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In my mid-20s, I was directing episodes of 'Alfred Hitchcock' and 'Peter Gunn.' I was pretty much on course and - as I sometimes joke - was prepared to devote my life to become the second best film director in my family.
I watch the weirdest things. I watch old episodes of 'Golden Girls' because my mom watches it, so I grew up watching that. Sometimes I watch reruns of 'Futurama,' which is a cartoon and not based in the real world at all.
I developed a theory that, in many ways, the early 'Andy Griffith' episodes especially were an awful lot like a Capra movie. They were a lot like 'Mr. Deeds' or a lot like 'It's a Wonderful Life' in tone and presentation.
While most episodes have a beginning, middle, and an ending, finales on 'Game of Thrones' are just one ending after another after another, as each of the storylines needs to wrapped up or at least attended to in some way.
One of the last episodes was all about a flood. We were working in the rain till all hours, and it was muddy and it was cold and it was damp, and it was hours under the hoses. That was not pleasant. That was not pleasant.
One of the striking features of the early episodes of AMC's hit television show 'Mad Men' is the similarities in the lifestyle enjoyed by the lowest paid members of Don Draper's advertising company and its wealthy partners.
I didn't expect to feel pathos for the villains in our show. I feel quite moved in several of our episodes; I never realized that a show like 'Motive,' which aims for a broad appeal, could have that sort of emotional impact.
I'll be in a series for three or four episodes, but then I'll be off the series, and downtime, as an actor, is a little more than most people understand. Most of the time you're just sitting around taking coffee with friends.
I tend to write the episodes in the middle of the season, which can be a challenge because you've got to balance all these threads that have begun - and also make sure they will make sense with the overall plan going forward.
In recurring episodes over the next couple of decades, the minority view gradually won. A profusion of factors differentiates each case from the others, including naked partisanship on both sides, but the trend has been clear.
I don't come from a wealthy family, so for me to have to struggle as long as I have in New York and Los Angeles and finally know that I have an income coming in for the next 10 episodes was a major, major life-altering moment.
I did two episodes of 'The Walking Dead,' and it was enough to have time to get in there and really get the meat of it, but also then move on and take that experience and bring it into the next one. It was a great stepping stone.
When I auditioned for 'Jessie,' I knew that Disney Channel basically will do 100 episodes of a show if it's a hit; they'll stick with something. It's a great network to work with because they make a nice big commitment to a show.
For most of my childhood, even through college, there was a lot of feeling very alone. I loved TV, so when those very special episodes of anything came, or when certain characters reflected the world I lived in, I felt connected.
'Star Trek' episodes always insisted that humanity is on its bumpy way to what will be a glorious future in the 23rd century, in which we will have left most of our old selfishness - and old hatreds and prejudices - far behind us.
Don't get me wrong, I love watching episodes of my favorite shows on Hulu and reading the daily trash on PageSix, but I also embrace the opportunity to settle down with a good book and let my mind travel to another place and time.
Manchester is a city which has witnessed a great many stirring episodes, especially of a political character. Generally speaking, its citizens have been liberal in their sentiments, defenders of free speech and liberty of opinion.
It used to be that you had to do a certain number of episodes to hit syndication in order to try to keep a show on, because it's important to the network because it sells good commercial time. That's really not how HBO does things.
At the age of 19, I removed myself from society for almost four months, setting off years of manic episodes, including outrageous overspending. I bought several Mercedes because I thought I could. I had no money, but I rented a jet.
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
I recurred on 'Grey's Anatomy' for three years, and at the same time, I recurred for eight episodes on 'Rescue Me'. And I'd recurred for nine episodes on 'The Practice'. Frankly, the guest star is often the most compelling character.
One of the roles I hold really close to my heart is a small 'under-five' role I did on 'The Young and the Restless.' I think I did about four episodes and it meant so much to me, simply because it was my mom's all-time favorite soap.
I love playing the stuff with McGee at home with Delilah. We've had episodes where it shows them at home arguing over making dinner and things like that. I love doing that stuff because it's different than what the show normally does.
Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood.
I've often reflected on this in the past weeks as I've been following the presidential campaign: Very often, I thought it would have been great for both of these guys to sit down and be force-fed a couple of dozen episodes of Star Trek.
As far as the future for the Showtime episodes that have already aired, we are sold into syndication so we'll be appearing primarily on the Fox syndicated networks and then eventually the SCI FI Channel. So, we'll be around for a while.
The first season of 'Community' stumbled a bit because the plotlines too often veered into realism, but that is not a problem anymore. Not when prize episodes concern a campuswide blanket fort, or a secret garden with a magic trampoline.
