Quotes of All Topics . Occasions . Authors
If you go overseas and meet people, you can detect a Singaporean from across the street - the way he dresses, slightly; the way he talks; the way he acts. There is a persona which is recognizable and which we are proud of.
I think people got this idea that I wanted to be a star. Managers of the past don't have any kind of public persona - it's all about the fame of the artist. I really don't want to be a star. I just want to have a platform.
On telly, if it's not the right kind of show, I revert back to my 'Girlie Show' persona, become this daft, bawdy caricature of myself and I'm not actually like that, I'm actually quite - not clever, but smart with my words.
If you're real, you've never got anything to hide away from. You're not trying to fake anything, you're not trying to have this other persona - you're just yourself. And if I could be myself for as long as possible, I will.
I really, truly believe that writing comes out of the body; of course, the mind is working as well, but it's a double thing and that doubleness is united. I mean, you can't separate persona from psyche; you just can't do it.
The character in 'Arya' was so close to my real life persona. The director saw me once and felt I was the right guy for the role because my body language was so flamboyant. In real life, too, I am very peppy and full of life.
It is very important when you judge to recognize that you have to stay impartial. That's what the nature of my job is. I have to unhook myself from my emotional responses and try to stay within my unemotional, objective persona.
After getting recognized in public from my picture on our pretzel bag, I can understand not wanting to be in the public eye. It has given me a public persona I had always avoided as a child. I do it because it's for a good cause.
There's this weird thing that happens when you contribute something to a static profile. You have to worry about how this new content fits in with your online persona that's supposed to be you. It's uncomfortable and unfortunate.
Well, you create your own persona, don't you? And you have to live with that. But the people that I meet, they don't think that I'm a lunatic. And if they do, then that's OK, because it means that I'm playing the parts all right.
When people think about me, that's all they think: 'He's crazy. He's psycho. He's this.' No, that was just my blog; that was Agent Zero; that was my persona that I was putting out there. And eventually, that all caught up with me.
I think people just find it remarkable that a high court justice would step out from behind the bench and have a persona that's not the traditional, stodgy, fuddy-duddy persona, but actually comes across as authentic and engaging.
James Brown is the perfect example of flashy but classy. Classy doesn't have to mean boring. His gear was flamboyant but without being so over the top. The cape was probably the biggest part of his persona. He looked like Superman.
As a rapper, you sort of act in music videos and in the persona you adopt onstage. You kinda have to put yourself out there and be courageous even to be a rapper. So, to step into acting was not that difficult a transition to make.
Pollock said several times that he couldn't separate himself from his art. Not knowing much about modern art when I began to read about him, I was much more his persona - his struggles as a human being - that was interesting to me.
Sometimes when you do a part, the wall between you and the characters can be very porous. You can sort of move in and out of your character's persona and being. And that just couldn't happen on this one because of working with him.
The Trump brand is complicated because it conflates a personal brand with a corporate brand. That means that the Trump persona affects the corporate reputation in a more direct way than, say, Richard Branson's actions affect Virgin.
I'm not a method actor per se, but if I'm playing a character that, at its core of its persona, has experiences I don't have, I try to search out and get firsthand experiences of similar sorts so I have something to fantasize about.
In my executive advising role, my persona, which seems to work very well with both women and men, is being 'the big brother you always wanted.' I am fortunate to have two such big brothers, so this isn't just a theoretical construct.
A rap dude has his rap persona, his hyper version of himself. Do you know Method Man's real name? Or Elton John, Marylin Monroe? You make up this character. That's kind of what we have done with Die Antwoord, playing with characters.
It's one of the main things that I love about my job. You are never playing yourself, so I really love that I get to be someone else, play a different character and take on that persona, but I also have to take on their qualifications.
Portraying Mozart is a scary task. Whenever I'm asked to portray actual historic figures, it comes with extra accountability. Not just to your director and playwright, but to the man himself and the beloved persona that the public forms.
There are plenty of actors who've caught the singing bug and vice versa, but with musical performers, you're constantly a persona - which is something I love about acting: you play a character, you leave and you get to be yourself again.
I had a series of mini-breakdowns where the public persona - this thing, this face, this person who writes this music... I would walk past that person in the mirror or listen to that person playing guitar and I didn't know who they were.
I think Lena Dunham, the public figure, is - I hate the word 'brand,' but I'm going to use it - it's such a brand that is so tethered to her public persona and to 'Girls', but also this progressive politics that she's been more vocal about.
If people didn't know me and only knew my public persona, what I'd want them to know is everything that I do, I do for the Glory of Lord. Because of my Christian faith, that's who I am. I wasn't always that way, but I'm very proud that I am.
I've always been aware that probably writing songs - stupid songs or, at least, theatrical songs - is, I dunno, I certainly don't think about that, about my persona on stage. In fact, I work really hard not to address it too much in my head.
