Quotes of All Topics . Occasions . Authors
I am deeply immersed in my medical work, and it can get very intense, but I believe that the connection and devotion is key. You can not work on diseases as devastating and deadly as Lassa and Ebola without complete trust and respect for the individuals with whom you work. My lab and colleagues are just extraordinary, and we are a family.
I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit.
When I meet someone from the army background, there is an instant connection. We live in the best five-star hotels of the world, but outside my home I will be equally comfortable in any army cantonment or army guest house. Telling my friends that my father was in the army was like telling them that he is the second-richest man in the world.
I would hate to think I'm promoting sadness as an aesthetic. But I grew up in not just a family but a town and a culture where sadness is something you're taught to feel shame about. You end up chronically desiring what can be a very sentimental idea of love and connection. A lot of my work has been about trying to make a space for sadness.
I think I've always been ambitious. It just looks different on me. You know, I have friends who are actresses who go to every party they possibly can to be photographed and really try to make every connection they can, and I admire that and sometimes I wish I had a little bit more of that. Sometimes I feel like I don't have enough ambition.
I've covered a lot of ground geographically and emotionally and for years I lost my connection with my family. But the best comfort you can have, whether you are on the phone or sitting there in the living room with them, is with your parents, and to me family has always meant protection. When you smile you get a smile back, unconditionally.
The thing that will never go away is that connection you make with a band or a song where you're moved by the fact that it's real people making music. You make that human connection with a song like 'Let It Be' or 'Long and Winding Road' or a song like 'Bohemian Rhapsody' or 'Roxanne,' any of those songs. They sound like people making music.
If you are a card-carrying human being, chances are that you share the same fear as all other humans: the fear of losing love, respect and connection to others. And if you are human, in order to avoid or prevent the pain, trauma and perceived devastation of the loss, you will do anything to avoid your greatest fear from being visited on you.
The celebrated film critic Pauline Kael once wrote that movies function as escape pods, portals to parallel universes that can be radically different from emotional norms and societal conditioning of our own. What she meant was they parceled out freedom, allowing viewers to lose their selves in an effort to find greater connection to the self.
There's this very interesting and complicated connection between our environment and our genes and the traits that come out of the environment plus genes. And there's huge potential. I mean we see amazing abilities. Marie Curie, Albert Einstein. All sorts of arts, and literature and so forth. These are not typical traits of everybody on earth.
Fashion is not interesting unless it has some connection to something outside of that world. It's the same thing with any part of the arts: you can't just take pictures - you have to look at science, to listen to music; you have to be aware of the connections within the world. If you take something in an isolated box, it loses all significance.