Black Quotes - Page 79

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Black males who refuse categorization are rare, for the price of visibility in the contemporary world of white supremacy is that black identity be defined in relation to the stereotype whether by embodying it or seeking to be other than it…Negative stereotypes about the nature of black masculinity continue to overdetermine the identities black males are allowed to fashion for themselves.

Tr...ooooo...luv...' Fezzik grabbed onto Inigo in panic and they both pivoted, staring at the man in black, who was silent again. '"True love," he said,' Inigo cried. 'You heard him - true love is what he wants to come back for. That's certainly worthwhile.' 'Sonny, don't you tell me what's worthwhile - true love is the best thing in the world, except for cough drops. Everybody knows that.

The thing that you have to understand about those of us in the Black Muslim movement was that all of us believed 100 percent in the divinity of Elijah Muhammad. We believed in him. We actually believed that God, in Detroit by the way, that God had taught him and all of that. I always believed that he believed in himself. And I was shocked when I found out that he himself didn't believe it.

And, for example, like, when you're having the conversation with your child about getting their driver's license. Well, a white family - their biggest fear is just that you're driving safely and that they're minding the rules of the road, whereas a black family - their biggest fear is that their child is going to get pulled over and treated unfairly for a reason that they won't understand.

Michael Jackson is timeless to me. The fact that he wanted to break the rules, that he was always talking about a new world, a global world - "Black or White," "They Don't Care About Us," "Heal the world. Make it a better place" - with this charisma, that always touched me. I'm obsessed with the fact that he went so political. He became a legend, and today I think he's still the King of Pop.

I don't go and study other folks. I come from where I came from, as a kid, in the little black church I grew up in. And some of the things they did I rejected, because I could see that it was a manipulation and an exaggeration. My struggle is never to fool folks; to keep it authentic - who we are and who we are becoming - rather than to mimic or to translate what others do into my own terms.

The Catholic church had a huge profound influence on me in that as you get older you realize that you can't blame everything; that there is good and bad, and things get misdirected. So I would call myself a black Catholic. I still have this attraction to it because all religions I'm not a fan of. I'm a fan of sort of belief in spirituality. So I would be into Christ rather than the Catholics.

It turns out - this is a metaphor out of [Charles] Dickens - that the raw sewage emptied into the Anacostia comes from the Federal Triangle. I have a sewer map, and on it you can see the pipe from which congressional wastes empty into the river that then flows through the black neighborhoods of Washington, D.C. It is very expensive to do anything about the river, but somebody's working on it.

When, in the year 1913, in my desperate attempt to free art from the ballast of objectivity, I took refuge in the square form and exhibited a picture which consisted of nothing more than a black square on a white field, the critics and, along with them, the public sighed: 'Everything which we loved is lost. We are in a desert .... Before us is nothing but a black square on a white background!'

The way Donald Trump talks about the problems of black Americans as a kind of separate group who are not part of his audience but he's kind of reaching over his audience or behind his audience to black Americans, saying what have you got to lose? As in you might as well join me because the Democrats haven't done anything for you. But joining me means joining this group that already supports me.

So...have you ever thought about dyeing your hair punk-rocker-chick black? As I'm sure you've heard, I have a thing for brunettes and always avoid blondes." "I've heard. And no." "Too bad. Because you're making me rethink my stance about doing my friends' exes." i snorted, not even trying to hide my...incredulity? Surely I wasn't amused. "Your making me rethink my stance on cold-blooded homicide

It was like the first time i saw a cadaver. For weeks afterward the cadavers head, or what was left of it - floated up behind my eggs and bacon at breakfast and in the face of Buddy Willard, who was responsible for my seeing it in the first place, and pretty soon I felt as though I were carrying that cadavers head around with me on a string, like some black, noseless balloon stinking of vinegar.

I am a man, and men do not drink pink drinks. Now, be gone, woman, and fetch me something brown." Jace said. "Brown?" said Isabelle. "Yes. Brown. It's a manly color. See? Alec is wearing it." Jace said. "Well, it was black but it faded." Alec said. "Well, I can always fix it up with something sparkly," Magnus said, holding a sparkley headband. "Resist the urge, Alec, resist the urge." Simon said.

