Quotes of All Topics . Occasions . Authors
When I was a kid and I bought a record, I ripped that thing open, I wanted to know who was playing what, what studio it was cut at, who was the string arranger, who was the engineer.
Mothers love you to the end, and she didn't want to hold me back from my livelihood. So I left for a month and called her every couple of days. I came home and she died 24 hours later.
When you see a close person you know pass in front of your eyes, it's hard core. After all that, I just wanted to enjoy every day. That was my goal. And to give thanks and to live fully.
I'm definitely happy with everything I've done. I stand behind it. You'll always be saying, "Well, I could change that, or I would do that differently." But you have to let it be what it is.
I've always been into films. I've been offered lots of films but they've always been these very stereotypical roles. They wanted me to play some gangster or street guy, or pimp, drug addict.
Good design is being able to put a $100,000 thing next to a $20 thing. If it looks right and it works then it works. It doesn't have to be expensive; it's all about the high meets low for me.
I was in Paris last year, where there's a great appreciation of many different aspects of African culture and of black culture. The music... the art... whatever... And I kind of went with that.
Are things getting better with each generation? Yes. It's quite interesting to be living in these times, for me to witness an African-American being elected president. It's quite extraordinary.
I went to Paris in 1989 when the Americans didn't quite know what to do with me at first. Now, all those years later, it's kind of the same story. Not the same scenario, but kind of the same story.
I wasn't the kind of person that liked waiting for autographs or following them, I just liked to go to the shows, study their records, driving many, many hours to different states to go to concerts.
You've got your entourage and people that help you make whatever happen around you. Everything's crazy and you're not paying attention to your inner feelings because you're so busy. I couldn't take it.
So that's why you've got to try, you got to breath and have some fun. Though I'm not paid, I play this game, and I won't stop until I'm done. But what I really want to know is - Are you gonna go my way?
Tape machines are effects boxes as well because each tape machine has its own sound. You can over-load a tape machine or you can bump it a certain way so it compresses or makes a sound, tape saturation.
This world is so crazy. So many things are based on popularity versus talent. So there's a lot of folks who are not so talented, but they're popular and they have "x" amount of followers on social media.
We have so many distractions. We're losing the family unit. We're losing the one-on-one. We're becoming extremely narcissistic. And we have to be careful about that. There's a lot to deal with out there.
The way I was raised and the people that I grew up around for the most part were very humble people, and I appreciate all that they taught me, and their energy and their magnanimity help keep me grounded.
I enjoy what people at the concert give me and I can't do it without them, so it's really an exchange of energy that snowballs back and forth and becomes something that's very satisfying and very magical.
Where I'm at in life, the women have got to come with something else, not just the body, but the mind and spirit. It usually trips them out, but that's the way it's going to be. I'm looking at the big picture.
It doesn't take a lot to get me motivated. I'm a studio rat. When I was in high school and I would walk into a recording studio, it felt like this magical place, this temple, this womb that I could escape into.
Beyond [Barack Obama] having made history as the first African-American president, I hope that he gets re-elected for what he does while in office, not for his skin color. I certainly believe he has the capacity.
Jimi Hendrix was just so fluid. His hands were connected to his soul, you know? His playing was just so emotional. You could feel the fire, you could feel the blues. You could feel the sadness. It's unbelievable.
People always accuse me of being motivational in a way, like it was a bad thing, but that's just how I was raised. My mom raised me in a positive environment, with lots of love in my heart, and that reflects in my music.
I mean, look at the people we celebrate - a lot of people who really don't do anything. They just walk the red carpets and go to all the parties, and they're hooked up with the right people, so they're celebrities. But what for?
Me being in my grandmother's yard in Brooklyn. I must have been about 3. I had this red balloon. I let go of it, and it went up into the sky and just kept going and going. I completely flipped out, because I didn't understand why.
I get hired as a writer or producer and I do the best I can to bring out that artist. If somebody calls you to do something, you go right for that vision and you're aware of that person's vibe. You're trying to get inside of them.
When I'm doing interiors - especially the ones where you really have full creative freedom - it's about creating an environment for people to feel so comfortable and at ease. I want them to become inspired to live and feel better.
When it comes to acting, it's about creating a character and bringing forth a director's vision. It's a weird feeling, because with acting, it's just not about me. I love being in that position, because with the music, it's always about me.
You need to open up so that more comes through. And you can just feel that when your ego is not in the way and when you're letting it be what it wants to be. You have to let it be what it wants to be as opposed to what you think it should be.
We're beginning to play God and get into cloning. We give up quickly. Divorce is an easy option. So why not just create your own mate? Synthesize a human being. You get tired of it, turn it off and put it in the closet like the vacuum cleaner.
I always try to keep the circumstances in my life fresh. I like to change the physical environment I live in, change the people around me and try to experience things for the first time. I think that keeps one on their toes, creatively and spiritually.
