Quotes of All Topics . Occasions . Authors
I'm always really surprised by people who are comfortable revealing all of their secrets on TV or in a magazine. It's actually quite shocking to me.
The New York Times Bestseller 'The Amateur,' written by Ed Klein, former editor of the 'New York Times Magazine,' is one of the best books I've read.
People magazine had been around for a short period of time, but nobody had thought about putting entertainment news on a nightly basis on television.
My allegiance was always to the act. I wanted them to be happy. I wasn't owned by a magazine or a record label. And I was a very naughty boy to boot!
Open a magazine from the 1930s and '40s and look at the illustrations in it. There's nobody alive that could touch the way they could draw back then.
All my friends are female, I've edited for a magazine for young girls for 15 years, I relate to women, and I'm very, very close to my younger sister.
'Time Magazine' declared Hillary Clinton the 'perfect' age to be president because she's a postmenopausal woman who is 'biologically primed' to lead.
I'm an artist and a journalist. I travel around the world very often for 'Vice Magazine,' and I draw and I write about prisons, about conflict zones.
I'm not getting recognized because I posed in a swimsuit edition of some magazine, but because of what I do on the field, and that's important to me.
People ask me about the decision to transition from fashion to 'Rookie' magazine. But it wasn't a decision. I was 14, and my interests were changing.
People didn't know I played guitar on all the hit records I had. I've never been in an acoustic guitar magazine and I'd put myself up against anybody.
Many women don't appreciate their form because it doesn't look like what they see on the front cover of a magazine. They feel ashamed of their bodies.
I'm often reading a magazine and hearing about someone's new record, and I think, 'Oh, boy, that's gonna be better than me.' It's a very common thing.
What you need to know about me is that I always just wanted to be a country singer. I didn't choose the path of television or being on magazine covers.
I used to send away for eight-minute Super 8 movies of various Ray Harryhausen scenes advertised on the back of 'Famous Monsters of Filmland' magazine.
I've never been naturally fashion conscious. I'm the kind of person who sees a whole outfit in a magazine, runs out and buys it but looks like a clown.
Writers would submit scripts to me, and if I liked one well enough to submit to magazine editors, I had the know-how whether the story was good or bad.
'Breathe In' was such a big deal for me. It was my first anything. Before that, I was going through 'Backstage Magazine' and applying for student films.
I see myself on the cover of a magazine and I don't think that it looks like me at all. My first-ever photo shoot was for the cover of a lads' magazine.
They said this is Vanity Fair, and I said, Oh, I already take the magazine. They said Annie Leibovitz wants to take your picture and I thought, How nice!
I just fell into the job as a fashion editor at a teen magazine. I was there for two years, and I left there as a senior fashion editor at the age of 25.
Watching 'CSI: Miami' is like watching 'Teen Jeopardy!' or doing the crossword puzzle in 'People' magazine. It makes you feel smart even when you're not.
If you were to make a commercial, or do a magazine ad that says 'let's get ready to rumble' to draw attention to your product, you've stolen my property.
I just read that Time magazine cover story with all this information about how you have to have your kids by the time you're 12 or it's all over. Please.
What really destroyed Tucker Carlson, respected magazine journalist, was TV. TV exposed him as glib, smug, and not nearly as clever as he thought he was.
The 'Flex' shoot was incredibly amazing. It was a total dream come true for me, because it was my first media magazine of that sort outside of wrestling.
I'd love to be 'People Magazine's Sexiest Man Alive, but I think that that's a ways off. I have to stop wearing sweat pants, and then we'll work on that.
Everything we do is designed, whether we're producing a magazine, a website, or a bridge. Design is really the creative invention that designs everything.
For me, just being on the cover of a magazine wasn't enough. I began to think, what value is there in doing something in which you have no creative input?
I majored in Southern history in college, and much of my early work at my first job - as a staff writer at 'Memphis' magazine - focused on race relations.
I had started out my grown-up life in New York City, but I couldn't figure out how to be an actor there. And so I had been a magazine illustrator instead.
My career as a magazine writer was largely prefaced on the idea of curiosity, to go on adventures and weasel my way into the lives of people that I admire.
Far more thought and care go into the composition of any prominent ad in a newspaper or magazine than go into the writing of their features and editorials.
We're constantly bombarded with perfect airbrushed images. Every magazine you look at is like 'top 20 tricks to have the perfect body' and it's ridiculous.
It's not good to put in a magazine what I weigh because it's too little. People freak out when they hear what I weigh. They think, 'Oh, you're too skinny.'
He is not someone who went off to play in Europe and only a few Americans follow. He has the potential to be on magazine covers and more newspaper coverage.
I used to think of the cartoons as a magazine within a magazine. First you go through and read all the cartoons, and then you go back and read the articles.
I interned at 'Hamptons' magazine. I was 12. I walked around with a pad and was like, 'What do you guys want for lunch?' to all the people who worked there.
I work for ABC television; I have my own syndicated TV series. I've been on the cover of 'Time Magazine' and on the cover of 'Sports Illustrated' five times.
I got all my politics and culture and my sense of the great wide world of adults from 'Mad Magazine.' But all other comic books literally gave me a headache.
I'm in the studio 24 hours a day. It's true that once you get a certain level of success, you become a target. Talk magazine should be ashamed of themselves.
Someone coming out as gay shouldn't be newsworthy; it shouldn't be warranting a magazine cover or anything like that, which I had as my story for coming out.
I think if we keep on doing good music and people like us and they buy the magazine because we are in the magazine then they cant basically hate us hopefully.
For eight months, from January to August of 2007, I filmed with Anna Wintour and her team at 'Vogue' as they created the September 2007 issue of the magazine.
As an undergrad, I was the editor of the Yale humor magazine, and since then, I've published humor in the 'New York Times' and 'Atlantic,' among other places.
I don't really buy a weekly magazine but do flick through them if they're in front of me. A bit of style and a dose of gossip is just what you need sometimes.
Before the 21st century, stories became popular because people talked about them in other publications or shared magazine and newspaper clippings with friends.
I won't lie - I picked up the occasional gossip magazine in the past because I thought that maybe 5 to 10 percent of it was true. Now I think it's zero percent.
I don't know what it means to be a sex symbol. When I look myself on a magazine cover I don't see it as me, but as someone painted, fluffed, puffed and done up.
I grew up in the dark ages, pre-digital, when everyone would wait for a magazine each month to see these models who became legendary and iconic, like Kate Moss.