It's always bitterly disappointing to people to see how normally one can live.

I have always been interested in people who live outside of the fabric of the norm.

I live with the people I create and it has always made my essential loneliness less keen.

You always hear people say, 'I just want to live comfortably.' And I'm like, 'What does that mean?'

People are always yearning for a bigger story to be part of, it's not enough to live our own private lives.

When I was growing up, I always wanted to be somebody else and live somewhere else. I've always felt a little uncomfortable around people.

I'm always really interested in different environments and how they affect people's lives and what it would be like to live somewhere else.

I've always been conscious of the fact that there aren't enough Irish voices on British television compared to the amount of Irish people who live there.

I always really liked magicians. I'm not even sure why - except that they know things other people don't, and they live in untidy rooms full of strange objects.

I always tell people I want to live to be 150 and they say why would you want to do that. I say, well there's a few people I haven't made mad yet, I want to get them.

When you turn on your radio, you don't always want to hear about someone shootin' some person. Even if that's the lifestyle they live, people don't always want to hear it.

I live half the year on Necker, a tiny island in the Caribbean, and it's always full of people in party mode. Everyone comes up to the big house, and we'll be dancing until the early hours to the island's band, the Front Line.

I've always felt strongly that a writer shouldn't be engaged with other writers, or with people who make books, or even with people who read them. I think the farther away you get from the literary traffic, the closer you are to sources. I mean, a writer doesn't really live; he observes.

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