Mickey Quotes - Page 3

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Only one of us would usually sing lead. Which most of the time was, Mickey or Dave. They thought it was perfectly a natural routine, because Mickey and Dave saw themselves as TV actors.

What fascinated me mostly about Mickey Cohen was that he, in his later years, hired someone to help him to comprehend literature, to help him to read better, to understand words better.

I need someone to be like, 'I can beat Bert in a marathon.' And then my Mickey Mantle genes will kick in and I'll start going, 'No you can't. You can't beat me, because I'll beat myself.'

I am generally a nostalgic person and super into the pop culture that I grew up on - I've got a framed ALF poster above my bed and a Mickey Mouse poster, and I've got this big VHS collection.

When I was on the 'Mickey Mouse Club,' there was Britney Spears, Justin Timberlake and Ryan Gosling and Christine Aguilera. But they were 12 and I was 17, so there was a bit of an age difference.

You want to earn respect in your old age. You want to walk into a restaurant and have people say: 'There's Mickey Rourke. He was great in 'The Wrestler.' You don't want them jumping out of windows.

You cannot treat someone differently just because they have become captain. We still took the mickey out of Alastair Cook when he was in charge. You have to treat them first and foremost as a team-mate.

We didn't want it to be about Mickey and Minnie being married. It was about Wayne and Russi being married. We had the best time. We laughed a lot. We were always singing. We always had music in the house.

When it comes to the recording and writing, it's still mostly Mickey and I. But now there's this whole live entity that's a whole different thing, and it seems to be where we're gaining the most popularity.

All the children had to wear a gas mask in case of a gas attack by the Germans. They tried to make the masks like Mickey Mouse faces so the children would like them. But I didn't. They had big ears on them.

Philip Roth has made a cottage industry of unlikable characters, but compared with Mickey Sabbath, the furious and profane protagonist of 'Sabbath's Theater,' Roth's earlier creations seem like Winnie the Pooh.

Now and again, an actor will blow my mind by doing something really unexpected, like Mickey Rourke or Christopher Walken - you have absolutely no idea what they're going to do, which is really thrilling to watch.

When I was a teenager, the actors I was really into were Mickey Rourke and Sean Penn. I saw 'Rumble Fish' on my 16th birthday, and around the same time, it was 'Falcon and the Snowman' and 'Bad Boys' from Sean Penn.

My daughter Mickey is an actress, and I tell her women need to make their own films; they should always be looking for stories to develop themselves and go to acting class - not that she needs much prompting in that!

I'm in this wave with Maddie & Tae and RaeLynn and Mickey Guyton and Cam. We're all kind of finding our niches and becoming successful. I think that it's just been really fun to be with them and do this all together.

As far as the timing, well, I'd write that off to luck as much as anything - I happened to be out looking for a development deal, and Disney happened to think my team and I might be the right people to make a Mickey Mouse game.

I do believe, whenever this is all said and done, we won't talk about Mickey Gall, the guy that beat CM Punk; we'll just talk about Mickey Gall, the guy who is a top 10 fighter, a good welterweight or maybe a great welterweight.

Some guy decided that it would be funny to put that in my Wikipedia entry. He was adamant that 'Mickey' was about Micky Dolenz. I choreographed the 'Head' movie but I didn't really know Micky at all. I knew Davy Jones much better.

Scooby's the greatest cartoon character ever. He isn't cute like Mickey or smart like Bugs or fearless like Woody and Buzz - he's a talking dog who's more human than I am. It's his humanity and imperfections that make him special.

Mickey and the Bear' was the scariest choice I've made in my career because I feel pretty safe in the world of comedy and everything else, but I don't feel safe in deep, dark, scary roles that I took on like 'Mickey and the Bear.'

My father was Mickey Katz, who worked with Spike Jones and then went on to improvise some successful Yiddish parodies, some of which I perform. My favorite was 'Geshray of the Vilde Kotchke,' his version of 'Cry of the Wild Goose.'

Playing against Messi, as I've said before, is as tough a test of your concentration as any in football. At any moment, he can take the mickey out of you. Physically, it is demanding, but mentally even more so. You cannot switch off.

The emphasis in 'Notting Hill' was perhaps, I thought, slightly more on the romance than on the comedy. But I think 'Mickey Blue Eyes' is maybe slightly more on the comedy. And the tone on 'Mickey Blue Eyes,' it's a far sillier film.

Mickey Mouse popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner.

When I was young in L.A. and I couldn't get into clubs or restaurants, I would call imitating celebrities and get a table, and it would work often. I was either Stallone or Mickey Rourke: 'This is Sly. I may be late, but my buddy Hank will be there early.'

The attributes we're focused on for Mickey are exactly the ones Walt had in mind in the first place. The original Mickey was impish and irreverent. Walt sanitized him because when Mickey got so popular, there was a fear that his behavior was influencing kids.

Mickey Rourke's character in 'The Wrestler' - that was my dad, that was my uncles, that was so many members of my family. It was the only thing they knew. And then they would end up wrestling for a hundred bucks, go to autograph signings for two hundred bucks.

'Notting Hill?' Does that poke fun at being British? Maybe it does. In 'Mickey Blue Eyes,' that's kind of the point: the clash of worlds, the unlikely combo of a respectable Englishman and a mob guy. If you take out the Britishness, you don't really have much.

