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I hate Yeats! A lot of his poems are not very good, but some are obviously okay. But how has he become this sort of emblem of literary Irishness when he was this horrible man? He was a huge fan of Mussolini. He was really into fascism. He believed deeply in the idea of a 'noble class' who are superior by birth to the plebs.

I have tremendous respect for teens who navigate the quagmire that is modern religion. If there is any message in my books, I want it to be that it's okay to ask questions, and it's okay to come up with a belief system all your own. Teens who change their worldviews in the face of tremendous social pressure are heroes to me.

I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.

When I get up and work out, I'm working out just as much for my girls as I am for me, because I want them to see a mother who loves them dearly, who invests in them, but who also invests in herself. It's just as much about letting them know as young women that it is okay to put yourself a little higher on your priority list.

For me, it's the unexpected and surprising combinations of produce that are the most exciting and lure me into the kitchen for a little bit of experimenting. Apples and sweet potatoes together? Who knew? Carrots with grapes? Okay. I may not be Julia Child, but I can do pretty well with a simple recipe and a lot of enthusiasm.

I find there's this weird anger thing: Someone will approach me at the bar and say, 'Hey, can I buy you a drink?' And I'll say, 'No, I'm okay.' And then all of a sudden, there's this male anger flip, where they go, 'Oh, you know what? I wasn't even gonna buy you a drink, 'cause you're not even that cute anyway,' and walk away.

My parents have been very supportive, in fact, it was my mother who identified that what I was going through was actually depression. My family and friends never let me feel as if something was wrong with me. They made me feel that what I was going through was okay. They supported my decision to take medication for depression.

I do mourn my characters. I wrote an essay once where I was sure that far back in a marsh there was a hummock - a little hill of hardwoods - and an old farm house, where all the heroines in my novels lived together with all my beloved dead dogs. I've discussed this with my therapist, naturally. He says it's okay in fair amounts.

It's not okay to be fat - not because of the way you look, but because it's unhealthy. I have experienced hormonal problems, bad skin, immense laziness, and back and knee pain. It's not fine to be too fat or too thin! Anything in extremes is wrong. I am afraid of putting on weight because I don't want to develop health problems.

In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.

When I grew up in the South, I was taught that segregation was the will of God, and the Bible was quoted to prove it. I was taught that women were by nature in inferior to men, and the Bible was quoted to prove it. I was taught that it was okay to hate other religions, and especially the Jews, and the Bible was quoted to prove it.

I watched the Oscars, but there wasn't a side of me that was like "Oh, one day..." It was mostly "This is what I want to do, and how do I do it?" As soon as I decided that I was going to be an actor, for about five years after that, I just decided to not do much acting. It was like "Okay, this is what you're going to be later on."

I've always had to conquer fear when I'm on stage. Basically, I was and still am a very shy person. It's absolutely in conflict with what I do. But once I deliver the first joke I'm okay. It's like I'm out there all by myself just delivering my lines to nobody in particular without ever trying to notice the audience in front of me.

There are people who literally cannot start a project until the deadline is four hours away, even if it's a big one. And those people have a serious problem. My recommendation is set up mini-deadlines. You might say, 'Okay, here's my deadline after three days for this and there's another deadline for that and then a third deadline.'

The challenge in writing a show that's about people and their flaws is that it can easily tip over - okay, I'll sometimes watch something, and there will be characters that are written in a way that I'll know that the writer just hates human beings. They're expressing this misanthropic point of view with these detestable characters.

I wasn't trying to fit into a thing... it was not like I was like, 'Right, I'm the Han; I'm the Leia; I'm the Luke.' I was just like, 'Okay, I'm Rey, just trying to do me, just trying to do this scene, trying to do the right thing,' and I think that was a huge advantage because I think if not, it would've been a very different thing.

It's okay to not be working all the time and to be gentle on yourself when you're not. When it feels like you're losing that inspiration - or you're in a rut, not making stuff, and your head gets all weird - be gentle on yourself. Just ease into things naturally. But you still have to ease into it: you still have to sit in the chair.

