Black Quotes - Page 77

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One of the most important things is to figure out what your look is — I don't wear this black suit-white shirt combination all the time to try and be iconic — but because I'm most comfortable in this. Cary Grant never turned up in a pink jacket and hot pants and I don't feel the need to experiment when I know I like dressing this way.

I have my great grandmother's recipe for black beans, all the way from Cuba, and I know how to make those. I'm actually pretty good at it now. But my first time, the beans actually exploded in the pot, so I had black beans just dripping from the ceiling - which is actually a dream come true for most Cubans. It was a nightmare to clean.

From the day of its birth, the anomaly of slavery plagued a nation which asserted the equality of all men, and sought to derive powers of government from the consent of the governed. Within sound of the voices of those who said this lived more than half a million black slaves, forming nearly one-fifth of the population of a new nation.

I like the way Quentin Tarantino creates a scene using a series of close-ups or showing very cool images of a person or people walking on some ordinary street in slow motion. I wish I could achieve that kind of slow-motion effect in manga, but it's rather difficult to draw; the only things we can play with are tones of black and white.

It should be remembered that hundreds of people of African ancestry also walked the Trail of Tears with the Cherokee during the forced removal of 1838-1839. Although we know about the terrible human suffering of our native people and the members of other tribes during the removal, we rarely hear of those black people who also suffered.

You are the antithesis of a racist if you're white and you want to be black and you go out and do everything you can to identify as black, how in the world can they condemn that? That's not fraud. That's good intentions. And as we know, as we've learned, we are supposed to examine the good intentions and not the nature of the evidence.

'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.

The breakdown of the black community, in order to maintain slavery, began with the breakdown of the black family. Men and women were not legally allowed to get married because you couldn't have that kind of love. It might get in the way of the economics of slavery. Your children could be taken from you and literally sold down the river.

Looking at the map of the Russian Federation, one can see a country covering mostly northern areas; today more than 70 percent of our territory is or can be referred to as northern, if not the Far North. We have a rather small warm Black sea strip in the South and - to tell the truth - quite a few regions with a hospitable warm climate.

The greatest danger to the liberal vision are facts about the consequences of liberalism itself and the laws, policies, and ways of life that the left has spawned. That the black family, which survived centuries of slavery and generations of discrimination, has disintegrated in the wake of the liberal welfare states is only one example.

The act of me just being robust in the world is so radical - it's so radical for a black woman to think she's going to be a star, because it takes so much to get there. It's still a battle every day, but I feel happy because I feel like I cracked the code and figured out how to work through it. Now I want to give the map to other women.

The leading distinction in magnets is the sex, male and female, and the next great difference in them is the colour. Those of Magnesia, bordering on Macedonia, are of a reddish black; those of Breotia are more red than black; and the kind that is found in Troas is black, of the female sex, and consequently destitute of attractive power.

I spent a lot of years trying to outrun or outsmart vulnerability by making things certain and definite, black and white, good and bad. My inability to lean into the discomfort of vulnerability limited the fullness of those important experiences that are wrought with uncertainty: Love, belonging, trust, joy, and creativity to name a few.

I think being biracial is a different experience. I think that, and coming from the U.K., I feel as much white as I do black. And so it's really important for me to address these issues of identity in my work. But also, you know, we're always stronger when we work on, you know, what we have in common. And I love exploring that in my work.

Well, first of all, we've got to get away from being offended by the truth. We've seen a 41 percent increase in food stamp recipients across the United States of America since President Obama was sworn in in January 2009. That has nothing to do with black, white, Hispanic or whatever. It's a fact, and we need to, you know, deal with that.

I gather that a lot of the "pots" in the great museum in Baghdad, which we allowed to be looted and then gutted, are now for sale to the highest bidder on the art and archeology black market. This is good capitalism, I guess, while a museum, being a public trust and accessible to all, is anticapitalist, pretty damn near socialist in fact.

I used to think I was ugly. I thought I looked like a camel. A person who doesn't love themselves, they will see anything that pops up on their face. I've seen squirrels, I've seen a bird, and I've seen all kinds of animals on my face. But that is the result of self-hate. I've learned to say: 'You know what? I am a beautiful black woman'.

