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Instagram is a media company. I think we're about visual media. I explain ourselves as a disruptive entertainment platform that enables communication through visual media. I don't think it's just photos. There's a reason we don't allow you to upload photos on the Web as albums. It's not about taking all these photos off your DSLR putting them into an album and sharing them with your family. It's not about that. It's about what are you up to right now out in the real world, how can you share that with everyone.
Shut up," I hissed. Ticked that he was taller than me, I stepped up onto a nearby coffee table. "I'm not in a cage anymore," I said, keeping enough presence of mind not to poke him in the chest with a finger. His face went startled, then cloric. "The only thing between your head and my foot becoming real close and personal right now is my questionable professionalism. And if you ever threaten me again, I'll slam you halfway across the room before you can say number-two pencil. Got it, you tall freak of nature?
Now Barack Obama, who campaigned for transparency, is the President defending secret negotiations on new trade agreements that are largely being written by corporate lawyers and lobbyists. He would give corporations the key to the treasury while he gets the authority to fast track another hammering of working people and the environment. Yet the only people who get a real tongue-lashing from this President's White House are progressives around town who dare to call him on the carpet for abandoning his promises.
If man had written the Gospels - say Shakespeare or Eugene O'Neill - the story of the gospel would have been drastically different. They would have placed the prince in halls and palaces and had him walking among the great. They would have had him surrounded by the important and significant of the time. Potentates and kings would have been His companions. But how sweetly common was the real God-man; though He had inhabited all eternity, He had come down and was subject to the rising and the setting of the sun.
It is much easier to make intellectual messes than it is to clarify complicated issues, especially when real solutions would challenge the status quo and require much careful thought across many fields of knowledge. Problems of climatic change, biotic impoverishment, population growth, and the choices to be made by various technologies and the transition to a sustainable and decent society with an economy that works over the long-term are difficult, complex, and intertwined problems with many possible answers.
It is the wicked deception of love that it begins by making us dwell not upon a woman in the outside world but upon a doll inside our head, the only woman who is always available in fact, the only one we shall ever possess, whom the arbitrary nature of memory, almost as absolute as that of the imagination, may have made as different from the real woman as the real Balbec had been from the Balbec I imagined- a dummy creation that little by little, to our own detriment, we shall force the real woman to resemble.
The rejection of all abstract formalism. Materialism reminds every science of its real source: the world men transform. No science can, whether in its history or its object, grasp its own origins within itself or constitute itself as a closed world, exhaustively defined by internal rules. Materialism refers every science and every activity to the reality they depend on, even if this dependence is masked by a great many abstract mediations: mathematics as well as logic, aesthetics as well as ethics and politics.
Why is wisdom so fair? Why is beauty so wise? Because all else is temporary, while beauty and wisdom are the only real and constant aspects of truth that can be perceived by human means. And I don't mean the kind of surface beauty that fades with age, or the sort of shallow wisdom that gets lost in platitudes. True beauty grips your gut and squeezes your lungs, and makes you see with utmost clarity exactly what is before you. True wisdom then steps in, to interpret, illuminate, and form a life-altering insight.
One of the things that I've worked my way out of doing, and I knew that I needed to, was comparing myself to other people. That just poisins everything. It all of a sudden dtermines even clothes you're going to choose to wear that day or what you're going to do with a music production or how you're going to sequence it. It poisinseverything. Your real job in the world is to be you. Comparing yourself to other people I think that hurt me more than anything. Allowing myself to go there so much in my head hurt me.
That's the real excellent scary part, that feeling, and that feeling won't come if the lady from next door is there and your mom won't ride the ride, because what brings on that feeling most is when your mom rides wedged in tight with you and your brother on nights like this, when your mom will scream the excellent scream, the scream that people you see in snatches on the boardwalk stop and stare for, the scream that stops the ride next door, the scream that tells us to our hearts the bolts have finally broken.
If people ever look down upon you for crying for fictional characters, you should give them a gentle, pitying look and feel bad for them. If they've never cried for a fictional character, then they've never loved one (and what a joy that is). If they've never cried at a book, a movie, a piece of music, then they've missed one of the great pleasures life has to offer. Just because fiction does not contain things that are real doesn't mean it doesn't contain truth, and we find it through the alchemy of our tears.
