Quotes of All Topics . Occasions . Authors
It was writing about music for NPR - connecting with music fans and experiencing a sense of community - that made me want to write songs again. I began to feel I was in my head too much about music, too analytical.
I use music as a tool for my own personal sanity, one might say. After a long day or something, I can always come home and sit down and play a song, or write a song, just relax and kind of space out with my guitar.
I usually write away from home, in coffee shops, on trains, on planes, in friends’ houses. I like places where there’s stuff going on that you can lift your eyes, see something interesting, overhear a conversation.
Money is an unavoidable consequence, but it isn't the reason I write; if it was, I wouldn't have written any of the YA books, because advances in that field are small compared to what I'd got now for an 'adult' DW.
I have a rule - 'funny is funny!' When I write comedy, it's not my aim to upset people. I will be offensive, edgy and immature, but I will also be very intelligent and relevant. At my shows, there are no holy cows.
There are always new things to experience, internalize then write about. This process is ongoing with me. It never stops. The opportunity to reach new audiences with all of the music that we have made is thrilling.
Writing about someone well known removes that obligation of defending it as a subject, but it also means that some of the surprise and freshness is already gone. It's so different - in some ways much harder for me.
Success means being heard and don't stand there and tell me that you are indifferent to being heard. You may write for the joy of it, but the act of writing is not complete in itself. It has to end in its audience.
Rarely a producer gives me music and I write to it. I think that's too easy. Most of the time for me, it's on an elevator or in my car listening to absolutely nothing. I'll just be driving and then the lyrics birth.
Basically I can't sleep without every single song I'm writing repeating endlessly, but I'm loving it again. Embracing the torture, as I'm assaulted by my own thoughts. Like a locust giving birth to earworms. Eeeeew!
You can sit and write in your room all you want, but until other people see it, until you see it produced for television or film or something, you're not 100 percent sure if what you wrote is actually going to work.
I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn't have actresses then.
Research is all well and good, but I definitely enjoy writing the most. I will happily sit at my computer and work on a single paragraph for hours. And there's no better feeling than when your writing is going well.
I pay tribute to the writing always. The writer is a creative artist and the director is an interpretive artist and the actors are interpretive. You take zero and make it into something, that's always amazing to me.
Clear writing is universal. People talk about writing down to an audience or writing up to an audience; I think that's nonsense. If you write in a way that is clear, transparent, and elegant, it will reach everyone.
I love to tell stories and I love to work with directors and I think I write really visually, which I think directors like, and I love making movies, so I found something that I'm good at and I'm really happy doing.
I should think it extremely improbable that anyone ever wrote for money. Naturally, when he has written something, he wants to get as much for it as he can, but that is a very different thing from writing for money.
I think that there have been times, especially with writing songs, where you sit in a room with somebody, and they could be a very well-respected songwriter, but for whatever reason, the chemistry is just not right.
And the writers are good in that it's easy to memorize, and good writing has an innate rhythm to it. And I've always felt that it's easier to get in your head than writing that has very kind of mind busting moments.
I don't for one second think about the possibility of censorship when I am writing a new book. I know I am a person who cares about kids and who cares about truth and I am guided by my own instincts, and trust them.
It seemed like the right time. You reach a point when you say to yourself, ‘Do I want to keep doing this?’ There are other things on my plate I want to do — I’ve been writing a play, I’ve been neglecting my standup.
I am not an early-morning person; I don't like to get out of bed, and so I don't begin writing at five A.M., though some people, I hear, do. I write once my day has started. And I can work late into the night, also.
Bob Dylan and John Lennon and Bruce Springsteen, these are soul guys. Bruce Springsteen might not sing like Otis Redding, but he sings with white soul. He's singing and he's writing songs from the bottom of his gut.
We all have our muses. My grandmother and my mother are the people I write for. I'll never have to worry about who buys my work, or who likes it, and who doesn't. The people who I want to be proud of me already are.
The great thing about using the past is that it gives you the most colossal freedom to invent. The research is necessary, of course, but no one writes a novel to dramatically illustrate what everybody already knows.