I want people to think about movies and how we watch them. Let them know it's okay to question the structure or how we're sometimes duped into a false sense of normalcy. Most of all, I want people to question the old standard practices of, 'This is how the structure of something should work,' or, 'This is how a character must behave.'

Remember the Y2K bug? Ahhh, those were the days... I'll never forget that New Year's Eve. My wife and I were in Golden Bay dancing with her parents to Abba songs when suddenly, the rain began to fall. I took it as a sign from Mother Nature that everything was gonna be okay. Sure enough, the clock struck 12, and life went on as normal.

Many years ago, I was actually hired to write the sequel to 'Independence Day.' And I wrote a sequel. And they paid me a boatload of money to go write this thing. And after I wrote it, I read it and I gave them back the money and I said, 'Look, this is an okay movie I just wrote. But it's not worthy of the sequel to 'Independence Day.'

People don't think about the fact that when Barack Obama's parents had him - it was illegal for them to be married in several states in this country. So if we start making it okay that certain people can marry and other people can't, it's a slippery slope of civil rights. Who knows who is going to be allowed to marry or not marry next.

In an instant, the law was transformed: from the last passenger on the safe-haven bandwagon to a pioneer into uncharted territory. For the first time in American history, it was not only legal to relinquish a baby; in Nebraska, it was okay to abandon any child of any age for any reason at any time - with the full protection of the law.

When I was a kid, and God was talking to me about music, I was like, 'Okay, I'll sing mainstream music,' because I was afraid to sing Christian music to alienate my friends. Honestly, it was going on 'Idol,' having that kind of exposure, that I realized there's something different about me. I just crave God being a part of every moment.

I've been on both sides; I've interviewed people, and I do an okay job, I guess. But it's awful. Because you feel like you have to defend your life, which is such an interesting concept. It's not an easy process to sit down and talk about, 'What's your motivation?' Because as I'm answering, I'm working it out for myself at the same time.

One of my favorite things in books is watching someone make the mistake. You know it's going to happen. You keep thinking: 'Don't do it!' But of course they're going to do it. It's riveting. You learn through them that it's okay. It's the ecstatic fall, where you watch someone make that terrible decision, and there's such pleasure in it.

My hair was so much a part of my personality and all my photo shoots. I hid behind my hair. And then, I just decided I was okay with myself. To have short hair and really show my face is even more revealing than anything. It's a statement - not to everyone else, more to myself. I'm just ready to get out from behind my hair and be myself.

To be a good director, you have to spend a lot of time on actual sets, but today, there's a lot of people who spend a lot of time in dark rooms writing a script, and they'll go in and tell the story to some suit at a studio who says, 'Okay, this is great, let's go.' But that doesn't necessarily mean you know what to do once you're on set.

For my first show at 'SNL', I wrote a Bill Clinton sketch, and during our read-through, it wasn't getting any laughs. This weight of embarrassment came over me, and I felt like I was sweating from my spine out. But I realized, 'Okay, that happened, and I did not die.' You've got to experience failure to understand that you can survive it.

Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!

I have had the opportunity to work with Andy Lincoln a lot. He's got a remarkable process. He just has these ways of sinking into the scene and into character that are very physical. He'll make these sounds and these grunts and these moans... I don't know what it is that he's channeling! It lets you know it's okay for you to do that, too.

For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.

It's easier for me to write certain character types because of my own life experiences, but I find it too artistically limiting to only write about red-headed kids who grew up in small town Montana. That's really part of the fun of fantasy, I think. Our imagination is basically unlimited. Okay, that's a terrifying thing about fantasy, too.

I think there are actors who are like, 'Okay, what am I doing, how am I doing it, what's the appeal? Tell me what to do, what are the exact lines from the script? Okay, I got it.' I am not that way. I would be a terrible bus driver. I'd want to be like, 'Oh, let's take this side road! Let's see what happens when we go down this back alley.'

I thought I was okay in my first film, and then I was really, really bad in some films. I really cringe when I see some of my scenes. There's a scene in one film where a dog is biting me; the expressions I have made should be qualified as the most over-acted scene in the history of the cinema. The dog's expressions were more real than mine.