I basically camped out for a year and a half in an Airstream trailer on the beach out in front of the studio. I had no idea what I was gonna do, what kind of album I was gonna make - all I knew was that I wanted to sit there and just take in whatever came.
I'm experiencing the mood to go out and share the music. I don't look at these concerts as a platform for people to watch me, look at me. No, a tour is about an interaction. A thing, myself, a band, and the people who support what I do and enjoy what I do.
Personal relationship with God is not all just the ceremony and not the religion of doing something because you were told that's what you have to do; it's relationships, it's like we have relationships with our families, with our friends, with our loved ones.
I'm sure at one point I will do some acting again, but it would have to be the right thing. I'm not going to do it just because people are offering it to me. Not for those box-office, bullshit, money, noncreative people. But I'll do it when it's right to do it.
I've always had to deal with being biracial, even in music. When I came on the scene, I'd go to these record labels, and they'd say things like, "Lenny Kravitz. That's a weird name." I'm brown-skinned and I've got these dreadlocks and I've got this Jewish last name.
People don't realize it, but no one lives that rock and roll life 24-7. They think it's hundreds of bottles of champagne flowing and private jets and money. But there's a lot of time when you're traveling - time to think, time to be lonely. Sometimes it gets to you.
I honestly don't remember how I wrote or did the songs. Or the sessions. They all become very much a blur. And each album is like that. It may be that there are different locations, it may take longer, shorter, or whatever, but it's always something that just happened.
I think kids in Europe have developed a deeper knowledge of music and of black music in particular. You go to Europe, and these kids know about all this obscure funk and soul that kids over here wouldn't know. I think it's getting better in the States, though, with the age of the Internet.
None of those material possessions do anything to make your life any better.... I know a lot of people who have a lot of everything, and they're absolutely the most miserable people in the world. So it won't do anything for you unless you're a happy person and can have peace with yourself.
To let go of the illusion that I'm in control is an important lesson, because I tend to be a person who likes to be in control, not only of my art but of my life and things around me, and it can be healthy up to a certain point, but at the end of the day, we have to go on faith and learn to let go and ride the wave.
Life, the moment. Where the magic is. That's what really keeps me motivated, alive, hungry. I'm still as excited and motivated now as I was twenty-five years ago, and that's because I really live for those moments. And that's where the art comes from, that's where the music is born, that's where it all appears. I love it.
At 10 o'clock in the morning I'd go right in the studio. It feels good to be there in the morning before the day starts to mess with you - I don't mean in a negative way, but before I'd speak to a lot of people or get into anything, I'd go in there and just see what I felt. A lot happens in the morning for me in the studio.
I'm very much about the environment, I'm very much about health, about being able to, at the very least, eat organic, whole foods that are healthy for us. And then, of course, everyone being able to eat and at least have a humane way to live. There's enough for everybody, but unfortunately, there's a lot of greed and a lot of ego.
When I make music, I play it, I produce it, I write it. It's a very self-centered thing, not in a negative way. But I primarily work by myself, that's my process. When I'm acting, I'm there to serve the director and the character. I'm here to give you what you need. Communicate that to me and I will do what I need to do to get that. So that's what it's about.
Our music is always a reflection of where we are in a society. That's what enables so many people to do what they do. So my advice is to work at your craft. Be the best you can be at your craft and do it sincerely. Even in the world we live in today, that will give you longevity. At the end of the day, I want the quality of my work to stand, not how much I did.
I never sit down to write. When I'm moved, I do it. I just wait for it to come. You just hear it. I can't really describe writing. It's in my head. I don't think about the styles. I write whatever comes out and I use whatever kind of instrumentation works for those songs...A lot of people don't listen to the lyrics, really. A lot of people pretty much only listen to the chorus.
If you go to Japan, they're still buying vinyl, and they want the education. They know who's playing on what tracks from the '60s and the '70s - who the guitar player is, who the drummer is, who the producer was, what studio it was recorded in. That's how I grew up listening to music. We bought albums. We read the liner notes. It was important to know the whole history behind it.
I was an actor when I was a teenager and it could have been the direction that I headed in. But music and my relationship with music is quite deep, and it really is the nucleus of my creativity. So I gave up acting so I could pursue music fully, and I never thought about really going back. And then [director] Lee Daniels met me and wanted to work with me, and that's how it started.
My mother always told me to embrace both sides of my background. And she also taught me one very useful thing when I was going to first grade. She said, "You're Bahamian and African-American on one side, and Russian-Jewish on the other. You're no more one than the other, and it's beautiful that you have all this. It makes your life all the more rich. But society will see you only as black."
I was watching an interview with Martin Scorcese concerning Raging Bull, which is one of my favorite films, and he was talking about how he'd worked with a lot of guys who weren't quote-unquote "actors," like Joe Pesce and Frank Vincent. Scorcese was very smart in the way that he cast, because you don't know where you're going to find the right person who can carry a role and summon that emotion you're looking for.