And I don't know if Batty's gotten over it yet,' said Skye. Mr. Penderwick looked out the window to where Batty was playing vampires with Hound. Hound was on his back, trying to wiggle out of the black towel Batty had tied around his neck. Batty was leaping over Hound's water bowl, shrieking, 'Blood, blood!' 'She looks all right,' he said.

I was in South Africa, and Joe [Wright] asked the same exact question that you just asked: "Have you ever seen an episode of Black Mirror?" I went back and played the video for Joe. The episode that I did is called "Nosedive," and it was a year to the week from when I first watched it. It was just very bizarre, this very weird coincidence.

If you go to a network and say, "I wanna do prison stories about black women and Latino women and old women," you're not gonna make a sale. But, if you've got this blonde girl going to prison, you can get in there, and then you can tell all the stories. I just thought it was a terrific gateway drug into all the things I wanted to get into.

Black people need some peace. White people need some peace. And we are going to have to fight. We're going to have to struggle. We're going to have to struggle relentlessly to bring about some peace, because the people that we're asking for peace, they are a bunch of megalomaniac warmongers, and they don't even understand what peace means.

I tend to listen to the artists that originally inspired me to start playing music in the first place, because there is a multitude of wisdom that can be gained by bands like Black Sabbath, Depeche Mode, Pink Floyd and the Cure. I think if we were to pay close attention to what's on the radio right now then we'd lose our identity entirely.

There is a movement we call Afro-Futurism, where we imagine a black way of life free of white supremacy and bigotry. 'Black Panther,' I think, is the first blockbuster film centered in the ethos of Afro-Futurism, where the writers and directors and makeup and wardrobe team all imagined a beautiful, thriving black Africa without colonialism.

Half of the modern world goes back as far as Pearl Jam. The real historians go back to U2. But they need to go back further. They have to go back to the '50s and '60s, where things started. That's how you get to be your own personality, by studying the masters. Rock and roll was white kids trying to make black music and failing, gloriously!

When I was around 12 or 13 my older brother had this friend who was a goth. He was dressed all in black... You know like super, super goth! I was just so drawn to that darkness and weirdness. I just wanted to rebel. And now that I think about it, rebel against what? I mean I have lovely parents and brother and things were always very great.

It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted toward the niche market, which is, like, a black movie is created and it's produced and pitched so that only black people will watch it ... I want to see dynamic characters and roles that everyone wants to watch.

Those of us in law enforcement must redouble our efforts to resist bias and prejudice. We must better understand the people we serve and protect - by trying to know, deep in our gut, what it feels like to be a law-abiding young black man walking on the street and encountering law enforcement. We must understand how that young man may see us.

It's one of the things we find in these congregations is that they are much more likely to be sort of up-beat worship styles, more likely that people in these congregations say "Amen," maybe get up and dance some, tend to be a little bit more lively than a typical white service would be, but not as lively as a typical black service would be.

I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.

I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that.

The fact that there aren't an abundance of African-American males that are getting lead roles [and] that are getting roles that have prominence on the big screen. [It's] the same thing from behind the camera; maybe even worse. Coming up, when you're black and you want to direct somebody says, "Oh, you're Spike Lee" or "You're John Singleton."

There are so many intelligent former black players, guys like Luther Blissett and Cyrille Regis, who never got a chance to become a top manager or a top coach because of the perception that surrounds people who look like them. They are black - which, for many, means they are good athletes but incapable of being anything above and beyond that.

Marcus Garvey was one of the first advocates of Black Power, and is still today the greatest spokesman ever to have been produced by the movement of Black Consciousness...He spoke to all Africans on the earth, whether they lived in Africa, South America, the West Indies or North America, and he made Blacks aware of their strength when united.

But in a crunch, when all our asses are in the sling, it looks like it is easier to deal with the samenesses. When we deal with sameness only, we develop weapons that we use against each other when the differences become apparent. And we wipe each other out - Black men and women can wipe each other out - far more effectively than outsiders do.

Since I have escaped the harshness of the economic bounds of poverty, I have stayed very connected to it spiritually. I reside and live and go and socialize and exist among those who suffer daily from the relationship that they have to poverty, Black men and women who are incarcerated. Actually, all people who are incarcerated, not just Black.