With comics, you don't have to worry so much about budgetary constraints. In film and television, however fanciful you want to be, someone can come up to you and go, 'Okay, this is going to cost X amount of dollars, and we only have so many days to film this.' With graphic novels, you can have that alien invasion you've always wanted to see.

When I finished performing 'I Won't Give Up' for the first time, I opened my eyes, and I think there was maybe six people in there when I started, and when I finished there was about 30 people, all standing around with their jaws dropped in complete silence. I said, 'Okay, I think this song has some power to it.' So coffee shops work for me.

I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.

We are the rags to riches story, okay, the Robertson's are. Okay? We had very humble beginnings. Everybody's trying to figure out what, what's behind it, and all the Robertsons say, 'Hey, it's divine intervention.' Me personally, okay, God's gonna take 'Duck Dynasty' where he wants it to go, okay, and to the people that he wants it to go to.

In terms of the timeline, 'The Force Awakens' came out in December of 2015. I got the role in November of 2015. I was auditioning and waiting to hear back when their marketing machine was everywhere. It's like you're going for something that's so high stakes, and you try to remind yourself, 'Okay, stop thinking about it,' and it's everywhere.

There is some information that an actor doesn't need, and that's okay. I can't control everything. I don't want to control everything. Sometimes, you want to control everything, and you want to know the size of the lens and stuff like that. I am so relaxed as an actor because I don't want to control everything. I just want to control my part.

If there is a risk in a bank, our first question should be 'Okay, what are you in the bank going to do about that? What can you do to recapitalise yourself?'. If the bank can't do it, then we'll talk to the shareholders and the bondholders, we'll ask them to contribute in recapitalising the bank, and if necessary the uninsured deposit holders.

If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.

Melissa McCarthy just opened this new movie, 'Identity Thief,' and Rex Reed, who's a known critic, wrote a scathing commentary on her weight. I think that weight designation is one of the last frontiers of bullying. I don't know what the right 'ism' for it is, but I think that there's a level of that that's happening that's certainly not okay.

You can see areas where maybe you got a bit lazy, perhaps, or you see when you were really on form. I think an actor is very like a sportsman in that respect. You have periods where you're in terrific form. Everything you touch seems to work and come right. And other times, when you're working really hard, it's okay, but it isn't scintillating.

When you're in the backyard as a kid playing and falling in love with the game and you crush the ball? You do a celebration. You stand and watch it like Ken Griffey Jr. You put your hands in the air like Manny Ramirez. You don't hit the ball and put your head down and run as fast you can. That's not fun. It's okay to embrace that part of a game.

When I realized I was depressed, then I started reading up about it. When I read that one in four people are depressed, I felt that I'm not the only one. I also felt that how many people must be feeling suffocated to fight this battle all alone. I just wanted to reach out and tell them that even I'm like you, and it's okay if you feel like that.

My grandparents actually, whenever they got the chance, took me to Broadway, but that started when I was in high school, because that's when I realized... At the very beginning of high school, I realized, 'Oh my gosh. Okay, this is a career choice for me.' So yeah, then they always brought me to New York to see Broadway shows whenever they could.

There have been moments when I was on a modeling job, and it was the most fantastic thing in the world. And there have been moments where I've realized, 'Okay, I'm ten years old, and I've spent the past six hours outside in the rain.' It taught me how to be specific about what kinds of projects I wanted to do and what kind of work I wanted to do.

My problem with my parents growing up was not that I was afraid to cry in front of them - they always wanted me to cry because they wanted me to be okay, but it felt kind of icky and gross to cry in front of my parents. So my problem was the polar opposite - I didn't want to cry in front of them because I didn't want to give them the satisfaction.

You can put a person in jail for 5 years, for 10 years, or 20 years, for the same crime. We're deciding on 10 years to 20 years, when 5 years would be enough. Okay. The deterrent value, the additional amount of leverage that you get over a criminal to keep them from breaking the law in the first place, associated with making the sentences longer, is de minimous; it's essentially nothing.

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