How many black holes have we been up close and personal with?" Kosta countered. "All sorts of odd things happen near the event horizon, from huge tidal forces to variations in time. Personally, I'm voting on it having to do with gravity, either a polarization of the fields themselves or else something related to the time differential." I didn't know physics had become a democracy," Hanan murmered.

I remember when I was in Chicago and data started coming out that when black folks walk into an auto dealership, and women, too, to some degree, they are automatically given higher quotes, worse deals. And this was just documented extensively across auto dealerships around the country. There was a tax being imposed on black folks. By collecting that data, you can construct policies to combat that.

There comes a time when the blankness of the future is just so extreme, it's like such a black wall of nothingness. Not of bad things like a cave full of monsters and so, you're afraid of entering it. It's just nothingness, the void, emptiness and it is just horrible. It's like contemplating a future-less future and so you just want to step out of it. The monstrosity of being alive overwhelms you.

Most of the scientists I have known well have felt - just as deeply as the non-scientists I have known well - that the individual condition of each is tragic. Each of us is alone: sometimes we escape from solitariness, through love or affection or perhaps creative moments, but those triumphs of life are pools of light we make for ourselves while the edge of the road is black: each of us dies alone.

Can I get a lock for my tent? Bears can't unzip tents, Lana. Well, chainsaw psychos who wander the woods looking for young girls all alone to chop up into pieces can. There are no chainsaw psychos! I can't believe you've never been camping. It's safe, Lana. I promise. Easy for you to say. You'll be snuggled up safely in the arms of Beau Vincent. I'm more than positive he could take on a black bear.

I must admit to a personal lack of sympathy with women who have themselves photographed in black stockings, garter belts and boots, with bare breasts, bananas, and coy, come-hither glances.... A woman using her own face and body has a right to do what she will with them, but it is a subtle abyss that separates men's use of women for sexual titillation from women's use of women to expose that insult.

I thought of New York as a free city, like one of those prewar nests of intrigue and licentiousness where exiles and lamsters and refugees found shelter in a tangle of improbable juxtapositions. I had never gotten around to changing my nationality from the one assigned me at birth, but I would have declared myself a citizen of New York City had such a stateless state existed, its flag a solid black.

And if you listen to Irish music, they say that kilts came from the middle east. So really I'm an Arab. If you listen to the way someone like Sinead O'Connor sang. It could be Muslim. You know that angst that sort of ****. That wail. I think it's in our genes. I think certain stuff is in our genes, like nobody can dance like a black guy. It's in their genes. So we don't have oil, but we have poetry.

Black-Scholes is a know-nothing system. If you know nothing about value - only price - then Black-Scholes is a pretty good guess at what a 90-day option might be worth. But the minute you get into longer periods of time, it's crazy to get into Black-Scholes. For example, at Costco we issued stock options with strike prices of $30 and $60, and Black-Scholes valued the $60 ones higher. This is insane.

The total liberation and unification of Africa under an All-African Socialist Government must be the primary objective of all Black revolutionaries throughout the world. It is an objective which when achieved, will bring about the fulfillment of the aspirations of Africans and people of African descent everywhere. It will at the same time advance the triumph of the international socialist revolution.

There's a secret government out here. It's been functioning since the beginning of time, and their whole job is population control. A lot of it is racist, so their target black people and minorities. People need to watch out for that, pay attention to how they're tryin' to change laws, and they're tryin' to control the world. They don't want just America or Europe any more; they want the entire globe.

At any rate, nothing was more characteristic of him [Walter Benjamin] in the thirties than the little notebooks with black covers which he always carried with him and in which he tirelessly entered in the form of quotations what daily living and reading netted him in the way of "pearls" and "coral." On occasion he read from them aloud, showed them around like items from a choice and precious collection.

