Quotes of All Topics . Occasions . Authors
The way I figured it, keeping quiet was safe. Words could betray you if you chose the wrong ones, or mean less if you used too many. Jokes could be grandly miscalculated, or stories deemed boring, and I'd learned early on that my sense of humor and ideas about what sorts of things were fascinating didn't exactly overlap with my friends.
Well people often ask me how I felt growing up with a father who was a politician and who was often away. But when I'm asked that question I often reflect on my inability really to be able to answer it in any relative sense because I never grew up with a father doing anything else. So I just have no idea what it would be like otherwise.
[Freud's] great strength, though sometimes also his weakness, was the quite extraordinary respect he had for the singular fact... When he got hold of a simple but significant fact he would feel, and know, that it was an example of something general or universal, and the idea of collecting statistics on the matter was quite alien to him.
Thinking about her again caused his body to harden, to ready... "Uh, I'm happy to sit close to you and everything, but I had no idea you would like it so much," Paris muttered. For the first time in hundreds of years, Maddox felt a blush creep into his cheek, "It's not for you." "Thank the gods," was his friends reply. -Maddox and Paris
I do think that I'm a big believer in having an idea or having ideas and just tucking them away in the back of your brain. Even if you aren't consciously thinking of them, I think they simmer. You're working on them, even if you don't know you're working on them, and I think having something in your head for a while is a valuable thing.
If you want to know how to make people shun you and laugh at you behind your back and even despise you, here is the recipe: Never listen to anyone for long. Talk incessantly about yourself. If you have an idea while the other person is talking, don't wait for him or her to finish: bust right in and interrupt in the middle of a sentence.
If you're having difficulty coming up with new ideas, then slow down. For me, slowing down has been a tremendous source of creativity. It has allowed me to open up -- to know that there's life under the earth and that I have to let it come through me in a new way. Creativity exists in the present moment. You can't find it anywhere else.
If there is no idea in the drawing, there is no idea in the constructed project. That's the expression of the idea. Architects make drawings that other people build. I make the drawings. If someone wants to build from those, that's up to them. I feel I'm making architecture. I believe the building comes into being as soon as it's drawn.
I see myself as the God who will protect all of the animals that have no other way of voicing themselves. I am God, I see that, and I accept who I have become with open arms. All along I had no idea that those who will come to protect the animals and restore the balance won't be a God on a cloud, but us, this being, the being that I am!
We have now the remarkable spectacle that just when many scientific men are agreed that there is no part of the Darwinian system that is of any great influence, and that, as a whole, the theory is not only unproved, but impossible, the ignorant, half-educated masses have acquired the idea that it is to be accepted as a fundamental fact.
It's much nicer to be praised than to be damned. But you have to have a certain sense of your own priorities and ideas about what works and what doesn't because otherwise, if you're just looking for eternal validation all the time, you can be motivated by the wrong things and I don't think it's as personally satisfying in your own work.
I'm one of those introverted people who simply feels a lot better after spending time alone thinking through ideas and emotions. This is a sign, I've come to think, of a kind of emotional disturbance - a reaction to inner fragility. I wish I were more able to just act and do, rather than constantly have to retreat and examine and think.
My manager came up with the idea of taking a Pro Tool rig out on the road to record every night and I thought it was a great idea. I felt like it would be good to record over a certain period of time and then take the best performances of that collection of recordings. It appealed to me that it wasn't going to be from just one location.
Yeah, in every film that I've been lucky enough to do with Tim, there's always some form of torture, and the nails were Tim's idea. They were the length of the fingers and stuff, but it was okay because I had a troop of people who would help me go to the bathroom. They had to have treatment afterwards but they're okay now. That is true.
I always believed as a speechwriter that if you could persuade the president to commit himself to certain words, he would feel himself committed to the ideas that underlay those words. And the big shock to me has been that although the president said the words, he just did not absorb the ideas. And that is the root of, maybe, everything.
Your competition is not other people but the time you kill, the ill will you create, the knowledge you neglect to learn, the connections you fail to build, the health you sacrifice along the path, your inability to generate ideas, the people around you who don't support and love your efforts, and whatever god you curse for your bad luck.
What I really need is to get clear about what I must do, not what I must know, except insofar as knowledge must precede every act. What matters is to find a purpose, to see what it really is that God wills that I shall do; the crucial thing is to find a truth which is truth for me, to find the idea for which I am willing to live and die.