It's strange - there's a public persona of me that does nothing for me: the side of me where it's 'US Weekly,' where 12 cars sit outside my house because of who I married. That side never shuts off. I would like that to shut off sometimes, yes.
I play characters. I don't think I really have a persona per se. I don't play the same guy every time. I show up, you don't know what I'm gonna do. I like it that way. I've intentionally tried to do it that way. I think that's what's interesting.
I always thought I was a good person, a decent person. I never harassed anyone or touched anyone. And you say to yourself , 'Oh, that's good enough,' but yes, I had certain jokes that I always assumed the audience would understand. This is Persona.
That's how a lot of Tame Impala songs start out - as ideas for songs I could potentially give to someone else. I think of them with a different persona in mind; it's just a subconscious way of not being bound by what you think you are as an artist.
As you mature and gain a semblance of wisdom and a sense of what life is all about... this is by no means true of everyone, but a lot of actors like to escape themselves. Inhabiting another person's persona is often a good way of escaping yourself.
I'm not saying the persona on 'Strictly' isn't me - it's just that the nurturing side, which is also a part of who I am, isn't what I'm there for. I'm there to judge and to give an honest opinion, even if it's not the opinion someone wants to hear.
When I was younger I was attracted to people who had that kind of artifice - people who were incredibly polished and had a complex persona that always seemed to be turned on. I was really interested in these kinds of people because I felt so unformed.
It was difficult to find my way into 'I Am Abraham,' to feel confident enough to inhabit Lincoln's persona. I began with a prologue in a neutral voice, wrote of Lincoln at the White House with a sly young reporter quizzing him about his humble origins.
A phoenix, Beirut seems to always pull itself out its ashes, reinvents itself, has been conquered numerous times in its 7,000-year history, yet it survives by both becoming whatever its conquerors wished it to be and retaining its idiosyncratic persona.
When people start thinking of you more as a persona, they are less inclined to allow you to move into different areas. Sometimes they're wrong. Sometimes they're just very stereotypical or restricted in their own thinking of what they'll allow you to do.
What we are is serious. And you see us in action, so it's not in personas. It's in actions and it's what we do. And that's why Russia was left on an island when it came to Syria. Everyone else isolated them with their connection with Bashar Assad and Iran.
I very much treat my stage persona of Jinkx as a character I've created. Some drag artists do a look-based glamour act, and when they talk they're mostly just being themselves. In my case it's not Jinkx the drag queen, it's Jerrick Hoffer as Jinkx Monsoon.
I think the Mary J. Blige persona wouldn't lend itself to the big kid persona, but that's exactly who she is. She has such a serious life and childhood and then such a dramatic one, a successful R&B singer. But she's just stayed this kid for life and stuff.
I tend to relate more to people on television who are just themselves, for good or for bad, than I do to someone who I believe is putting on some sort of persona. The anchorman on 'The Simpsons' is a reasonable facsimile of some anchors who have that problem.
The 8 P.M. hour in the cable news world is currently driven by the indomitable Bill O'Reilly, Nancy Grace, and Keith Olbermann. Shedding my own journalistic skin to try to inhabit the kind of persona that might coexist in that lineup is just impossible for me.
There was a lot of work that people don't know about that I did to establish my villain persona. There were a lot of miles on the road that went into it, thousands upon thousands of hours of writing on yellow pads while driving in my car with the dome light on.
The thing is when you play a character it's the persona you bring across from a book to film, or book to script to film. If I play Frank Sinatra, there's gonna be things I do in a movie that Frank might not have done, but it's the personality that comes across.
Sometimes people think I'm sort of a Machiavelli who is thinking, 'How can I disarm people? I know: I'll create a persona; I'll get some spectacles, and when I meet you, I'll say, 'How are you doing?' And I will be very unassuming and polite and never get angry.'
You don't even know if the person you're communicating with online is actually that person. And your persona on your social media - your Facebook or Twitter - may not be the person you are in real life. So then, who is the real person? Is it somewhere in between?
The persona of 'The Wonder Years' is something that's going to be with me forever. And I'm happy for that. It's nothing that I'd ever shy away from, and it makes me feel so good that it's something people still remember and talk about it and think of it so fondly.
When my first show was on MTV, and it was this outrageous persona, I think people certainly didn't know what to think. But it was a performance. I'm sure people didn't know that it was a performance; they thought maybe I was just nuts, but that was all intentional.
Some people say, 'Oh you're a weird queen. You're a punk queen.' All queens are weird! I don't care if you're in a sickening gown or dressed as an octopus. You are treating every day as if it were Halloween. You are donning a character and a persona that isn't real.
As you evolve, you learn that wrestling is not necessarily about stunts or spots. You need to go out and show the audience that they can love you for the persona you are - not because of the risk you're willing to take or the jeopardy you're willing to put your body in.