The great lesson in microeconomics is to discriminate between when technology is going to help you and when it's going to kill you. And most people do not get this straight in their heads. But a fellow like Buffett does. For example, when we were in the textile business, which is a terrible commodity business, we were making low-end textiles-which are a real commodity product. And one day, the people came to Warren and said, "They've invented a new loom that we think will do twice as much work as our old ones."
He was about to go home, about to return to the place where he had had a family. It was in Godric’s Hollow that, but for Voldemort, he would have grown up and spent every school holiday. He could have invited friends to his house. . . . He might even have had brothers and sisters. . . . It would have been his mother who had made his seventeenth birthday cake. The life he had lost had hardly ever seemed so real to him as at this moment, when he knew he was about to see the place where it had been taken from him.
Kinky is using a feather. Perverted is using the whole chicken. Sex is more than an act of pleasure, its' the ability to be able to feel so close to a person, so connected, so comfortable that it's almost breathtaking to the point you feel you can't take it. And at this moment you're a part of them. The difference between light and hard is that you can sleep with a light on. Sexiness wears thin after a while and beauty fades, but to be married to a man who makes you laugh every day, ah, now that's a real treat.
For me, the value of a climb is the sum of three inseparable elements, all equally important: aesthetics, history, and ethics. Together they form the whole basis of my concept of alpinism. Some people see no more in climbing mountains than an escape from the harsh realities of modern times. This is not only uninformed but unfair. I don’t deny that there can be an element of escapism in mountaineering, but this should never overshadow its real essence, which is not escape but victory over your own human frailty.
I have made you - along with Fox News has made you - think Obama is something that he isn't. And it's such a shame. I have so distorted who the real Obama is in your mind, that it is paralyzing our government. It is paralyzing the Speaker of the House, who really, really, really, really wants to go in there and really, really work with Obama, but he just can't. It's hard for people like Boehner to move too far in my direction because of the misperception of me, Obama says, created by Fox News and Rush Limbaugh.
Baker has done it again! Building on the core principles that he advanced in Professional's Guide to Value Pricing and The Firm of the Future, Ron Baker has again evolved thought leadership on the critical dynamics of value and pricing. Baker's latest work, Pricing on Purpose: Creating and Capturing Value, provides real-world examples and practical strategies that provide a framework for pricing optimization. His clarity of purpose and passionate call to action resonates in today's intellectual capital economy.
A party should not contain utterly incongruous elements, radically divided on the real issues, and acting together only on false and dead issues insincerely painted as real and vital. It should not in the several States as well as in the Nation be prostituted to the service of the baser type of political boss. It should be so composed that there should be a reasonable agreement in the actions taken by it both in the Nation and in the several States. Judged by these standards, both of the old parties break down.
A lot of people will tell you the first step to starting something new is to have an idea. But to me the first step starts long before that. The first step to acting like an entrepreneur is to look not at the writing on the wall but at the spaces between the writing. It's in the gap between what's being said and what's not being said that entrepreneurs thrive. The way to get going is to find the courage to take your dream out of your head and put it to the test in the real world. Don't just think it; act on it.
You've got the people you know, which are problematic. Always. They're rich but they're also real people living their lives alongside you. Then you've got the people that you make-up completely, who are often missing a dimension if they don't have some reference to real people. So strangers exist in this in-between space, where in not knowing them, you are creating a fiction for them, even in passing, but at the same time, there they are, with their actual bodies and their actual clothes. It's totally enticing.
Mike Flynn is a fine person, and I asked for his resignation. He respectfully gave it. He is a man who there was a certain amount of information given to Vice President Mike Pence. And I was not happy with the way that information was given. He didn't have to do that, because what he did wasn't wrong - what he did in terms of the information he saw. What was wrong was the way that other people were given that information, because that was classified information that was given illegally. That's the real problem.
To our real, naked selves there is not a thing on earth or in heaven worth dying for. It is only when we see ourselves as actors in a staged (and therefore unreal) performance that death loses its frightfulness and finality and becomes an act of make-believe and a theatrical gesture. It is one of the main tasks of a real leader to mask the grim reality of dying and killing by evoking in his followers the illusion that they are participating in a grandiose spectacle, a solemn or lighthearted dramatic performance.
I loved them all the way one loves at any age -- if it's real at all -- obsessively, painfully, with wild exultation, with guilt, with conflict; I wrote poems to and about them, I put them into novels (disguised of course); I brooded upon why they were as they were, so often maddening don't you know? I wrote them ridiculous letters. I lived with their faces. I knew their every gesture by heart. I stalked them like wild animals. I studied them as if they were maps of the world -- and in a way I suppose they were.