The decision to let go of that which has completed its course in your experience is even more important than the decision to welcome new ideas. You cannot walk forward by looking backward. New wine cannot be put into old bottles, for the Bible states that the old bottles will break. You intuitively know what should depart from your life.
I have the challenges sort of already there and as a consequence my companions feel a considerable desire to do this, too, and they feel very put out if they are left in the cold, so there we have it. We have me who has lots of ideas and then we have a very good team who wish - who are persuaded almost - to take part in these challenges.
The only big ideas I've ever had came from daydreaming, but modern life keeps people from daydreaming. Every moment of the day your mind is being occupied, controlled by someone else - at school, at work, watching television. Getting away from all that is really important. You need to just kick back in a chair and let your mind daydream.
That's the thing that always stuck out to me - the idea that quantity becomes quality. I always took it to mean if you do anything enough, if you keep putting effort in, eventually something will happen, with or without you. You don't have to have faith when you start out, you just have to dedicate yourself to practice as if you have it.
We're constantly re-evaluating the potential for life. We're finding it where we didn't think it could exist, such as volcanic vents and other extreme conditions like under arctic ice. We're finding life in these incredibly harsh and dynamic conditions, so we're having to re-evaluate our own ideas of what's possible on this planet alone.
Poems offer us counter-knowledges. They let us see what is invisible to ordinary looking, and to find in overlooked corners the opulence of our actual lives. Similarly, we usually spend our waking hours trying to be sure of things - of our decisions, our ideas, our choices. We so want to be right. But we walk by right foot and left foot.
You know what works in venture capital? A group of incredibly smart, connected people who have the financial wherewithal and risk appetite to make multi-million dollar bets on unproven ideas and inexperienced founders. People who can make decisions quickly, and who spend their time trying to help entrepreneurs make the most of that cash.
The characters created cannot just be a mouthpiece for the writer. When you look at a piece of writing, and it's genuine and it doesn't feel like every character is just a mouthpiece for the writer, but that they've been created in such a way that they're expressing an idea that a writer wants to get across, that's when a story succeeds.
In church I was told that if I so much as smoked a cigarette or tasted alcohol, I’d be damned in hell for all eternity... it didn’t take long for me to start thinking that sounded all wrong... I didn’t cotton to the idea that your religion should be flaunted to other people. Your religion is for you, and is best kept close to your heart.
I actually had that conversation with [Channel 4 Chief Creative Officer] Jay Hunt. We were at a bit of a crisis point. I'd written a totally different script - about war, basically - that got rejected at the last minute for various reasons. The whole of the series was in doubt. I said, "Well, there is one other idea ["National Anthem"]."
Most people don't realize how important librarians are. I ran across a book recently which suggested that the peace and prosperity of a culture was solely related to how many librarians it contained. Possibly a slight overstatement. But a culture that doesn't value its librarians doesn't value ideas and without ideas, well, where are we?
For me the idea was always throw myself into different situations and push your imagination as far as you can to get to where you want to get to. I think a lot of bands make the same record over and over again because they're married to the same three or four people. At some point they've done all they can do with their own imaginations.
Trump's more outre economic ideas, like repealing trade bills and implementing a massive surcharge on imports, would seem like non-starters in a Republican-led House and Senate, except when you consider a second point as a kind of syllogism: Republicans fear their angry, white electorate. Their angry, white electorate chose Donald Trump.
What's going on is that our most fundamental ideas about life are not serving us. They never have. But now, with our advances in communication and technology, the situation has become critical - for our mechanisms have outrun our mentality. And so we find ourselves trying to solve the dilemmas of tomorrow with the solutions of yesterday.
I love the movies, and when I go to see a movie that's been made from one of my books, I know that it isn't going to be exactly like my novel because a lot of other people have interpreted it. But I also know it has an idea that I'll like because that idea occurred to me, and I spent a year, or a year and a half of my life working on it.
Modernity is a desert, and we are jungle monkeys. And so new evolutionary selective pressures are coming to bear upon the human situation, new ideas are coming to the fore. Psilocybin is a selective filter for this. The wish to go to space is a selective filter for this. Just the wish to know your own mind is a selective filter for this.
I think whoever runs next time has to have a very clear idea of where he or she wants to take America and has to run on those ideas, because the election cannot be about personalities, participants sniping, all of the irrelevant stuff the day after the election sort of dissipates, and you wake up and say, okay, now what am I going to do?
