There is nothing truly beautiful but that which can never be of any use whatsoever; everything useful is ugly, for it is the expression of some need, and man's needs are ignoble and disgusting like his own poor and infirm nature. The most useful place in a house is the water-closet.

I don't really have one type favorite type of candy. When I was younger we used to always go to the rich neighborhoods where they give out the big candy bars, not the little fun-sized ones. We'd go back two and three times, hit them again and again. They didn't care and we loved it.

...We pray together, we are afraid together, and then we go to sleep. Even if Satan came into the house, no one would interfere. After all, what is there to fear in this house? There is always one with us who is the strongest. Satan may visit our house, but the good Lord lives here.

Were I as quiet as thunder, how I'd wail and whine! One groan of mine would start the world's crumbling cloister shivering. And if I'd end up by roaring with all of its power of lungs and more - the comets, distressed, would wring their hands and from the sky's roof leap in a fever.

An intellectual hatred is the worst, So let her think opinions are accursed. Have I not seen the loveliest woman born Out of the mouth of Plenty's horn, Because of her opinionated mind Barter that horn and every good By quiet natures understood For an old bellows full of angry wind?

Hath Romeo slain himself? Say thou but ay, And that bare vowel ay shall poison more Than the death-darting eye of cockatrice. I am not I,if there be such an ay, Or those eyes shut,that make thee answer ay: If he be slain say ay,or if not,no: Brief sounds,determine of my weal or woe.

This is a gift that I have, simple, simple; a foolish extravagant spirit full of forms, figures, shapes, objects, ideas, apprehensions, motions, revolutions; these are begot in the ventricle of memory, nourished in the womb of pia mater, and delivered upon the mellowing of occasion.

Say she rail; why, I'll tell her plain She sings as sweetly as a nightingale. Say that she frown; I'll say she looks as clear As morning roses newly wash'd with dew. Say she be mute and will not speak a word; Then I'll commend her volubility, and say she uttereth piercing eloquence.

I usually write for the individual reader -though I would like to have many such readers. There are some poets who write for people assembled in big rooms, so they can live through something collectively. I prefer my reader to take my poem and have a one-on-one relationship with it.

My great-grandfather Melvin had been a carpenter - so was my father - and they taught me the value of tools: saws, hammers, chisels, files and rulers. It all dealt with conciseness and precision. It eliminated guesswork. One has to know his tools, so he doesn't work against himself.

The two seem, at first glance, to be opposed, but when you have advanced a little in both, you find that concentration learned in Yoga is of immense use in attaining the mental powers necessary in Magick; on the other hand, the discipline of Magick is of the greatest service in Yoga.

I'd like to invoke the Native American Navajo because their word for road is used as a verb. Their whole relationship to road has to do with how you travel it, who you are traveling it with, what the environment might be, where you're headed, in what direction, the weather and so on.

I always think W.S. Merwin's poems will last of anyone writing today. If I had to bet on posterity I would bet Merwin. My poems could easily evaporate. So I don't know. If you find yourself as a writer thinking about posterity you should probably go out for a brisk walk or something.

To be away from home and yet to feel oneself everywhere at home; to see the world, to be at the centre of the world, and yet to remain hidden from the world—impartial natures which the tongue can but clumsily define. The spectator is a prince who everywhere rejoices in his incognito.

Life itself is the real and most miraculous miracle of all. If one had never before seen a human hand and were suddenly presented for the first time with this strange and wonderful thing, what a miracle, what a magnificently shocking and inexplicable and mysterious thing it would be.

The Black Lives Matter movement can be read as an attempt to keep mourning an open dynamic in our culture because black lives exist in a state of precariousness. Mourning then bears both the vulnerability inherent in black lives and the instability regarding a future for those lives.

Poetry offers works of art that are beautiful, like paintings, which are my second favorite work of the art, but there are also works of art that embody emotion and that are kind of school for feeling. They teach how to feel, and they do this by the means of their beauty of language.

Once a man offered me his heart and I said no. Not because I didn’t love him. Not because he was a beast or white — I couldn’t love him. Do you understand? In bed while we slept, our bodies inches apart, the dark between our flesh a wick. It was burning down. And he couldn’t feel it.

What shall I say about poetry? What shall I say about those clouds, or about the sky? Look; look at them; look at it! And nothing more. Don't you understand anything about poetry? Leave that to the critics and the professors. For neither you, nor I, nor any poet knows what poetry is.

While the poet wrestles with the horses on his brain and the sculptor wounds his eyes on the hard spark of alabaster, the dancer battles the air around her, air that threatens at any moment to destroy her harmony or to open huge open empty spaces where her rhythm will be annihilated.

After the rains departed the skies and settled on earth - clear skies; moist brilliant earth - greater clarity returned to life alone with the blue above and made the world below rejoice with the freshness of the recent rain. It left heaven in our souls and a freshness in our hearts.

As the saffron tints and crimson flushes of morn herald the coming day, so the social and political advancement which woman has already gained bears the promise of the rising of the full-orbed sun of emancipation. The result will be not to make home less happy, but society more holy.

Do we accustom ourselves to see all things in the light of faith? Do we correct all our judgments by it? Alas! The greater part of Christians think and act like mere heathens; if we judge (as we justly may) of their faith by their practice, we must conclude they have no faith at all.

Second-hand gloves will become lovely again, their memories are what give them the need for other hands. And the desolation of lovers is the same: that enormous emptiness carved out of such tiny beings as we are asks to be filled; the need for the new love is faithfulness to the old.

There is indeed no such thing in life as absolute darkness; one's eyes revolt and hasten to fill the vacuum by floating in sparks, dream patterns, figures whimsical and figures grotesque, shifting and clad in complementary colors, to appease the indignant cups and rods of the retina.

