Quotes of All Topics . Occasions . Authors
One summer, when I was elementary-school age, my neighbors and I built guitars and keyboards out of scrap wood, painted them in bright colors, and formed the cover band Lil' 'D' Duran Duran. We didn't make our own noise or even pretend to play our fake instruments.
Polymeric materials in the form of wood, bone, skin and fibers have been used by man since prehistoric time. Although organic chemistry as a science dates back to the eighteenth century, polymer science on a molecular basis is a development of the twentieth century.
Bad company is like a nail driven into a post, which, after the first and second blow, may be drawn out with little difficulty; but being once driven up to the head, the pincers cannot take hold to draw it out, but which can only be done by the destruction of the wood.
I've been offered, I think it was £300,000 to play live two concerts in London some years ago. And I said 'No. No thanks.' I would rather stay home here and change oil on my car, or collect some rotten wood from the forest, spread on my ruined former agricultural land.
I love Amy Adams. She is wonderful. Evan Rachel Wood is a blast. I am also really excited about Ari Graynor from 'Nick and Norah's Infinite Playlist' and 'American Crime.' I think it is an exciting time for young women in this industry. I am excited to make my own path.
As a child, I was always interested in building things. Instead of buying candy, I would purchase nails, which I used to construct things out of scrap wood. My mother always claimed that my spending my money on nails instead of on candy was why I was so skinny as a kid.
This means that they are bound by law and custom to plough the fields of their masters, harvest the corn, gather it into barns, and thresh and winnow the grain; they must also mow and carry home the hay, cut and collect wood, and perform all manner of tasks of this kind.
As a fan and collector of 'MAD' magazines as a kid, I am well aware that my art is unworthy. I remain in absolute awe of 'MAD' artist Mort Drucker and loved Wally Wood and Harvey Kurtzman and Al Jaffee and Don Martin and Angelo Torres and Peter Kuper and Sergio Aragones.
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.
My father, who was a cabinetmaker, told me, 'Wood has a grain and if you go into the grain, you have beauty. If you go against it, you have splinters - it breaks.' And I took that as my view of life. You have to follow the grain - to be sensitive to the direction of life.
You'd never look at a Rembrandt and say, 'That's just wood and canvas and paint - how much?!' It's all about how many people want it. It works on a pair of jeans as well - they're just material and stitching, and as soon as you walk out of the shop, they're worth nothing.
I've always remembered something Sanford Meisner, my acting teacher, told us. When you create a character, it's like making a chair, except instead of making someting out of wood, you make it out of yourself. That's the actor's craft - using yourself to create a character.
Bad movies: they can be tatty classics of crazed ineptitude, like Edward D. Wood's 'Glen or Glenda' and 'Plan 9 from Outer Space,' or big-budget misfires like the 1987 'Ishtar,' a would-be comedy that sent Warren Beatty and Dustin Hoffman on a Hope-Crosby Road to Dystopia.
Music is like nuclear plants. In a way, it's true! Music is totally artificial. Still using some material from nature, a piano is assembled with wood and iron. Nuclear power uses material from nature, but it's been manipulated by humans, and it produces something unnatural.
As a historian, I love every little detail, but whole long passages about wood paneling and journeys on horseback and every stop at every inn had to go out the window. I decided the history in the books should be like spice in a soup - a little went a long way. Like cilantro.
Authors don't tend to stay with the same agents and editors over their entire lifetimes, but Grafton worked with Marian Wood, her editor at Putnam, from Kinsey's first outing, and signed with Molly Friedrich, still her literary agent, with the publication of 'B Is for Burglar.'
The Horny Toad in Cave Creek has great food. When I'm in Arizona, I have at least one meal there. I have a daughter who lives out there, and Dee Dee Wood, who was the choreographer on 'Mary Poppins,' lives out there. I still get out there once in a while, but not in the summer.
I was taught to whistle as a little girl by an undertaker. I used to sit in his workshop, watching him planing wood for the coffins, and he used to whistle all the time - and eventually I started whistling, too. I can whistle anything, particularly trumpet tunes from Classic FM.