People don't connect the girl that sang 'Mickey' with the girl who was one of the seven original Lockers or the same girl who was in 'Easy Rider' or the same girl who choreographed David Bowie, Tina Turner, and Bette Midler tours. It's like I've led five lives.

I watching this Disney documentary, and I'm not Disney, but I was thinking about Mickey Mouse and he became an icon. Walt moved onto other things but he made him exist. I was thinking, 'Wow, is 'Samurai Jack' my 'Mickey Mouse?' Am I stupid to stop working on it?'

There's this bubblegum pop thing which is prevalent now that we haven't had before. People's ears are slightly de-tuned; they've been exposed to this weird synthetic, implausibly upbeat, Mickey Mouse stuff which I think is just weird; it's not really a human sound.

What I've realized recently is that the difference between me and Mickey Mouse is, there's not a man that can go and say, 'Look, can you get me in any faster? I'm Mickey Mouse.' Whereas I can go in and say, 'Look, could you get me a table faster? I'm Princess Leia.'

Oh, I adored Mickey Mouse when I was a child. He was the emblem of happiness and funniness. You went to the movies then, you saw two movies and a short. When Mickey Mouse came on the screen and there was his big head, my sister said she had to hold onto me. I went berserk.

Human beings have a lot of problems identifying themselves with other human beings who don't resemble them exactly. But there's something about drawing that means that anyone can identify to a drawing. I mean, people can identify themselves with Donald Duck and Mickey Mouse.

It's funny because when you're a Welshman living in England, you always get the mickey taken out of you for being Welsh, and then when you go to Wales with an English accent because you were born in Bristol and grew up in Birmingham, they say you're English. You can never win.

In Naples, Fla., I met a self-made man, a multimillionaire, whose round penthouse apartment is home to Pierre-Auguste Renoir, Claude Monet, Henry Moore, and Mickey Mantle. He had purchased the most coveted items auctioned by the Mantle family at Madison Square Garden in December 2003.

You know how kids have a meltdown? They're overtired or overstimulated? Every once in a while, Wayne, as Mickey, would say, 'Aw, what's the matter, little fella?' And the kid would stop crying, his eyes would get big, and he'd look around, and the parents would say, 'What just happened?'

I won't look online. The whole fan thing makes me self-conscious, which is not to say I don't appreciate it or understand it. If Mickey Mantle were around, I'm sure I'd have a ton of questions to ask him that might make him uncomfortable. I get it. That doesn't mean it's not really awkward.

There are only a couple characters and people in the world where, in history, where you can go anywhere in the world and say that character or person, that name, that song, and everyone knows what it is. Mickey Mouse is one, Disney, in general. In terms of gaming, Super Mario, he's everywhere.

In Australia, I grew up watching 'The Mickey Mouse Club,' my son grew up watching 'Sesame Street,' my grandson's growing up watching 'Dora The Explorer.' So we are sort of saturated with American culture from the day we're born, and to those of those who do have an ear for it, it's second nature.

Carl Yastrzemski was the best all-around player. He could run, throw and hit. He had the ability to play a number of different positions. He signed as a shortstop. He could play the outfield, of course, and third base and first, too. He was a tremendous athlete. Mickey Mantle was unbelievable, too.

I spent every bit of my money to try and get a Mickey Mantle card, and I don't have one. Growing up in Oklahoma, Mickey Mantle was my idol. And here I am, and I'd go pick cotton to have enough money, and I'd buy all of these packs, and I'd chew all of the gum, and I'd never find a Mickey Mantle card.

I used to give out Mickey Mouse awards to people. I like Mickey Mouse because he represented certain values. He invested in people, was good to his friends and hard on his enemies. Once a year, I would have our management team from each division come to an offsite, and I would talk about Mickey Mouse.

In the spring of 1957, Mickey Mantle was the king of New York. He had the Triple Crown to prove it, having become only the 12th player in history to earn baseball's gaudiest jewel. In 1956, he had finally fulfilled the promise of his promise, batting .353, with 52 homers and 130 RBIs. Everybody loved Mickey.

When I write about Mickey Haller as the Lincoln lawyer, I totally see Matthew McConaughey because he took that character when that character was still fairly new to me - only two or three years old - when I knew McConaughey was going to play him. He's also the same age, the right age, in comparison to the book.

If you go to talk to Disney about anything related to Mickey Mouse, if you can even get the meeting, you're going to get 50 people in that room. That is the crown jewel of their brand, and so they protect it. And so for better or worse, the crown jewel of my legacy still remains Steve Urkel and Stefan Urquelle.

My father was retired military, and my mother was an educator. She was incredibly creative. I used to love going to her school during the summer and helping her decorate her classroom. I would draw Mickey Mouse, Donald Duck. She was a sixth grade teacher. She and my father are the ones that got me into my love of music.

Popular culture bombards us with examples of animals being humanized for all sorts of purposes, ranging from education to entertainment to satire to propaganda. Walt Disney, for example, made us forget that Mickey is a mouse, and Donald a duck. George Orwell laid a cover of human societal ills over a population of livestock.

Harvey and I grew up in Queens, N.Y. My brother and I shared a room for 18 years until we went away to college. When we were kids, after our father said, 'Lights out,' he also exclaimed, 'No more talking. Time for sleep.' But we'd stay up late, arguing over statistics, who the best center fielder was - Willie Mays or Mickey Mantle.

We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.

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