I'm a good example of wanting to apologize only for my precise share of a problem--as I calculate it, of course--and I expect my husband Steve to apologize for his share, also as I calculate it. Since we're not always of one mind on the math, it can lead to the theater of the absurd.

Time rides with the old At a great pace. As travellers on swift steeds See the near landscape fly and flow behind them, While the remoter fields and dim horizons Go with them, and seem wheeling round to meet them, So in old age things near us slip away, And distant things go with us.

Think of the wonders uncorked by wine! It opens secrets, gives heart to our hopes, pushes the cowardly into battle, lifts the load from anxious minds, and evokes talents. Thanks to the bottle's prompting no one is lost for words, no one who's cramped by poverty fails to find release.

In order to grow in grace, we must be much alone. It is not in society that the soul grows most vigorously. In one single quiet hour of prayer it will often make more progress than in days of company with others. It is in the desert that the dew falls freshest and the air its purest.

Speech and prose are not the same thing. They have different wave-lengths, for speech moves at the speed of light, where prose moves at the speed of the alphabet, and must be consecutive and grammatical and word-perfect. Prose cannot gesticulate. Speech can sometimes do nothing more.

It's one of the saving graces in a life, to be able to perceive one's own and others' absurdity, to notice our shared human frailties and be able, at least some of the time, to smile rather than grimace. Like most people, I must have started out with a comic worldview in my cupboard.

How will the ships navigate without stars? And then he remembered that the stars were dead, long dead, and the light they shed was not to be trusted, was false, if not an outright lie, and in any case was inadequate, unequal to its task, which was to illuminate the evil that men did.

Knowledge forbidden? Suspicious, reasonless. Why should their Lord Envy them that? Can it be sin to know, Can it be death? And do they only stand By ignorance? Is that their happy state, The proof of their obedience and their faith? O fair foundation laid whereon to build Their ruin!

Straight mine eye hath caught new pleasures Whilst the landscape round it measures, Russet lawns and fallows grey, Where the nibbling flocks do stray, Mountains on whose barren breast The labouring clouds do often rest; Meadows trim with daisies pied, Shallow brooks, and rivers wide.

Philosophy is the true home of irony, which might be defined as logical beauty: for wherever men are philosophizing in spoken or written dialogues, and provided they are not entirely systematic, irony ought to be produced and postulated; even the Stoics regarded urbanity as a virtue.

Why must the woman apologize for not having a baby just because she happened to get pregnant? It's as if we think motherhood is the default setting for a woman's life from first period to menopause, and she needs a note from God not to say yes to every zygote that knocks on her door.

If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.

To live in prison is to live without mirrors. To live without mirrors is to live without the self. She is living selflessly, she finds a hole in the stone wall and on the other side of the wall, a voice. The voice comes through darkness and has no face. This voice becomes her mirror.

I no longer feel I'll be dead by thirty; now it's sixty. I suppose these deadlines we set for ourselves are really a way of saying we appreciate time, and want to use all of it. I'm still writing, I'm still writing poetry, I still can't explain why, and I'm still running out of time.

I've been involved in activities with other people who were put in jail. We were protesting the closing of the prison farm program at the prison I used in a previous book, Alias Grace. Some of us also put up money in order to save the heirloom herd of cows there. So I own half a cow!

I said, I like my life. If Ihave to give it back, if theytake it from me, let me onlynot feel I wasted any, let menot feel I forgot to love anyoneI meant to love, that I forgotto give what I held in my hands,that I forgot to do some littlepiece of the work that wantedto come through.

Contrary to slanderous Eastern opinion, much of Iowa is not flat, but rolling hills country with a lot of timber, a handsome and imaginative landscape, crowded with constant small changes of scene and full of little creeks winding with pools where shiners, crappies and catfish hover.

It is sad To see the light of beauty wane away, Know eyes are dimming, bosoms shrivelling, feet Losing their springs, and limbs their lily roundness; But it is worse to feel the heart-spring gone, To lose hope, care not for the coming thing, And feel all things go to decay within us.

Do you recall, from your childhood on, how very much this life of yours has longed for greatness? I see it now, how from the vantage point of greatness it longs for even greater greatness. That is why it does not let up being difficult, but that is also why it will not cease to grow.

When Christ comes with regenerating grace, he finds no man sitting still, but all posting to eternal ruin, and making haste toward hell; till, by conviction, he first brings them to a stand, and then, by conversion, turn first their hearts, and then their lives, sincerely to himself.

The line-storm clouds fly tattered and swift, The road is forlorn all day, Where a myriad snowy quartz stones lift, And the hoof-prints vanish away. The roadside flowers, too wet for the bee, Expend their bloom in vain. Come over the hills and far with me, And be my love in the rain.

I hate my verses, every line, every word. Oh pale and brittle pencils ever to try One grass-blade's curve, or the throat of one bird That clings to twig, ruffled against white sky. Oh cracked and twilight mirrors ever to catch One color, one glinting flash, of the splendor of things.

Where virtue is, sensibility is the ornament and becoming attire of virtue. On certain occasions it may almost be said to become virtue. But sensibility and all the amiable qualities may likewise become, and too often have become, the panders of vice and the instruments of seduction.

The curiosity of an honorable mind willingly rests there, where the love of truth does not urge it farther onward, and the love of its neighbor bids it stop; in other words, it willingly stops at the point where the interests of truth do not beckon it onward, and charity cries, Halt!

When I am dead, and over me bright April Shakes out her rain drenched hair, Tho you should lean above me broken hearted, I shall not care. For I shall have peace. As leafey trees are peaceful When rain bends down the bough. And I shall be more silent and cold hearted Than you are now

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