Quotes of All Topics . Occasions . Authors
I'm a sucker for gag reels and teaser trailers for new seasons. One of the great parts of panels, especially on a show like 'Supernatural,' which can be so dark, it's fun to get up there and laugh and remember we're only telling a story. Seeing Eric Kripke and Ben Edlund up there being so funny always makes me laugh.
Growing up in Huntington Beach, you were either a traditional sports athlete, a skateboarder, or a surfer. I got my first skateboard when I was five and skated off and on over the years, did a little BMX racing as a kid, and then in my freshman or sophomore year I started getting a little bit more into skateboarding.
When I'm getting ready for a movie, let's just say my diet is "The Antisocial Diet." I don't go to restaurants. I don't eat what I really want to eat. I don't eat much. I eat small things frequently. Lots of protein and greens. And I don't eat with people, because there's a tendency to get social and then to overeat.
When I'm getting ready for a movie, let's just say my diet is 'The Antisocial Diet.' I don't go to restaurants. I don't eat what I really want to eat. I don't eat much. I eat small things frequently. Lots of protein and greens. And I don't eat with people, because there's a tendency to get social and then to overeat.
David Ayer was put on my map, at that point, and I always kept note and clocked his career. When he started directing, I saw Harsh Times, I saw Street Kings and I saw End of Watch. I gave my agents a list of directors that I wanted to work with, and at the top of that list was David. I wanted to have that experience.
I went to see Alison Krauss and Union Station at Disney Hall and I would say it was one of the most astonishing sonic experiences I have had. It's an enormous room that's acoustically perfect. My interpretation of receiving music as a layman is that the way the music kind of settled on me in that room was perfection.
I'm sort of known in the comedy community as "Smooth Sailing," just 'cause everything always goes great. I've always had success at every turn. Everything has gone well for me. I've never had a project fail. Everywhere I go, it's "What's up, Smooth Sailing?! How are the seas today, buddy?" I'm like, "Calm as can be!"
Pryce, a veteran of Brazil and Baron Munchausen and a longtime Gilliam friend, bristles at the word chaos when applied to the Brothers Grimm set.] Terry knows what he wants, ... He's very demanding, but in a positive and generous way. And if you're up to it, it's very exciting. If you're not, you fall by the wayside.
'Mamma Mia' and 'Dallas' have proved to me that the things you dream about can happen. I don't ask myself, 'How did I get here?' but instead, 'I deserve to be here. I was right to think this would happen.' I'm a firm believer in the power we have in our minds to want something and pursue it in a sane and focused way.
I was watching 'Mr. Roger's Neighborhood', 'Sesame Street', 'Electric Company', 'Romper Room', and 'Villa Alegre!' when I said to my self, 'Hey, self! Wouldn't it be fun to be one of those kids on the TV?' My mom thought it was a pretty good idea, too... and she instantly moved us from the Bay Area to Malibu... nice.
Professor Hawking is heralded as 'the genius of Britain,' yet he believes in the scientific impossibility that nothing created everything and that life sprang from non-life. Why should anyone believe Mr. Hawking's writings if he cannot provide evidence for his unscientific belief that out of nothing, everything came?
When we are filming, it often feels like we're flying blind. As an actor, you have no idea if your choices are right or if they work. Some scenes feel like a complete Hail Mary. Imagine you're blindfolded and cook a massive Thanksgiving feast with only new recipes - without getting to taste any of them along the way.
My parents, who were split up, were so good at keeping my environment strong and keeping everything around me not focused on the fact that we were poor. They got me culture. They took me to museums. They showed art to me. They read to me. And my mother drove two hours a day to take me to University Elementary School.
I don't want to say I took myself too seriously, but I put a lot of pressure on myself coming out of school. I saw so many people leave the business behind, certain opportunities disappear for folks who had to go into other professions. That kind of terrified me. As a result, I wanted things to happen really quickly.
The transition from sports into acting was something I got blindsided by. I had a full scholarship to law school. I had a different life planned. I started a business, and I was all ready to go. I suddenly got in a local movie, just to say to my kids one day, "Yeah, your old man was in a movie," and I caught the bug.