There have been some terrific player's names being bandied around that I am being compared to and that is great. I am just able, touch wood, to take it in my stride. That's how I am. I am not embarrassed or pressurised by it. It is just great and I want to do as well as they did.
There's nothing good about ash dieback, but there is one useful thing that could be done: wherever possible, leave the dead trees to stand. There is more life in a dead tree than in a living tree: around 2,000 animal species in the UK rely on dead or dying wood for their survival.
I think it was John who really urged me to play sitar on 'Norwegian Wood,' which was the first time we used it. Now, Paul has just asked me recently whether I'd written any more of those 'Indian type of tunes.' He suddenly likes them now. But at the time, he wouldn't play on them.
With the kids around, this is a different world to me. I spend a lot of time with them till they go to their playschool. I wake up early, have breakfast with them. I come back from work and am with them again till they go to bed by 10 P.M. Touch wood, this is what I wanted always.
Along with all the other stunning statistics China can provide, it can also claim to be the world leader in making energy from human excrement. Biogas, as this energy is known, can be produced from the fermentation of any organic material, from wood to vegetables to human excreta.
Whether it's a blessing or a curse, I have always played someone like 10 years younger. When I was 23 or 24, I was playing 15 opposite Evan Rachel Wood in a movie called 'Pretty Persuasion.' She was 16 and nobody in a million years would have thought I was that much older than her.
When I was eight, I bought my first puppet. It was a monkey, and I paid five cents for it. I collected some scrap wood and built myself a puppet theatre. I made 32 cents with my first show, which I thought was pretty good, and that's when I knew I would be a puppeteer when I grew up.
Imagining themes that are specific to coating lines, shapes, shades, thoughts, the decoration of our homes and the objects of utility or pure pleasure, adapting its purpose in a material-specific way to metal or wood, marble or fabric - it is, without any doubt, an absorbing occupation.
The plantations in the Hilo district enjoy special advantages, for by turning some of the innumerable mountain streams into flumes, the owners can bring a great part of their cane and all their wood for fuel down to the mills without other expense than the original cost of the woodwork.
A pattern is a guide or a model. Patterns are used in sewing and knitting, in wood and metalworking, and in a wide variety of other productive pursuits, activities, and jobs. Patterns help to avoid waste and unwanted deviations and facilitate uniformity that is appropriate and beneficial.
Kids go crazy for the Krampus tradition and dress up as little monsters - they have beautiful masks, handmade from wood. Our village in Austria puts on a special play in which the creature tells an old beggar to repent his sins; when he refuses, he's beaten up by lots of Krampuses at once.
Ah, the power of two. There's nothing quite like it. Especially when it comes to paying utility bills, parenting, cooking elaborate meals, purchasing a grown-up bed, jumping rope and lifting heavy machinery. The world favours pairs. Who wants to waste the wood building an ark for singletons?
We live in such a consumer-based world. Everything we do, someone else has provided for us, so there is something really empowering about knowing that once I have found the right pieces of wood, I can start a fire and keep myself warm and skin an animal to eat and make its skin into leather.
If I am practicing on the wire, and you pushed me, I would not move, and if you take a piece of wood and beat me up on the shoulder and the head, I would not move. You would not put me out of balance. You would not be able to. I am solid as granite when I am on the tight rope, and I should be.
One of my favorite L.A. movies is 'Ed Wood,' and it's about how Bela Lugosi went from being this movie star personality to living in a little bungalow with his cats in the valley where, if you walked by, you'd have no idea. He'd come out and get his paper, and you'd go, 'That guy looks familiar.'
The unreal is more powerful than the real, because nothing is as perfect as you can imagine it, because it's only intangible ideas, concepts, beliefs, fantasies that last. Stone crumbles, wood rots. People, well, they die. But things as fragile as a thought, a dream, a legend, they can go on and on.