But all at once I realized that it was not my success God had used to enable me to help those in this prison, or in hundreds of others just like it. My life of success was not what made this morning so glorious -- all my achievements meant nothing in God's economy. "No, the real legacy of my life was my biggest failure -- that I was an ex-convict. My greatest humiliation -- being sent to prison -- was the beginning of God's greatest use of my life; He chose the one thing in which I could not glory for His glory.
We come finally, however, to the relation of the ideal theory to real world, or "real" probability. If he is consistent a man of the mathematical school washes his hands of applications. To someone who wants them he would say that the ideal system runs parallel to the usual theory: "If this is what you want, try it: it is not my business to justify application of the system; that can only be done by philosophizing; I am a mathematician". In practice he is apt to say: "try this; if it works that will justify it".
In a very real sense, therefore, advocacy of the doctrine of continuity [i.e evolutionism] has always necessitated on retreat from pure empiricism [i.e., logic an observation], and contrary to what is widely assumed by evolutionary biologists today, it has always been the anti-evolutionists [i.e creationist], not the evolutionists, in the scientific community who have struck rigidly to the facts and adhered to a more strictly empirical approach... It was Darwin the evolutionist who was retreating from the facts.
Now that's a concept that's always fascinated me: the real world. Only a very specific subset of people use the term, have you noticed? To me, it seems self-evident that everyone lives in the real world - we all breathe real oxygen, eat real food, the earth under our feet feels equally solid to all of us. But clearly these people have a far more tightly circumscribed definition of reality, one that I find deeply mysterious, and an almost pathologically intense need to bring others into line with that definition.
I gave examples from my clinical practice of how love was not wholly a thought or feeling. I told of how that very evening there would be some man sitting at a bar in the local village, crying into his beer and sputtering to the bartender how much he loved his wife and children while at the same time he was wasting his family's money and depriving them of his attention. We recounted how this man was thinking love and feeling love--were they not real tears in his eyes?--but he was not in truth behaving with love.
Theatres, actors, critics and public are interlocked in a machine that creaks but never stops. There is always a new season in hand and we are to busy to ask the only vital question which measures the whole structure. Why theatre at all? What for? Is it an anachronism, a superannuated oddity? Surviving like an old monument or a quaint custom? Why do we applaud and what? Has the stage a real place in our lives? What function can it have? What could it serve? What could it explore? What are its special properties?
To be a woman condemned to a wretched and disgraceful punishment is no impediment to beauty, but it is an insurmountable obstacle to power. Like all persons of real genius, her ladyship well knew what accorded with her nature and her means. Poverty disgusted her -subjection deprived her of two-thirds of her greatness. Her ladyship was only a queen amongst queens: the enjoyment of satisfied pride was essential to her sway. To command beings of an inferior nature, was, to her, rather a humiliation than a pleasure.
I think comedy is so much easier to do on the page than it is in real life. When I'm writing, comedy is an easy way to win over the reader. You're automatically more disposed to keep reading, thinking maybe, "I'll get another laugh or two." I think it's a survival instinct in me. I mean, you don't want to lose these guys within five or ten pages. You want them to keep going. I think to some extent it's a desperate measure that I throw out there, because a novel isn't a complete waste of time if it made you laugh.
Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.
I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles.
Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith - It must be, either, that you think she is essentially so vicious, or so feeble-minded that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner.
Truth and falsity, indeed understanding, is not necessarily something purely intellectual, remote from feelings and attitudes. ... It is in the total conduct of men rather than in their statements that truth or falsehood lives, more in what a man does, in his real reaction to other men and to things, in his will to do them justice, to live at one with them. Here lies the inner connection between truth and justice. In the realm of behavior and action, the problem recurs as to the difference between piece and part.
There's a real connection between the history of print in Europe and nationalism, and how those two things could be formed. I think they may both now be ending, for good and bad, but I think mainly for good. Either globalism was supposed to make people all realize this is one big business going on and we should know what's going on everywhere, or it makes people say, "I don't want to become part of this thing. I want to be incredibly different from you and I want to uphold my local behavior." Dress a certain way.
A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.
