Quotes of All Topics . Occasions . Authors
We can believe we are being self-reliant and independent, and yet there is still clearly an overarching destiny, a Great Maker. So when we say we have faith in ourselves, we cannot really separate the small self from the large self.
Some people find it easier to picture the stream of inspiration as being like radio waves of all sorts being broadcast at all times. With practice, we learn to hear the desired frequency on request. We tune in to the frequency we want.
All too often too often we try to push, pull, outline and control our ideas instead of letting them grow organically. The creative process is a process of surrender, not control.Mystery is at the heart of creativity. That, and surprise.
It is on these (20min) walks that my best ideas come to me. It is while walking that difficult clarity emerges. It is while walking that I experience a sense of well-being and connection, and it is in walking that I live most prayerfully.
It's OK to stand back. But it's also good to demonstrate that it's fun to be involved. As long as you are willing to say, 'This looks fun. I'd like to try this, too,' your child will mimic your example of openness, playfulness and optimism.
It is all too easy as an artist to allow the shape of our career to be dictated to us by others. We can so easily wait to be chosen. Such passivity invites despair. To remain healthy and vital, artists must stay proactive in their own behalf.
The doing of something productive regardless of the outcome is an act of faith. The doing of a small something when a large something is too much for us is perhaps especially an act of faith. Faith means going forward by whatever means we can.
Writing is a spiritual practice in that people that have no spiritual path can undertake it and, as they write, they begin to wake up to a larger connection. After a while, people tend to find that there is some muse that they are connecting to.
Love is the greatest medicine. I ask to be healing medicine for others. I ask my heart to expand its boundaries and to love others as they wish to be loved. I ask my heart to expand its boundaries and open to my being loved as I wish to be loved.
I learned, when hit by loss, to ask the right question: "What next?" instead of "Why me?" . . . Whenever I am willing to ask "What is necessary next?" I have moved ahead. Whenever I have taken no for a final answer I have stalled and gotten stuck.
So much of an artist's career hinges on the sense that we are going somewhere, that we are not just trapped by the four walls of wherever we are. For creative sanity, I must believe that if I just do the next right thing, a path will unfold for me.
I think we have a great deal of mythology around writing. We believe that only a few people can really do it. I wrote a book called 'The Right to Write.' In it, I argued that all of us have the capacity to write. That it's as normal to write as it is to speak.
When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.
There is not one pink flower, or even fifty pink flowers, but hundreds. Snowflakes, of course, are the ultimate exercise in sheer creative glee. No two alike. This creator looks suspiciously like someone who just might send us support for our creative ventures.
While there is no quick fix for instant, pain-free creativity, creative recovery (or discovery) is a teachable, trackable spiritual process. Each of us is complex and highly individual, yet there are common recognizable denominators to the creative recovery process.
You are on the look out for experience, strength, and hope. You want to hear from the horse's mouth exactly how disappointments have been survived. It helps to know that the greats have had hard times too and that your own hard times merely make you part of the club.
It is my experience both as an artist and as a teacher that when we move out on faith into the act of creation, the universe is able to advance. It is a little like opening the gate at the top of a field irrigation system. Once we remove the blocks, the flow moves in.
If you think of the universe as a vast electrical sea in which you are immersed and from which you are formed, opening to your creativity changes you from something bobbing in that sea to a more fully functioning, more conscious, more cooperative part of that ecosystem.
It is not the act of making art that is painful. It is the desire to make something and not acting on it that causes pain....A day when I don't write is less happy. This is not discipline. It is affection, enthusiasm, adventure-any number of other words besides discipline.
And [now] I think I’ll probably write a lot about birds. My new house has a deck that wraps around my writing room; my writing room has many windows, and outside the windows I’ve hung bird feeders … for enticing different species. So I imagine I will be writing about that.
Love is not love if it is compelled by reason and driven by logic - love exists in spite of those things, not because of them. It is a emotion which needs no fuel to fire it or oxygen to feed it; if you have to look for the why, then stop looking; it was never there at all.
Anger is meant to be acted on. It is not meant to be acted out. Anger points the direction. We are meant to use anger as fuel to take the actions we need to move where our anger points us. With a little thought, we can usually translate the message that our anger is sending us.
we should write because writing brings clarity and passion to the act of living. writing is sensual, experiential, grounding. we should write because writing is good for the soul. we should write because writing yields us a body of work, a felt path through the world we live in.
Because if you're trying to write and you have unlimited time, you can procrastinate an unlimited account, but if you have limited time, you rush to the page trying to get something down in the little bit of fragment of time that you have, and you may write a great deal that way.
Being in the mood to write, like being in the mood to make love, is a luxury that isn't necessary in a long-term relationship. Just as the first caress can lead to a change of heart, the first sentence, however tentative and awkward, can lead to a desire to go just a little further.
I think that 'Floor Sample' is a story of resiliency, a lifelong spiritual search, and a lifelong sense of spiritual companionship that is most often expressed as creativity. My desire in writing the book was to step from behind the icon of 'Julia the teacher' and introduce 'Julia the artist.'
In our human lives, we are often impatient, ill-tempered, inappropriate. We find it difficult to treat our intimates with the love we really hold for them. Despite this, they bear with us because of the larger, higher level of family that they honor even in our outbursts. This is their commitment.
I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels.
