I don't have this obsessive need to do street art all the time because it's already opened doors for me.

Art is to me the glorification of the human spirit, and as such it is the cultural documentation of the time in which it is produced.

For me, those little cinemas in Paris where I saw many art films for the first time meant that cinema became a kind of pilgrimage site.

Art was carrying me a lot of the time. When you're accustomed to playing with Art, and you play with other drummers, it's as if the bottom dropped out.

I'll dabble here and there in different forms of the art, but the label has me locked down like a slave so, of course, I'll be doing albums during this time.

Warhol's images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn't think about him a hell of a lot.

To be able to run routes, that's like the greatest thing to me. It's kind of like an art to me. It's like a painter drawing or something like that. That's how I feel every time I run a route.

I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James Marshall painting with black bodies in it on a museum wall... It strengthened me on a cellular level.

When I was younger, I had no interest. But after I went to Paris to see the collections for the first time a few years ago, they made a huge impression on me. I realized that fashion is an art form, like acting or painting.

I made a lot of different experiments with tapes at that time, until I finally realized around 1995, that sound is an interesting subject for me. Ever since then sound got more and more integrated into my art works, musically as well as physically.

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