Quotes by Doug Liman - Page 4

With 'Invisible,' I didn't want to create something that requires you to watch it more than once; I don't even expect people to watch it more than once per se. I just wanted you to have the experience and knowing that if you watch it a second time, it would be different because you would see different things.
Doug Liman / Film Director
Different Things
Invisible
Time Experience People
Be Different
Per
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I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
Doug Liman / Film Director
Action
Action Movie
Character
Cinematic
Dark
Sequence
Situation
Smart
Smart People
Alley
Avoid
Characters
Definition
Endeavors
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There's no reason my films can't work as hard as VR does to hook an audience and never let them go, so I think that that it turns the volume up a little bit on storytelling. The same way when I was doing commercials and then I went and shot 'Go,' and 'Go' has a level of pace that is unlike any of my other movies.
Doug Liman / Film Director
Audience
Hook
Little Bit
No Reason
Pace
Reason
Turns
Volume
Work Movies Doing
Does
Bit
Shot
Same
Commercials
Films
Unlike
Vr
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Trust me: you make a movie about time travel, and you know for a fact humans will never travel through time. The paradoxes that come up just from trying to tell a story with time travel really illuminates the fact that it's impossible. It will never happen. We can barely get through a movie that involves time travel.
Doug Liman / Film Director
Time Travel
Trust Me
Barely
Illuminates
Involves
Paradoxes
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To be honest, when I started watching VR content, I was mostly disappointed and thought people could do better - not that different from when I set out to make 'Swingers' and thought, 'There's a better way to make an independent film.' Which is why 'Swingers' ended up being so much less expensive than anything like it.
Doug Liman / Film Director
Disappointed
Expensive
Independent Film
Better People Way
Better People Anything
Better Way
To Be Honest
Vr
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I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard.
Doug Liman / Film Director
Movie
Marriage
Action
Bourne
Hero
Identity
Maintaining
Opposite
Action Hero
Cause
Chose
Exact
Exact Opposite
Mrs
Seem
Smith
Specifically
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The more real I got on 'The Bourne Identity,' the more interesting it got. So 'Fair Game' was the chance to go a few more steps in that direction. In fact, I discovered this whole other world that I had ignored in the 'Bourne' franchise, which is the domestic life of a spy, and how you make the two halves of your life coexist.
Doug Liman / Film Director
Bourne
Coexist
Domestic Life
Fair Game
Identity
Ignored
Interesting
Spy
Steps
Life Chance World
Life Chance Game
Direction
Discovered
Domestic
Fair
Franchise
Halves
In Fact
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When I set out to make 'Bourne Identity,' my main goal for the franchise was to create something where it feels like you're in the action. You're not just passively watching it from far away. That's something that I have constantly aspired to do - even in 'Swingers,' to feel like you're Jon Favreau; you're not just watching him.
Doug Liman / Film Director
Action
Bourne
Far Away
Feels
Identity
Aspired
Jon
Constantly
Create
Set
Far
Franchise
Main
Passively
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I understand that it's a huge luxury for people to dwell on the problems in Washington. Things have to be pretty tidy in your own life that you have the time to worry about what's going on in Washington. Most of us spend our time worrying about the things that are directly around us: our love lives, our careers, and our banking accounts.
Doug Liman / Film Director
Accounts
Banking
Careers
Huge
Luxury
Our Love
Tidy
Worry
Life Love Time
Pretty
Washington
Directly
Spend
Problems
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In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him.
Doug Liman / Film Director
Bourne
Continuation
Filmmaking
Jason
Trapped
Aaron
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Doug Liman Quotes - Page 4

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