That the language of the poetry of Jamaican music is rastafarian or biblical language cannot simply be put down to the colonizer and his satanic missionaries. The fact is that the historical experience of the black Jamaican is an experience of the most acute human suffering, desolation and despair in the cruel world that is the colonial world.

There were only two times in my life when I've actually felt down about things and gotten myself into a full mental mess. One of the times was in 1982. I had a horrible time for a few months and felt pretty desperate. Then again in 1984, for various reasons, not all of them within my control. Since then, I just wander in and out of black moods.

When you are trying to get a shot, you can't be pleasing everybody. And I tend to be sort of collaborative and a bit of a pleaser. And when I'm directing, people just sort of call me Black Hat Gabriela. Because suddenly they're like, "What happened to you?" Because I stop listening. And I feel strident. I feel rude. And I feel un-collaborative.

Like all of Latin America, Mexico after independence in 1821 turned its back on a triple heritage: on the Spanish heritage, because we were newly liberated colonies, and on our Indian and black heritages, because we considered them backward and barbaric. We looked towards France, England and the U.S., to become progressive democratic republics.

Listen, Michael Jackson is really funny. To have time to spend with him and actually be around him, he's not what....people think he is. Michael Jackson's like a black belt too, so he will kick your ass if you say something about him." In disbelief the interviewer replied "No, really?" to which Will said, "Yes, Michael Jackson kicked over my head!

I take every role seriously. Personally, I never look at any role as Michael White. I've done that my entire life. I've never excluded myself because of color. It's never been part of the radar, when I look at anything I do. The majority of the roles that I've played have had very little to do with being black. It doesn't matter what color you are.

That's how I am and how I've always looked at the world. I understood what the pavilions were before I came to Venice, and I knew that wasn't going to be enough for me. I wanted to extend this conversation into something I call urgency. There is urgency with people in crisis. Some communities - often the black community - just live in this urgency.

We recriminalized black life. Incarceration rates since the 1908s have gone through the roof, overwhelmingly black males, women and Hispanics to some extent. Essentially re-doing what happened under Reconstruction. That's the history of African Americans - so how can any one say there's no problem. Sure, racism is serious, but it's worse than that.

I would like to flood South Africa with black personages of all sorts of persuasions: writers, educators, businessmen, you name it. If you are black and have any clout at all, I would like to see you go to South Africa and look for yourself and come back and try to use the tools that you have at your command to try and help the brothers down there.

You know we're in a planet surrounded by certain kinds of frequencies and noise. The earth's magnetic sphere makes weird sounds. The sun you know the heart of our solar system makes noise. Even interstellar phenomena like black holes. You know people have studied them and a black hole can emit sound in like the range of 20,000 octaves below B flat.

They used to call me Firefly when I was a little girl, and I always tried to figure out why I was being called a firefly. I was really black, black, black from the sun. After being in Jamaica for 13 years, my eyes were really beady and white, and my skin was really black. I must have really looked like a fly. My eyes looked like lights, like stars.

I remember one summer I played, like, with the granddaughter of this known Klan member. Like, all summer we caught cicadas. And we had grown close, and so it was, like, time for her birthday party and I said 'Oh, like, what time do I come for your party?' And she's like 'Oh, no, you can't come to my house 'cause my parents don't like black people.'

Drs. Pinkett and Robinson choose to BE the message that they bring! They don't just enumerate the problems but offer solid solutions for navigating pathways to business ownership, and the halls and boardrooms of previously 'all white' corporate America. Black Faces in White Places is a necessary tool for anyone trying to make their own magic happen.

I have compromised down the line. I've disliked it intensely in the old days when you were trying to talk race relations and they would not allow you to talk about the legitimacies of race relations. In the old days, you didn't talk about black, you talked about Eskimo or American Indian, and the American Indian was assumed not to be a problem area.

I doubted Black-ish , and I'll tell you why. Because it doesn't matter if a writer wrote it for you. He could've written it with you in mind. But TV is a collaborative art. It involves producers, networks, studios, and many people signing off on you. And a lot of times there are deals in place - actors with studios that they're looking for shows for.

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