Quotes of All Topics . Occasions . Authors
Knowledge is honestly everything. It's not just books and staying behind a desk and having a diploma. There's also traveling and knowledge about people, and what I do and scripts and books.
The e-book revolution has made it very easy to pay writers a good deal less than what their work is worth. I do strongly believe that we writers ought to hold out for much better royalties.
At a certain point people want to see other movies besides comic book movies so you have to be really careful what you're going to pick, and how many are going to be released within a year.
Life is a book that never ends. Chapters close, but not the book itself. The end of one physical incarnation is like the end of a chapter, on some level setting up the beginning of another.
I had this desire to see the world. I couldn't see any of it, but I saw it in my imagination, and that's why I always read books, and I could go to Mars or Middle Earth or the Hyborian age.
One rainy Sunday when I was in the third grade, I picked up a book to look at the pictures and discovered that even though I did not want to, I was reading. I have been a reader ever since.
I didn't want to do a book just to do a book. I wanted to do a book that, if you should read it, you might take one thing from it. Until that was clear in my mind, I wasn't going to do one.
I wanted to write a book that would leave open many riddles and mysteries, even to me. Of course in some cases I do know the answers, but in many others I don't know and don't want to know.
With fiction, it could be about anything. It just has to be good writing, like Maria Semple's "Where'd You Go, Bernadette," which I read recently. I want to forget I have a book in my hand.
The Book of Mormon is in absolute harmony from start to finish with other sacred scriptures. There is not a doctrine taught in it that does not harmonize with the teachings of Jesus Christ.
We rehearsed for two weeks [in "Fences"], and we taped out the whole house in the front, and the rooms, and we stood it up like a play. We tried to get off book and gave people small props.
I teach myself archaeology, I teach myself Spanish, and that's because it can be fun, it can be useful. So I keep studying. I read books because I still want to study. I don't want to stop.
Comerado, this is no book,Who touches this, touches a man,(Is it night? Are we here alone?)It is I you hold, and who holds you,I spring from the pages into your arms-decease calls me forth.
Everyone has a set of presuppositions: what gender is, what it's not. And they may not write them out or they may not be in theoretical books published by Routledge, but they have a theory.
A computer does not smell ... if a book is new, it smells great. If a book is old, it smells even better… And it stays with you forever. But the computer doesn’t do that for you. I’m sorry.
Ask yourself, what makes my book so different? So interesting? Don’t write to be a best seller. Write for and from your heart, not your wallet. Write something you want to be remembered by.
I always have been and will remain someone who loves real, 3D, substantial books. And I don't believe that it's a wistful, nostalgic interest like vinyl collectors. It's not the same thing.
There were days when I was on the last $10 in my account, and I was freaking out about paying rent or buying groceries. Then you book a commercial, and you're good for another three months.
I love what I call "re-imagining," where I throw everything up in the air and let it fall in a different way. It's not the most efficient way to write a book, but it's how I find the story.
All the great naturalists have been habitual walkers, for no laboratory, no book, car, train or plane takes the place of honest footwork for this calling, be it amateur's or professional's.
A man who keeps a diary pays, Due toll to many tedious days; But life becomes eventfulthen, His busy hand forgets the pen. Most books, indeed, are records less Of fulness than of emptiness.
What is my life for and what am I going to do with it? I don't know and I'm afraid. I can never read all the books I want; I can never be all the people I want and live all the lives I want.
Editing requires you to be always open, always responding. It is very important, for example, not to allow yourself to want the writer to write a certain kind of book. Sometimes that's hard.
OLD, adj. In that stage of usefulness which is not inconsistent with general inefficiency, as an "old man". Discredited by lapse of time and offensive to the popular taste, as an "old" book.
I am writing to apply for the position of bookkeeper. Attached, you will find my list of qualifications. I have been keeping books for four years now, and I am never going to give them back.
My wife and I, we work together. And we wrote this book, "Dad Is Fat." And in the book, I was encouraged constantly by my editor to be more personal and talk about more personal experiences.
I think that there are empty ecological niches in the literary landscape crying to be filled and when a book more or less fills a niche it's seized on, even when it's a far from perfect fit.
When I wrote 'Marley & Me,' I had a clear audience in mind. And it did not include children. I wrote my book for adults and assumed only adults, and possibly teenagers, would be drawn to it.
We all know what fun it can be to get right into a book and live there for a while, but falling out of a story and suddenly finding yourself in this world doesn't seem to be much fun at all.
If you have a counterculture band, you put a name on it, you call them beatniks, and you can sell something - books or bebop. Or you label them as hippies and you can sell tie-dyed T-shirts.
I have a feeling that books are a lot like people - they change as you age, so that some books that you hated in high school will strike you with the force of a revelation when you're older.
I didn't play music, nobody in my family had an instrument or played music, we didn't even have any books at my house. I think about it and I'm like, I don't know how I climbed out of there.
One of the most fun things for me, as a writer, is when readers ask questions like, 'Oh, I noticed that you have a lot of water and baptism imagery in your book. Did you do that on purpose?'
I think people direct good films when they feel personal to them, not because it's a famous book or something. It has to something move over that and somehow become personal to the director.
It has always pleased me to read while eating if I have no companion; it gives me the society I lack. I devour alternately a page and a mouthful; it is as though my book were dining with me.
I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It's a metaphor for women's lives, their creativity.
When I'm not working I'm a slug - a full slug. I am not good at the in-between. I'm either fever-pitched or want to just pass out on a beach with a really sleazy book and eat a cheeseburger.
I hadn't originally intended to do any reading, what if I did read one book more or one book less, whether I read or not wouldn't make a difference, I would still be waiting to get cremated.
My reaction to your news is delighted astonishment that Lanark has been judged more popular than a book by Ian Rankin, and only regret that this wonderful honour had no money attached to it!
Your book may be a masterpiece but do not suggest that to the publisher because many of the most hopeless manuscripts that have come his way have probably been so described by their authors.
I don't know why people enjoy what I do. I play piano and sing a few songs - and that's about as exciting as I want it to get. The people who come to my shows will have to bring a good book!
I was in such a creative groove after turning in my last book (The Andy Cohen Diaries: A Deep Look at a Shallow Year) that I decided to keep writing in the hope that I'd one day do a sequel.
Why was it librarians had such a prim image? With all the information available in books right there at their fingertips, librarians could be the best-informed people around. About anything.
The book [Saving Calvinism] itself is not recommending that we move the borders, so to speak. It is recommending that we look at what lies within the confessional bounds of Reformed thought.
It was one of the dullest speeches I ever heard. The Agee woman told us for three quarters of an hour how she came to write her beastly book, when a simple apology was all that was required.
A book is a friend whose face is constantly changing. If you read it when you are recovering from an illness, and return to it years after, it is changed surely, with the change in yourself.
An author, whether good or bad, or between both, is an animal whom every body is privileged to attack: for though all are not able to write books, all conceive themselves able to judge them.
For me the Anita series is built like a mystery series, which means that as much as possible each book stands alone, so you have a mystery to solve from the beginning to the end of the book.
My first book took five years to write and I made $1,000 on it. The second took three years and I made $3,000. All this time I was a housewife being supported by a husband. I was very lucky.
Thus Mr. Lawrence, Mr. Douglas and Mr. Joyce partly spoil their books for women readers by their display of self-conscious virility; and Mr. Hemingway, but much less violently, follows suit.