When there is pressure for leaders to respond to problems or crises, they often simply intensify their efforts in their particular defined sphere of activity - even if that's not relevant to the real problem. To do otherwise requires taking on entrenched practices and asserting power in areas where it often will not be well received. And leaders tend to see major crises more as threats to their own position rather than as systemic challenges for the societies that they govern or the institutions that they manage.
So much were employers of wage-labor unenthusiastic about proletarianization that, in addition to fostering the gender age division of labor, they also encouraged, in their employment patters and through their influence in the political arena, recognition of defined ethnic groups, seeking to link them to specific allocated roles in the labor-force, with different levels of real remuneration for their work. Ethnicity created a cultural crust which consolidated the patterns of semi-proletarian household structures.
The apologists for space science always seem over-impressed by engineering trivia and make far too much of non-stick frying pans and perfect ball-bearings. To my mind, the outstanding spin-off from space research is not new technology. The real bonus has been that for the first time in human history we have had a chance to look at the Earth from space, and the information gained from seeing from the outside our azure-green planet in all its global beauty has given rise to a whole new set of questions and answers.
One man with an idea in his head is in danger of being considered a madman: two men with the same idea in common may be foolish, but can hardly be mad; ten men sharing an idea begin to act, a hundred draw attention as fanatics, a thousand and society begins to tremble, a hundred thousand and there is war abroad, and the cause has victories tangible and real; and why only a hundred thousand? Why not a hundred million and peace upon the earth? You and I who agree together, it is we who have to answer that question.
Beware of compromises. I do not mean that you are to get into antagonism with anybody, but you have to hold on to your own principles in weal or woe and never adjust them to others' "fads" through the greed of getting supporters. Your Âtman is the support of the universe - whose support do you stand in need of? Wait with patience and love and strength; if helpers are not ready now, they will come in time. Why should we be in a hurry? The real working force of all great work is in its almost unperceived beginnings.
He beat back the Greeks and reclaimed Rome for our people. Indeed, he was the one who destroyed the Macedonian threat and who single-handedly annihilated the greatest Greek general who had ever lived. Kyrian of Thrace.” Real hatred gleamed in his eyes, but she wasn’t sure who it was meant for. His grandfather or Kyrian. “You mean Kyrian Hunter?” she asked. “The guy with the minivan who lives a few blocks over?” Valerius’s eyes sparked at that. “He’s driving a minivan?” There was no mistaking the humor in his tone.
Stories come from violence, they come from sex. They come from death. They come from the dark places that everyone has to go to, kind of wants to, or doesn't, but needs to deal with. If you raise a kid to think everything is sunshine and flowers, they're going to get into the real world and die. That's the reason fairy tales are so creepy, because we need to encapsulate these things, to inoculate ourselves against them, so that when we're confronted by the genuine horror that is day-to-day life we don't go insane.
This is a perfect snapshot of the West at twilight. On the one hand, governments of developed nations microregulate every aspect of your life in the interests of 'keeping you safe.' ... On the other hand, when it comes to 'keeping you safe' from real threats, such as a millenarian theocracy that claims universal jurisdiction, America and its allies do nothing. ... It is now certain that Tehran will get its nukes, and very soon. This is the biggest abdication of responsibility by the Western powers since the 1930s.
I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.
I have a theory that the best ads come from personal experience. Some of the good ones I have done have really come out of the real experience of my life, and somehow this has come over as true and valid and persuasive. People love to read stories. They like to know you as a real person who has your struggle, pain, success and failure, etc. One well-known example is Jared Fogle's weight loss story which made millions of dollars for Subway. Start to collect your stories from today and use them in your ad campaigns.
That all opposites—such as mass and energy, subject and object, life and death—are so much each other that they are perfectly inseparable, still strikes most of us as hard to believe. But this is only because we accept as real the boundary line between the opposites. It is, recall, the boundaries themselves which create the seeming existence of separate opposites. To put it plainly, to say that "ultimate reality is a unity of opposites" is actually to say that in ultimate reality there are no boundaries. Anywhere.
Many decry rising inequality because it makes those who've fallen behind feel impoverished. But it's done much more than cause hurt feelings. It has also raised the real cost to middle-income families of achieving many basic goals. The process begins with the completely unremarkable fact that top earners have been spending at a substantially higher rate than before. They've been building bigger mansions, staging more elaborate weddings and coming-of-age parties for their kids, buying more and better of everything.
I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.
