Quotes of All Topics . Occasions . Authors
A great novel is worth one thousand films.
Music infuses your spirit with a certain energy that I try to convey in my work.
If you start believing all that press about you, you're in trouble. I don't even read my reviews.
As a kid I had all kinds of questions about how I fit it with my neighborhood and friends and other Latinos.
I have never - I have never let go of my childhood contacts. My best friends from childhood are still my best friends.
People in their forties, fifties, and onward enjoy the whole world of books in a different way than the Internet-age kids do.
I like to encourage young talented writers to try and help them get published and so forth, but that's all. That's the best I can do.
When you're writing a novel - at least the way I write is I work from what I would call 'emotional atmosphere,' ambiance to ambiance.
A lot of people consider my books to be straightforward, but I think that I write from atmosphere to atmosphere rather than from event to event.
I teach at Duke, and I have students who are all of twenty who want to write memoirs, and you know it's all pretty interesting stuff, but a lot of them lack gravitas, you know.
Of course, I grew up hearing Latin music but, to be honest, aside from my personal circumstances, like most kids I wanted to rebel against what I considered to be such old fashioned fare.
Oh yes!...The sweet summons of God to man. That's when He calls you up to His arms. And it's the most beautiful thing, a rebirth, a new life. But, just the same I'm in no rush to find out.
It's true that immigrant novels have to do with people going from one country to another, but there isn't a single novel that doesn't travel from one place to another, emotionally or locally.
Latins are predisposed to thinking about the past. Catholicism has a lot to do with it because Catholicism is a contemplation of the past, of symbols that are supposed to be eternally present.
When you write fiction, you can sort of invent more but also pack it with emotions that are very pertinent to you. Whereas with nonfiction, you have to be as factual as possible but also hopefully - also bring... emotional relevance to the piece.
I enjoy listening to contemporary rock on the college stations while I'm taking long walks, love gospel and soul music, am fascinated by hip-hop and rap as the new kind of urban 'beat' poetry and, come to think of it, find something interesting about just any kind of music.
Nightclubs are the equivalent of a Catholic Church in a poor country. You hear a lot of stuff about churches filled with gold while the people are starving. But what elitists don't get is that for poor people, the church is their own mansion. Nightclubs fill the same function.
As a fiction writer you train yourself to think about situations subjectively. I don't really care for narratives that are just A, B, C, D, and then E. I like the aura that fiction has, how it can conjure up dream imagery. It's a sort of emotional speculation that you can shape and work with.
I grew up with the idealistic notion that writing and literature were noble causes. I had no inkling, no sense of what I would eventually encounter in terms of people who weren't being sincere. I'm not saying that it happens always or a lot, but it happens enough that sometimes it makes me feel a little queasy.
If I write a paragraph and I don't get a certain lift from it, if I don't feel connected to it emotionally, then it's dead to me. When I'm reading other fiction writers, if I don't get any emotional investment from the writer, if it's just intellectual or clever - you know, most writing that passes as deep is just clever - I don't feel any connection.