.

My work is myself. That's what makes me feel like I have purpose. It makes me happy and inspired and hopeful - as hard as it may be sometimes.

When I look back at my past mistakes, I realise that there were times when I wasn't myself, and that's why certain styles did not work well for me.

I don't starve myself. Anyone who knows me will tell you I have an appetite. I'd much rather work out and not diet than not work out and have to diet.

I ask myself a lot of question about my work as an actress. We shall see. Plenty of friends tell me, 'Of course you must continue acting,' but I'm not sure.

Work is exciting when it's challenging. It should be something that makes me afraid initially and prompts me to ask myself whether I'll be able to do it or not.

I play and I've played in heavy bands, but when I write for myself, I don't particularly feel like writing huge rock riffs. It just doesn't work for me and my voice.

I really work on paying attention to the clues my self is giving myself. For instance, I think of myself in the third person. That allows me to manage myself better.

If you ever think about me, and you ain't gonna do no revolutionary act, forget about me. I don't want myself on your mind if you're not going to work for the people.

I moved from Stockholm to London, and I didn't want to work with my parents or have them help me in any way, I think just to prove to myself that I have my own talent.

I have a few celebrity friends, but I'm really not into the whole Hollywood scene. I like to separate myself from my work. It stresses me out if I do too much of the same.

I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.

If there's anything that I've always said about myself is that to me, it's much more important for me to get to work with filmmakers that I've grown up loving and admiring.

I never imagined it wouldn't work out for me. I had that absolute certainty in myself that has seen me through, I think, and my parents were absolutely behind me all the way.

I'm a very conservative businessman. I don't work on credit. My father was the guy who taught me how to think straight, not to delude myself and think I was larger than I was.

I really don't want to go to work every day convincing myself of what I'm saying. I want the material to make me a better actor; then I try to return the favor to the material.

New York for me is about work. If L.A. were to become a West Coast version of that, I'd shoot myself. The climate, the lifestyle - it really fits as the yin to my New York yang.

Even though running is work for me, I always miss it if I take a break. A lot of people find running relaxing, but I can never switch off from timing and competing against myself.

I consider myself a progressive. I have a passion for people who work. To me, this is about forward looking versus backward looking. Ideological gradations are the wrong way to look at it.

In some ways it's taken me decades to come clean and make honest work - and still to this day, sometimes I find myself wanting to hide behind my work and deny the more biographical aspects.

I don't like intensely complicated coaching. I prefer to work things out by myself. A gentle hint is all I need, otherwise it's like finishing a crossword after someone has given me the answers.

You know, when I put out records that may not work or connect with the audience, it's because I'm pushing myself as an artist creatively, because I'm just bored doing what everyone wants me to do.

No one asks the cow or the chicken where it gets its protein. I eat about 4,000 or 5,000 calories a day, and I cook for myself. I also have a line of cooks that work with me - some raw, some vegan.

Despite that it's 'Star Wars' and how huge it is, it's still work to me, and that element of things grounds you, especially from nerding out a few times. Although, some days I can't control myself.

What guides me is to do work that's more avant-garde - things that I think are special. You can easily become a celebrity and get caught up in all that blur. I just want to work and surprise myself.

Let me make this clear: my impairment is such that without a wheelchair, I can't do very much for myself. I can't get out of bed. I can't get myself to the toilet. I certainly can't get myself to work.

Submitting myself for awards feels like a weird kind of horn-blowing that's not comfortable for me. I'm really happy when someone likes my work, but I don't like marketing myself, putting myself on display.

When guys like Mark Henry, Paul Heyman, and Booker T all come up to me and tell me how much they appreciate my work and give me feedback on what to do better and how to improve myself it's honestly just scary.

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