I've always enjoyed doing work that intrudes, or helps people.

If you think people are dumb, you'll spend a lifetime doing dumb work.

If we don't center the voices of marginalized people, we're doing the wrong work.

I'm happy that people have watched and appreciated my work. That's why I'm doing it.

Well, I haven't been doing that much work with other people per se. I started doing more of that.

If people call into question my work ethic, that's fine, because I know what I'm doing behind the scenes.

People tend to typecast you in a certain way, depending on the kind of work you have been doing till then.

I continue to be disappointed that people don't try and diversify the kind of work they are doing in comics.

I've had to relearn how I work with people so that if and when I do avoid different things I don't send any messages in doing so.

Our Revolution has been the keeper of the flame doing the vital work of building a grassroots movement that leverages the people's agenda.

I used to bodyguard for some celebrities and other people, and when I wasn't doing that, I used to work at a disco as a doorman or a bouncer.

I'm a businessman as well as an entertainer. The reason why is because I want to own whatever I'm doing. I don't want to work for other people forever.

That was very much a possibility with doing the movie for 'The Inbetweeners'. We didn't know if it was going to work or if people were going to like it.

You are hugely responsible for people following you. You need to work out why you are posting, what the message is, and what you are doing to these people.

I'm so not interested in producing, other than doing my own work, producing my own films. I only do it as favors, for other people to get their films made.

I really connect with those moments of doing missionary work down there and just seeing the people that are dying from disease and hunger and malnutrition.

What people who are doing shift work or managing shift workers or deciding to put people on shift schedules to begin with should realize that we're not robots.

We must work harder to lessen inequalities. Only by doing so can we speak with credibility and moral authority to other countries and the People's Republic of China.

Idolizing is a strong word, though. I'm happy that people respond well to the work I'm doing now. If anyone admires what I'm doing in any way, then I'm really proud of it.

I'm one of these very focused people when it comes to day-to-day work, and I'm trying not to think about what comes next so that I can stay very focused on what I'm doing now.

You know, I've kind of been lucky enough to always work with established actors or big names or people that are really popular or infamous for doing what they do and doing it well, I guess.

Nearly all of us work, a lot: many people spend more waking hours working than doing all other things combined. And nearly all of us spend our lifetimes working for someone other than ourselves.

Then, with lots of people doing that without ever looking over their shoulders to see how they were affecting anybody else, it couldn't work, and it didn't work, and it just came to a standstill.

In manufacturing, too much work is beyond repetitive - it is inhumane. The people doing this work aren't doing it because they want to - they are doing it because they have families to feed and clothe.

I will talk to anybody about 'Survivor's Remorse' because I'm proud of the show and the actors and directors and the entire crew. I just like doing the work, and I want people watching the show so we can make more.

In 1981, while doing postdoctoral field work in cultural anthropology, Bonnie A. Nardi lived with villagers in Western Samoa, trying to understand the cultural reasons that people there have an average of eight children.

Prior to 1980, people used to dictate to a secretary for preparing written documents and that person would then punch keys on a typewriter. I was inspired to invent a medium for doing this work by engaging just one person.

Maybe people have no idea how much work is behind a picture. It can seem very effortless, but there is a lot of work. It's exactly like doing ballet. It's hours and hours, but when you go onstage, it's just the pleasure of dancing.

I got a whole different mindset from living in Senegal and being there. I learned a lot of things, met a lot of people, and got to really find out what I wanted to work for and who I want to be and who I want to help and who I'm doing it for.

If I wanted to make a quick buck, there's far easier ways of doing it. What I want is to provoke people. If you want a hit song, all you need to do is rewrite an old song. It might have been proven to work, but you won't be remembered the same way.

The biggest thing that I learned is when you're building something - especially a project that requires partners - you have to make sure that there is a lot of overlapping desire and a lot of overlapping alignment with the people that you're doing work with.

So I think all comedians are earning their wings into heaven. We're all going to heaven, but everybody's not going to get their wings. Some people are just going to be regular angels. Doing cleanup, janitor work. In heaven, I'm going to sit on the couch with Oprah.

For the most part, I meet people who are like 'I really like your work. I'm watching your career. I want to see you do well. Keep doing what you do.' I get that so much, and it's so reassuring. I often wish that so many people, who just work normal jobs, could get a pat on the back as much as I do, because it's very complimentary.

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