Your competition is not other people but the time you kill, the ill will you create, the knowledge you neglect to learn, the connections you fail to build, the health you sacrifice along the path, your inability to generate ideas, the people around you who don’t support and love your efforts, and whatever god you curse for your bad luck.
It would be wonderful to become what Oprah has become: she is in such a class of her own, as an entrepreneur, as a performer and an icon. The idea of building a series of programmes and choosing people that I think have talent to do them would be a very interesting idea. I would love to show that television can have soul, depth and range.
My name should not be made prominent. It is my ideas that I want to see realized. The disciples of all the prophets have always inextricably mixed up the ideas of the Master with person, and at last killed the ideas for the person. The disciples of Sri Ramakrishna must guard against doing the same thing. Work for the idea, not the person.
The interaction between math and physics is a two-way process, with each of the two subjects drawing from and inspiring the other. At different times, one of them may take the lead in developing a particular idea, only to yield to the other subject as focus shifts. But altogether, the two interact in a virtuous circle of mutual influence.
I always feel more comfortable in chaotic surroundings. I don't know why that is. I think order is dull. There is something about this kind of desire for order, particularly in Anglo Saxon cultures, that drive out this ability for the streets to become a really exotic, amorphous, chaotic, organic place where ideas can, basically, develop.
My Lord God, I have no idea where I am going. I do not see the road ahead of me...you will lead me by the right road, though I may know nothing about it. Therefore I will trust you always though I may seem to be lost and in the shadow of death. I will not fear, for you are ever with me, and you will never leave me to face my perils alone.
It [the scene] can be something given to you and you go, "Ah this is a good idea, I can work with this." Sometimes it cuts right across your instinct and that's when I might resist. Even if the director might be insistent, I think it's very important to say, "Look, I'm not feeling this. I'll try to make it work but I got to let you know."
According to the United Nations Special Commission [UNSCOM], which carried out inspections in Iraq for the better part of a decade, Iraq possesses some 25,000 liters of anthrax. This is, for the record, more than 5 million teaspoons of anthrax. And we have no idea where any of it is. Saddam Hussein has never accounted for one grain of it.
When we are in the grasp of illusion - or, for that matter, whenever we have a new idea - instead of searching for ways to prove our ideas wrong, we usually attempt to prove them correct. Psychologists call this the confirmation bias, and it presents a major impediment of our ability to break free from the misinterpretation of randomness.
For me, between "Reference" and "Sketching & Conceptualizing" is the "Get the Hell Out of the Studio" step. I most often NEED to shut off the computer, push myself back from my desk and escape the studio space to let possible ideas percolate in my gray matter before committing anything to paper or digital imagery as a sketch or a concept.
This skin, this hair, all this outside stuff. It isn't me. It's just my package. It's like the wrapper around the sweet; it isn't the sweet itself. What we really are is all inside the package. All our feelings. All our good moods and bad moods. All our ideas, our cleverness, our love, that's what a person really is. It's called a spirit.
Once we realise that utilitarianism comes with the idea of blameworthy rightdoing (such as when you push a big man onto the tracks in order to save five lives) and blameless wrongdoing (such as when you don't push a big man onto the tracks in order to save five lives), then utilitarianism all of a sudden appears to give the right answers.
Different types of dangerous lives-You have no idea what you are living through; you rush through life as if you were drunk and now and then fall down some staircase. But thanks to your drunkenness you never break a limb; your muscles are too relaxed and your brain too benighted for you to find the stones of these stairs as hard as we do.
It's insulting when outsiders come in and tell a traumatized people what it will take for them to heal... People who have lived through a terrible conflict may be hungry and desperate, but they are not stupid. They often have very good ideas about how peace can evolve, and they need to be asked. That includes women. Most especially women.
We have entered a time when a writer's first idea is his best idea, when the first thing a reporter hears is the first thing that she reports. We live in a time now when we have seen major television networks take video off of YouTube and broadcast it to millions of Americans without verifying whether the video had been fabricated or not.
In a nutshell, the idea of Juche means that the masters of the revolution and the work of construction are the masses of the people and that they are also the motive force of the revolution and the work of construction. In other words, one is responsible for one's own destiny and one has also the capacity for hewing out one's own destiny.