Quotes of All Topics . Occasions . Authors
I have worked with Asin earlier in 'Housefull 2.' We had a good time working together.
Every mother and daughter should make time for a trip together. It's good for the soul.
Editing is really like plumbing a good deal of the time. You put two things together, and a current runs through it.
It's a good time to be here in America. You feel that people just want to be together and release the pressure and laugh.
It's time to put back on the agenda the importance of public ownership and public good, the value of working together collaboratively, not in competition.
I loved working with Cybill Shepherd. We had a good time together; we enjoyed being girlfriends. It was a real comfortable fit for us. I loved putting on a suit and tie.
I'd have moments when I'd show potential, but I could never get a good period where I'd string some form together and get results. It was up and down the whole time and I was getting frustrated.
I'm getting tired of 10.7s. I just want to put a good race together, and hopefully in the next race, I get the time I'm working for. I definitely think a 10.6 is there. Hopefully I will get it together.
From a climbing standpoint, gravity is the adversary. You and your fellow humans are striving together to get to the same place at the same time. And I think that's a really good way for humans to interact.
My mother and Ethel Kennedy became good friends and worked together on a number of causes they had shared with their husbands. They together co-chaired 'A Time to Remember' to mobilize a movement for gun control.
And what I liked the most about any project was that when it was good, you had a bunch of people trying to accomplish something together who were all acting together as one - that's the most exciting time for me.
I spent a good amount of time with David Bowie, and I was talking about getting the band back together. He said, 'Does it make you uncomfortable?' I said 'Yeah,', and he said, 'Good. It should. You should be uncomfortable.'
I think a good dollop of sadness is quite a useful thing in comedy sometimes. I think if everyone's happy all the time, it's a bit dull. It's like salt and caramel - you wouldn't imagine they would go well together, but they do.
There's just something wonderful about getting a small group of people together in an isolated location, and there's something about cabins themselves that imply both horror and fun. When you go to a cabin, you're usually going to have a good time.
We all went to Kelsey's wedding, and yeah, we go to parties. We also go to each other's house. A group of us got together over at Kelsey's and just read through some plays just for the fun of it. That may not be everyone's idea of a good time, but we had a good time.
I think it was probably down to the fact that we weren't together personally as a band. We weren't pulling in the same direction. I always feel if you're having a good time in the studio it actually comes across on the tape and that was a bit of a miserable album for us.
I think, in general, when you're doing comedy, you're having a good time regardless of the comedy table tennis that you're playing. I think you want that, too: you're rooting for two characters to be together, and you should feel that even when they're angry at each other, they're still in synch with each other.
I've made a point of trying not to play the same part and of moving between theatre and film and TV. The idea is that by the time you come back, you have been away for a year, and people have forgotten you. If you like having time off, which I do, that's a good career strategy. Or at least, it's my strategy to keep my head together.