I happen to be a twin. I grew up half of my life with someone who looks and sounds like me. And I believe it's possible to hold twin desires in your head, such as the desire to create painting and destroy painting at once. The desire to look at a black American culture as underserved, in need of representation, a desire to mine that said culture and to lay its parts bare and look at it almost clinically.

I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.

Before we ever finished shooting, there were things going on. For instance we always had different fingers exposed in our gloves, and always latex and black. And that Versace collection that hit the runway in the spring, we went, "Oh my gosh!" and then they came out and said it was "Tron" inspired. I love it! To me, there are no insults in that whatsoever. I love that other people are inspired by the movie.

I wanted to play roles which offered new ways of viewing black women and black people in general- and I have done that. And I have always, whether I needed to pay the rent or not, I've always turned down roles which I thought were stereotypical. And so when I look at my body of work in that respect, I am really happy. Because I feel my work does say something positive and that was what I always set out to do.

My dad is a minister and my mum is a worker with the less fortunate and the disabled. They're Nigerian natives. Their first language is Yoruba, and their second language is English. My mum and dad moved to London when they had my eldest sister. They started a life in London as immigrants, and they built up from there. They're no actors in my family, but there are definitely animated black people in my family.

Since the social victim has been oppressed by society, he comes to feel that his individual life will be improved more by changes in society than by his own initiative. Without realizing it, he makes society rather than himself the agent of change. The power he finds in his victimization may lead him to collective action against society, but it also encourages passivity within the sphere of his personal life.

What do you think it is to be normal?' Why in the world would you want to be?' she says. I don't know. I guess that's the problem.' I don't think normal is that great.' But so many people choose it,' I reply. I don't think that's it at all. I think most everyone is normal and some of us, for whatever reason, choose to reject that and wear ruby red slippers or old black hats.' Well, why do we choose the hard road?

Blacks were not enslaved because they were black but because they were available. Slavery has existed in the world for thousands of years. Whites enslaved other whites in Europe for centuries before the first black was brought to the Western hemisphere. Asians enslaved Europeans. Asians enslaved other Asians. Africans enslaved other Africans, and indeed even today in North Africa, blacks continue to enslave blacks.

When I die, I want to be remembered as a woman who lived in the twentieth century and who dared to be a catalyst of change. I don't want to be remembered as the first black woman who went to Congress. And I don't even want to be remembered as the first woman who happened to be black to make a bid for the Presidency I want to be remembered as a woman who fought for change in the twentieth century. That's what I want.

The blacks, those magnificent examples of the African race who have conserved their racial purity by a lack of affinity with washing, have seen their patch invaded by a different kind of slave: The Portuguese. the black is indolent and fanciful, he spends his money on frivolity and drink; the European comes from a tradition of working and saving which follows him to this corner of America and drives him to get ahead.

Any Black person in amerika [sic], if they are being honest with themselves, have got to come to the conclusion that they don't know what it feels like to be free. We aren't free politically, economically, or socially. We have very little power over what happens in our lives. In fact, a Black person isn't free to walk down the street. Walk down the wrong street, in the wrong neighborhood at night, and you know what happens.

She stretched out her hand, saying, “Vernon! My dear, what a delightful surprise!” “What’s surprising about it?” he enquired, lifting his black brows. “Didn’t you ask me to come?” The smile remained pinned to Lady Buxted’s lips, but she replied with more than a touch of acidity: “To be sure I did, but so many days ago that I supposed you had gone out of town!” “Oh, no!” he said, returning her smile with one of great sweetness.

Of course I'm a black writer... I'm not just a black writer, but categories like black writer, woman writer and Latin American writer aren't marginal anymore. We have to acknowledge that the thing we call "literature" is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hasidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.

I'm 13 to 17, 18 years old; I thought that's what the world was like. It never occurred to me that this was a very unusual period in music history. So I went on assuming that one day I'm going to have my band like my heroes had their own band. So people ask me this question all the time - they go, "Bass is basically a background instrument." The other thing is that in urban music, Black music, the bass has a much higher profile.