Judging your early artistic efforts is artist abuse. . . Remember that in order to recover as an artist, you must be willing to be a bad artist. Give yourself permission to be a beginner. By being willing to be a bad artist, you have a chance to be an artist, and perhaps, over time, a very good one
At root, a pearl is a 'disturbance' a beauty caused by something that isn't supposed to be there, about which something needs to be done. It is the interruption of equilibrium that creates beauty. Beauty is a response to provocation, to intrusion. ... The pearl's beauty is made as a result of insult.
As we lose our vagueness about ourself, our values, our life situation, we become available to the moment. It is there, in the particular, that we contact the creative self. Art lies in the moment of encounter: we meet our truth and we meet ourselves; we meet ourselves and we meet our self-expression .
The need to be a great artist makes it hard to be an artist. The need to produce a great work of art makes it hard to produce any art at all. . . Fear is what blocks an artist. The fear of not being good enough. The fear of not finishing. The fear of failure and of success. The fear of beginning at all.
Art is an act of the soul, not the intellect. When we are dealing with people's dreams - their visions, really - we are in the realm of the sacred. We are involved with forces and energies larger than our own. We are engaged in a sacred transaction of which we know only a little: the shadow, not the shape.
Left to it's own devices, writing is like weather. It has a drama, a form, a force to it that shapes the day. Just as good rain clears the air, a good writing day clears the psyche. There is something very right about simply letting yourself write. And the way to do that is to begin, to begin where you are.
Faith is almost the bottom line of creativity; it requires a leap of faith any time we undertake a creative endeavor, whether this is going to the easel, or the page, or onto the stage - or for that matter, in a homelier way, picking out the right fabric for the kitchen curtains, which is also a creative act.
I believe that what we want to write wants to be written. I believe that as I have an impulse to create, the something I want to create has an impulse to want to be born. My job, then, is to show up on the page and let that something move through me, in a sense, what wants to be written is none of my business.
I ask to be made beautiful like the trees are beautiful, each growing according to a unique plan. Lop off a limb and and the tree will accommodate it's loss, still growing and still beautiful. It is my hope to be able to flourish in a similar fashion, taking on the shape and dimensions that is intended for me.
Here's what I like about God: Trees are crooked, mountains are lumpy, a lot of his creatures are funny looking, and he made it all anyway. He didn't let the aardvark convince him he had no business designing creatures. He didn't make a puffer fish and get discouraged, no, the maker made things - and still does.
Practice being kind to yourself in small, concrete ways. Look at your refrigerator. Are you feeding yourself nicely? Do you have socdks? An extra set of sheets? What about a new house plant? A thermos for the long drive to work? Allow yourself to pitch out some of your ragged clothes. You don't have to keep everything.
We imagine that if we had time we would quiet our more shallow selves and listen to a deeper flow of inspiration. Again, this is a myth that lets us off the hook - if I wait for enough time to listen, I don't have to listen now, I don't have to take responsibility for being available to what is trying to bubble up today.
Spirituality can release blocks, lead you to ideas, and make your life artful. Sometimes when we pray for guidance, we're guided in unexpected directions. We may want a lofty answer and we get the intuition to clean our bedroom. It can seem so humble and picky and that you don't necessarily think of it spiritual guidance.
Fatigue can make it hard to have faith. Too much busyness can make it hard to have faith. Too much of too little solitude can impact faith. For that matter, so can a bout of hunger or overwork, anything carried to an extreme. Faith thrives on routine. Look at any monastery and you will see that. Faith keeps on keeping on.
We need to bridge our sense of loneliness and disconnection with a sense of community and continuity even if we must manufacture it from our time on the Web and our use of calling cards to connect long distance. We must “log on” somewhere, and if it is only in cyberspace, that is still far better than nowhere at all. (264)
I grew up in what you might call a relentlessly creative household. We were given art supplies, music supplies... Our mother knew enough to get us started and then stand back and not meddle. My parents never said to us, 'Don't you think you'll need something to fall back on?' They acted as though creativity was completely normal.
When I was first approached about doing an autobiography, I said, 'absolutely not.' But when I sat down, memories came pouring out. It wrote very quickly - I think there was an emotional impulse, because once I started in, the story itself carried me along. It was a very intense writing period and took a year and change to finish.
Artists love other artists. Shadow artists are gravitating to their rightful tribe but cannot yet claim their birthright. Very often audacity, not talent, makes one person an artist and another a shadow artist-hiding in the shadows, afraid to step out and expose the dream to the light, fearful that it will disintegrate to the touch.
Writing is like listening to a melody line in my head. Note by note, it knows where it wants to go. I follow it and lay it down. I can pare it, shape it, and polish it later...My job is to take down the dribs and drabs - to free-associate, if you will, knowing that the associations have their own plans for where we're going with all this.
Perfectionism has nothing to do with getting it right. It has nothing to do with fixing things. It has nothing to do with standards. Perfectionism is a refusal to let yourself move forward. It is a loop-an obsessive, debilitating closed system that causes you to get stuck in the details of what you are writing or painting or making and to lose sight of the whole.
As artists, we belong to an ancient and holy tribe. We are the carriers of the truth that spirit moves through us all. When we deal with one another, we are dealing not merely with our own human personalities but also with the unseen but ever-present throng of ideas, visions, stories, poems, songs, sculptures, art-as-facts that crowd the temple of consciousness waiting their turn to be born.
An artist requires the upkeep of creative solitude. An artist requires the healing of time alone. Without this period of recharging, our artist becomes depleted. Until we experience the freedom of solitude, we cannot connect authentically. We may be enmeshed, but we are not encountered. Art lies in the moment of encounter. We meet our truth and we meet ourselves and we meet our self-expression.