Aye, fight and you may die. Run, and you'll live…at least a while. And dying in your beds, many years from now, would you be willing' to trade all the days, from this day to that, for one chance, just one chance, to come back here and tell our enemies that they may take our lives, but they'll never take…OUR FREEDOM?!
When I was growing up, I had a G.I. Joe doll, and now, to see a recreation of my character as an action figure ... it's strange. Because Worf doesn't really look like Michael Dorn without makeup, it's easier to separate myself from these recreations, but it's still strange, flattering, and weird all at the same time.
I played a lot of sports when I was a kid so I get in that ballgame mindset of being really, really respectful, but at same time saying to yourself, "Don't back down a single inch, hang with these guys if you can." If they throw it high and tight you have to stand in there, you can't take yourself out of that moment.
I played a lot of sports when I was a kid so I get in that ballgame mindset of being really, really respectful, but at same time saying to yourself, 'Don't back down a single inch, hang with these guys if you can.' If they throw it high and tight you have to stand in there, you can't take yourself out of that moment.
I'm kind of hard to double, but I did have one guy for a while as my double. I kind of like to do my own stunts, though, because it's just the overall experience. Sometimes you have to step aside when the stuff gets really dangerous, but I feel like sometimes you have to do your own stunts to make the role seem real.
Perhaps the most reliable route to meaning and joy, to plunging below the surface and seeking more than the superficiality of material ambition, is connection with people, places, ideas and issues. Of these, the most important are people and relationships. And the most reliable route to relationships is conversation.
I had done a couple of plays, but I was a clueless boob. 'Cosby' allowed me to have something on my resume that was real and then the producers of 'Guiding Light' let me play a preppy killer just the following month. Suddenly I had two gigs on my resume that made me look like a real actor, although I was far from it.
I get a call, and it's Howard Bingham, and he's got the champ on the line.Muhammad Ali didn't remember me from being a kid, but he was going, "Yeah, you're in bed, and you want your mama with you . . ." It really helped so much. He spent 15 or 20 minutes on the phone with me. That's a memory that I'll always cherish.
I'm the one who often makes the 'Murder, She Wrote' reference, and ABC hates that, they don't want me to do that. And I say that having never actually watched 'Murder, She Wrote'. I think people have been trying to compare it to crime shows that are on right now, and all I can do is listen. I don't watch a lot of TV.
In terms of theater itself, no story is too strange or method of telling it too impossible these days. In many ways, musical theater has caught up with straight theater in that it's allowed more surreality and breaking of form, and that's really exciting to me - the challenge is getting people to produce those shows.
Imagine if you've got the diva of all divas. If we've got to be somewhere at five or six o'clock, I tell her its time to go at noon so she gets those five hours to do what she needs to do. But were both kids at heart. She is the funniest person ever and she has a great sense of humor. We connect at a spiritual level.
I became very interested [in philosophy] after attending the U.N. Conference on sustainable development in Brazil.I'm very concerned about climate change and the world reaching a tipping point. And, I see other people who really just want to survive to make it to the next election, rather than making means of change.
It's born of sheer laziness. My signature dishes are salads, hamburgers and popcorn. That's not the kind of stuff that gets you an entry in the distinguished book of culinary records. Being known for great soufflé is one thing but a good hamburger? What would they say? "Yeah, he really knew how to put the cheese on."
I wasn't a great improviser when I started there; I'm not really up on current events. I would always just mug, just try to get my laughs from making faces. So I decided to do a character who should never have become a comic - somebody you would see at the Comedy Store and go, "This person is never going to make it."
I'm not terribly well read. My wife forces books into my hands and insists I read them, which I'm grateful to her for. She made me read 'War and Peace.' The whole thing. It was amazing, but I had to hide it. You can't walk round reading 'War and Peace' - it's like you're in a comedy sketch and you think you're smart.
Last week I was in London at an awards show, then I flew home and was in an RV park with my wife and kids in our motorhome, this week I'm in NY doing a charity event, and tomorrow I'll be coaching my daughters soccer practice. I guess the range of roles I play on film stem from the range of roles I play in real life.
There is no question but that if Jesus Christ, or a great prophet from another religion, were to come back today, he would find it virtually impossible to convince anyone of his credentials despite the fact that the vast evangelical machine on American television is predicated on His imminent return among us sinners.