I used to write in school a lot; I always liked it and used to write on my own, comic books, come up with alternate story lines to the stuff I watched and read, a lot of books and TV, episodes of 'Twilight Zone.' I didn't think about it.
'Battlestar' was 22 episodes - 9 to 10 months a year - and we were exhausted. You finish shooting, and the last thing you want to do is go back to work. You want those 3 months off because you're tired - it's a grueling shooting schedule.
With 'Darkly Dreaming Dexter,' we as a group of writers had to take a rather thin novel and spread it out over the course of 12 episodes, and not only 12 episodes, but lay in story for everyone that's going to take you through five years.
Our country undergoes periodic episodes of extreme intolerance and fear of foreigners, refugees in particular. Not only were people of Japanese descent placed in internment camps during World War II, but so were some Italians and Germans.
I told you, I have done a lot of projects and as often as I run into someone who recognizes me from something else, I run into someone who is like 'You're on Grey's Anatomy' and I have only been on for seven episodes. It's kind of amazing.
I love rewatching 'Real Housewives of Atlanta' episodes, 'Project Runway,' 'Making the Cut' and other fun shows. If there's fashion and/or drama involved, I'll give it a watch. And of course I've got to watch my show 'Dragnificent' on TLC!
I loved 'SNL' growing up, and I would trick my babysitter into letting me stay up to watch it. My family would rent Marx brothers' movies and Monty Python episodes, and we watched 'In Living Color', 'The State', and 'Strangers with Candy'.
It was a very difficult time, 1984. 'Happy Days' ended. I said, 'There's no way I can be a producer.' My attorney said, 'You'll learn.' The first thing we sold was the 'MacGyver' television series. We shot 139 episodes between 1985 and 1992.
David Boreanaz is actually a very good director and he directed one of our episodes. Excellent director, knew exactly what he wanted. We never had long days with David. He was great, he knew exactly what he wanted and he's a fantastic director.
If a man becomes more mature due to certain episodes in his life, it gives him the opportunity to look at life in a much more deep way. I believe the artist and the man work parallel, with the same feelings, the same soul, the same sensitivity.
When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.
There are writers' rooms that will write episodes all together, who will break into little groups and write certain scenes. Everyone's process can be a little bit malleable. Everyone tries to get into a groove or find what works for their room.
The way the British 'Office' got away with being so dark was that it only had 13 episodes. There are realistic elements that people obviously enjoy, but they don't necessarily want to relive the trials and tribulations of their average work day.
I read the papers, I surf the Web. At the beginning of the year, I try to see at least two episodes of every show on our network. Am I surfing? All the time. I'm aware of the landscape. I'm a competitor, so I have to know whom I'm competing with.
It's hard to tell what an entire series is going to be based on the first few episodes, or even on the first season. And it's sad because you see great casts and good ideas that don't get that opportunity to grow and show what it could turn into.
Why should I ever get fed up talking about my father? He was a brilliant, colorful man who left us with thousands of memories. Most people remember his films, but I've got anecdotes and advice and episodes of real life tucked away inside my head.
Everyone always asks, 'Did you ever rebel? Did you dye your hair blue? Did you wear black nail polish?' I mean, of course, there have been episodes when you wear weird-colored lipstick... But generally, I think I was pretty much the way I am now.
When I was 13, I had these episodes where I could just see the world without any words attached to it, without any associations. It was a little bit spooky. A lot of people might have even thought it was pathological. I thought it was interesting.
The Oceanic White Tip is considered one of the most dangerous sharks in the sea along with the Great White and Tiger. It is responsible for some of the most famous episodes of man-eating in history, such as when the U.S.S. Indianapolis sank in 1945.
I think one of the coolest things about the job is the level of trust we have for each other. The actors fully trust that the writers will write amazing episodes, and the writers trust that the actors will follow their instincts with the characters.
One of the great things about a TV series is that it's different to a movie - in a movie you obviously know the beginning, the middle and the end of what you're going to do. With a TV series it's unfolding, and you're discovering with every episode.
If I knew how to operate a DVR, you'd find episodes of 'The Tavis Smiley Show,' 'Democracy Now!' and lots of stuff from TV Land. What you can find now on my Hulu account are Korean soap operas, 'Grey's Anatomy' and films from the Criterion collection.
The last season of 'Rescue Me' is going to be very sort of half and half: it's how you think 'Rescue Me' would end versus something very outside the box. And, they do it in this sort of perfect way - it's only nine episodes, you know. Very stream-lined.