I think one artist to another artist, the best compliment you can pay one another, because the part of you that is inspired or creates something, to write a joke or a song, that's like the God-like part of a person.
I never actually wanted to write horror, oddly enough. It was a kind of misnomer, because I didn't ever actually write horror in the sense of the genre known for it. It was more a type of pigeon-holing in bookshops.
In undergraduate classes, I often see writers who are still simply imitating. I mean, we all imitate - that's how we learn to speak or write in the first place - but they're writing a Dean Koontz novel or something.
The preoccupation of the novelist: how to capture the living moments, was answered by the diary. You write while you are alive. You do not preserve them in alcohol until the moment you are ready to write about them.
A man writes because he is tormented, because he doubts. He needs to constantly prove to himself and the others that he’s worth something. And if I know for sure that I’m a genius? Why write then? What the hell for?
The people whose necks hurt when I write about the Middle East tend to live in Brooklyn or Boca Raton: the kind of Zionist who pays another man to live in Israel for him. I have nothing but contempt for such people.
I would like to think that Ben and myself have begun a partnership that will take us into different areas of music that we can continue to write, enjoy and keep me involved with music other then what I do with RUSH.
Without dignity our lives are only blinks of duration. But if we manage to lead a good life well, we create something more. We write a subscript to our mortality. We make our lives tiny diamonds in the cosmic sands.
I don't have to worry about writing jokes. I just tell stories about things that have happened to me. As long as I'm alive and I'm living and I'm experiencing different things every day, the show will always change.
Writing needs to be practiced; there is a limit to how much can be gleaned from a teacher or a manual. The true essence of writing is out there, in the world, and inside, within yourself. To write, you have to give.
To think of writing poetry as a "career" is not only ridiculous, it's dangerous. To the imagination. To the way one thinks of art. The reason poetry as a genre is so special is because it cannot be made a commodity.
The writer must have a good imagination to begin with, but the imagination has to be muscular, which means it must be exercised in a disciplined way, day in and day out, by writing, failing, succeeding and revising.
The balance between literature and philosophy in Schopenhauer and Nietzsche is different from that struck in the novella, but, as Mann clearly pointed out in his writings about both thinkers, both modes are present.
In real life, it is the hare who wins. Every time. Look around you. And in any case it is my contention that Aesop was writing for the tortoise market. Hares have no time to read. They are too busy winning the game.
Maybe you could be a great writer - maybe even good enough to write a book or articles in a newspaper - but you might not know it until you write that English paper - that English class paper that's assigned to you.
I think I'm a very lazy writer and by that I mean that I do not battle, I don't struggle too hard against it. If I have difficulties in the writing, I just go and do other things. I don't feel a compulsion to write.
To justify being listened to, I try to be as well informed as I can. Hence, the travel. Reading is good too. Reading gets you part way there, and I do read pretty voraciously for a guy who's trying to write so much.
Beyond any role that I ever had, really early on as a stand-up, I would see actors decide to try it and they would bomb miserably. What I realized was that stand-up, acting and writing are all their own disciplines.
I'm an efficient, good, professional reporter. But I also write. And so what I try to do is write about places that I know that I care about intensely and write about them in a way that conveys the fact that I care.
Actually, if I could deliberately sit down and write a pop hit, all my songs would be pop hits! Let's put it this way. I play what I like to hear. And sometimes I like to hear something poppy, and sometimes I don't.
There is time, and there is beyond time. History belongs to time, but truth belongs to what is beyond time. In writing of things as they should have been, you are letting truth into history. You are the word of God.
I can never tell what's going to end up being on an album until it's all finished. I'm reading the news everyday, and sometimes I just have to be away from it. And that ends up writing the songs for me a little bit.
I am not quite sure how writing changes things, but I know that it does. It is indirect-like the trails of earthworms aerating the earth. It is not always deliberate-like the tails of glowing dust dragged by comets.
. I used to advise writers to just write their books and it will find a home, and suddenly that didn't seem as certain. I figured it was time to act. I considered a small press through RADAR, my literary non-profit.
I don't want to do children's music. I write kids songs, but the kids songs I write are for my kids - like when I'm putting them to bed. We sing some song that we made up but I don't want to make a record like that.