Republicans have reached out so much to black Republicans because it's part of our tradition. Blacks have been in this nation longer than most other Americans with the possible exception of white Anglo-Saxon Protestant. The first blacks in Congress and the first black Governor were all Republicans. It was Republicans who fought the Civil War over slavery and who introduced the Civil Rights legislation over the next hundred years.

From the cab stepped a tall old man. Black raincoat and hat and a battered valise. He paid the driver, then turned and stood motionless, staring at the house. The cab pulled away and rounded the corner of Thirty-sixty Street. Kinderman quickly pulled out to follow. As he turned the corner, he noticed that the tall old man hadn't moved but was standing under the streetlight glow, in mist, like a melancholy traveler frozen in time.

They wanted black women to conform to the gender norms set by white society. They wanted to be recognized as 'men,' as patriarchs, by other men, including white men. Yet they could not assume this position if black women were not willing to conform to prevailing sexist gender norms. Many black women who has endured white-supremacist patriarchal domination during slavery did not want to be dominated by black men after manumission.

Joe [Wright] reached out to me and sent me a treatment, and I said yes on the spot just from the treatment. Within six weeks, I was in Cape Town and there was a script [of Black Mirror episode 'Nosedive'], but I didn't realize until I received the full script that Rashida [Jones] and Michael [Schur] had worked on it. It's a particularly funny episode. Joe and I always looked at it as a satire; it has a lot of comedic elements to it.

I did not know that 'poetess' was an insult, and that I myself would some day be called one. I did not know that to be told I had transcended my gender would be considered a compliment. I didn't know — yet — that black was compulsory. All of that was in the future. When I was sixteen, it was simple. Poetry existed; therefore it could be written; and nobody had told me — yet — the many, many reasons why it could not be written by me.

Suspense is like a woman. The more left to the imagination, the more the excitement. ... The conventional big-bosomed blonde is not mysterious. And what could be more obvious than the old black velvet and pearls type? The perfect ‘woman of mystery’ is one who is blonde, subtle and Nordic. ... Although I do not profess to be an authority on women, I fear that the perfect title [for a movie], like the perfect woman is difficult to find.

The demon's eyes flicked to mine, his smile widening. "This is Nicholas Gregory Sparagmos's room," he said, and my breath caught. "Delightful, just delightful! What are you doing in Nicky's room, Rachel? Ooooh, he summoned you to the West Coast, didn't he? Did you kill him? Good for you for taking care of that little problem! I should give you a bunny. Where is he? Stuffed in a closet?" ~ Algaliarept, Black Magic Sanction, Kim Harrison

When virtue is pictured as innocence and innocence equated with childlikeness, the implication is obviously that knowledge and experience are no longer media of goodness, but have become in themselves contaminating. This is a very despairing outlook, in its way as black as Augustine's original sin, for it supposes that original goodness will in all likelihood be defiled...It surrenders the attempt to represent virtue in a mature phase.

Weirdly enough, the best thing that ever happened to black people in the last twenty or thirty years was the O.J. Simpson verdict because it shut down the white guilt bank. And white guilt has never led to anything good. It's brought us spiraling crime rates, mostly with black victims, and a permanent underclass living in public housing projects. For years, liberals cried that "law and order" and "welfare reform" were racist code words.

Over the years, black leaders have been slow to recognize the need for a very, very progressive agenda. Anytime someone has talked about putting America back to work, blacks should have said yes, but they didn't. They were so preoccupied with affirmative action that they didn't provide the kind of leadership that would help some of the other progressive folks. Only now are black leaders beginning to realize the impact of economic issues.

Most importantly for me growing up, it was a spirituals, it was a gospels, it was James Cleveland, Aretha Franklin, Marion Williams; and then it was Curtis Mayfield - The Main Ingredient, The Whispers, Black Blue Magic, James Brown, Aretha Franklin, Luther Vandross - that music helped me preserves my sanity, help me preserve whatever dignity I was able to preserve, helping to keep going. It was a source of tremendous strength in my life.

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