We want the world to focus on children whose lives have been devastated by AIDS. The millions of children who are missing their parents; their childhood, their future but most importantly, they are missing YOU. Everyone can make a real difference. Your voice is needed in a global movement that can change their world.
I think that doing comedy and playing Dwight is a service. Not to get grandiose about it, but I have a talent for playing oddball characters and I can make people laugh and that can help bring families together and people will really enjoy it and it puts a smile on their face and I think that is a really great thing.
I was voted Most Humorous in my senior class in high school, and I was a fan of comedy, my whole life. I never got into the horror genre, and action was fine, but I just loved comedy. Any comedy I could get my hands on, I would. I watched Saturday Night Live religiously. I've just been a fan of comedy, my whole life.
I never played Freddy as real. In the true bible of Wes Craven's outline for the films, Freddy only manifests himself in dreams. And a lot goes into a dream, not the least of which is imagination. So Freddy is secondhand information. Freddy is an urban legend that's been handed down to these teenagers over the years.
There’s something about Olivia de Havilland that has always set her apart from other actresses. Maybe it’s the combination of warmth, sensitivity and intelligence she conveys, or the way her good looks have always been further enhanced by the ever-present twinkle in her eyes or the wisdom you sense behind those orbs.
You're trying to play someone [Edward Cullen] who's seen by a lot of people as being this perfect thing, but what is that? That doesn't really mean anything. You're trying to play an archetype on one hand and then a character on the other, so I felt insanely frustrated right up until the last shot, and then it ended.
That's what people want to watch - somebody telling a story. So if you go in and tell a story that makes sense to them, that touches them, then they're going to watch; then they'll tell a friend and that type of thing. In terms of how many people are watching in a given week, it's more the advertiser's job, not mine.
People think Paris [Hilton] is a ditzy blond, and I don't want to blow it for her, but she plays it really well. She knows exactly what she's doing. She's actually a pretty smart person. She's very cognizant of what she's doing, and she kind of plays that role, so people think she's some airhead but she's really not.
I sit my three sons down and say, 'Listen to me. When the police stop you, immediately comply. Don't walk away, don't smart-mouth; get your hands up and get down on the ground.' If you're not black, you might not have to have that conversation, but I go over and over it with them because I don't want that phone call.
The Matisse seemed to respond to the decreasing light by increasing its own wattage. Every object in the room was drained of color, but the Matisse stood firm in the de-escalating illumination, its beauty turning functionality inside out, making itself a more practical and useful presence than anything else in sight.
I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.
I feel so lucky. When an actor that has been struggling for so long makes the transition into being an actor full-time, it is the most amazing feeling. It's just sort of like a 3,000-pound weight gets lifted from you, and you're able to mostly focus on just being an artist, which is an amazing, blessed luxury I have.
I remember the first day I got there, they started the take and after four takes I was on the ground, on my back, with a banana and a Twizzler in my hand, and my face was green, and they said, "You can't get back on set for another 30 minutes." That was a, "Welcome to Atlanta," and that put everything in perspective.
I think most people who were involved with television will tell you, if given a season or given a 13-episode order and getting those episodes on the air, and if viewers don't come, I think most people will tell you they'd walk away. They feel they were given a fair shake, and if viewers didn't come, they didn't come.
I have a little office in my house and it is an absolute pigsty but I know exactly where everything is and there are little things stuck all over the walls, and papers in in-trays and files I have saved on my computer and playlists I have made on my iTunes - things that take me to a place that I think is appropriate.
If you look at how people use the term 'western,' you can only conclude that it means a movie that has big hats and horses. And if you really want to sound like you've been thinking, then you'll use a term like 'genre.' But all the hell it seems to mean is big hats and horses. Which is not all that deeply analytical.
To me, every episode is like a song, and every season is like an album. There's that part of the day when you first get the idea and you say, "This could be really funny." And you sit down and you write it. There's just something that happens there that doesn't happen when you really give it a lot of time beforehand.
I love to act. And between action and cuts, when you work for somebody great, it's wonderful, and I still love it. The moment where you create, that instant is still magic to me. But, all the rest, I get bored with it - all the waiting, and the fact that you have to make appearances, that you have to share your life.