Every sport has its dangers. I've been pretty lucky, knock on wood. But I've had really confident, brave and smart horses growing up, which I think is important when you're young. You are working with massive animals over big fences, and especially at this top level, there is really no room for error.
A word is an arbitrary label - that's the foundation of linguistics. But many people think otherwise. They believe in word magic: that uttering a spell, incantation, curse, or prayer can change the world. Don't snicker: Would you ever say, 'Nothing has gone wrong yet' without looking for wood to knock?
A puppet, for example, is just a piece of wood, a couple of rivets, but put them together, and if you know how to do it, and the audience's imagination joins in with this, then a miracle will come out of that machine. That is what we and the audience do in the theatre - we create miracles in that space.
My mom's a screenwriter, and before that, she was an actress, and my father was an actor; my stepfather was a director, so I was on sets a lot as a kid. I loved the magic of the set. You walk in, and it's a living room, and you walk outside, and it's just a piece of wood held up by another piece of wood.
Myself and some kids on our estate became obsessed with the creation of the ultimate go-kart. This ambition culminated in the creation of a six-man super-cart, which was essentially a plank of wood with four wheels, and a failed attempt to jump a tributary of the River Severn powered only by Rex, our dog.
There is a woman named Wendy Wood, who did a study when she was at Duke, and she followed around college students to try to figure out how much of their day was decision-making versus how much was habit. And what she found was that about 45 percent of all the behaviors that someone did in a day was habit.
I will never tire of recommending the custom, practiced by the best architects, of preparing not only drawings and sketches, but also models of wood or any other material. These... enable us to examine... the work as a whole... and, before continuing any further, to estimate the likely trouble and expense.
There is a special sensation in getting good wood on the ball and driving a double down the left-field line as the crowd in the ballpark rises to its feet and cheers. But, I also remember how much fun I had as a skinny barefoot kid hitting a tennis ball with a broomstick on a quiet, dusty street in Panama.
The colour of a British wood in autumn is predominantly yellow. There are relatively few European trees which have red leaves in the autumn. But there are splashes of crimson or rust-red colours from a few indigenous trees, like the rowan, as well as from introduced species, like the North American red oak.
From 1936 on, I have taken more falls than any other 20 comedians put together. From the time I was 21, I've taken them on everything from clay courts to cement to wood floors, coming off pianos, going out a two-story window, landing on Dean, falling into the rough. You do that and you're gonna have problems.
If I wasn't acting, I would own a farm. Not like growing crops but maybe have a few animals like cows, and maybe an alpaca or a llama. I would chop wood all day. I would make a living doing that; it's, like, an idealistic scenario for me. It's very contrary to my upbringing, but maybe that's the appeal to it.
I do a bit called, 'You go, girl!' where I say, 'Don't tell me 'You go, girl!' I get it. I don't need you encourage me.' And nine times out of 10 after I finish the bit, some guy in the back will yell 'You go, girl!' I get a lot of that or 'I hear ya!' I don't generally - knock on fake wood - get mean heckling.
The flukey part of it is, back in the early days, I had that guitar decorated with all kinds of crap wallpaper, 'Flower Power' - then that got all shaved off. And during the course of cleaning the bass up again, some of the wood got shaved down, and it probably became a lighter body than the stock factory model.
You know, for most of its life bluegrass has had this stigma of being all straw hats and hay bales and not necessarily the most sophisticated form of music. Yet you can't help responding to its honesty. It's music that finds its way deep into your soul because it's strings vibrating against wood and nothing else.
Now that virtually every career is an option for ambitious girls, it can no longer be considered regressive or reactionary to reintroduce discussion of marriage and motherhood to primary education. We certainly do not want to return to the simplistic duality of home economics classes for girls and wood shop for boys.
Indians walk softly and hurt the landscape hardly more than the birds and squirrels, and their brush and bark huts last hardly longer than those of wood rats, while their more enduring monuments, excepting those wrought on the forests by the fires they made to improve their hunting grounds, vanish in a few centuries.