If you think the music business is the be-all and end-all of life, you're in big trouble.

Music has always been an important thing to me in my life and understand I've worked in the music business.

Our house is a constant mayhem of music, noise, socializing and business. It vibrates life, as a house should.

I'm in a crazy business. The music industry is really tough, and I fight for my life. I just want to make everybody happy.

My whole life I've played music for my own personal enjoyment and the idea of it becoming a machine or a business is just horrible.

Music is something I must do, business is something I need to do, and Africa is something I have to do. That's the way it breaks down in my life.

I don't live in as much fear as I used to. I'm not afraid of the music business. Life is too damn short. I know what's important, and the tasks are very clear.

I worked hard all my life as far as this music business. I dreamed of the day when I could go to New York and feel comfortable and they could come out here and be comfortable.

The business aspect is one of the most important things about having a music career, because every choice you make in a management meeting affects your life a year-and-a-half from now.

Around 20. I'd been trying to transition from the streets to the music business, but I would make demos and then quit for six months. And I started to realize that I couldn't be successful until I let the street life go.

I've grown so much in the music industry. From 'GoldenHeart,' it was just about me and the music and me in this dream. With 'BlackHeart,' its more about me and who I am and what role I play in my own life and in the business.

Is it not the business of the conductor to convey to the public in its dramatic form the central idea of a composition; and how can he convey that idea successfully if he does not enter heart and soul into the life of the music and the tale it unfolds?

I certainly have gotten caught up in the music business at various times in my life, mostly because you want to get along with whatever record company you're dealing with. I don't want to be flaky. I don't want to be some temperamental, hard-to-work-with musician.

When you're a touring musician, you're always turning over new rocks, and there's always a certain level of tension in your life. The music business, and the travel that comes with it, is stressful, challenging, redundant, exhausting, exciting, and often very depressing.

Inside, I've got a real purist desire and dream about the music. I like the idea of being able to carve out a kind of magical, colourful, artistic, inspirational life. And the reality just turns out to be quite different, working with the business to bring this thing you have created into the world.

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