Quotes by James Turrell - Page 3

I like to work with it so that you feel it physically, so you feel the presence of light inhabiting a space. My desire is to set up a situation to which I take you and let you see. It becomes your experience.
James Turrell / Artist
Experience
Space
Desire
Light
Situation
Feel
Work Space Experience
Physically
Becomes
Take
Work Experience Space
Set
Inhabiting
Presence
See
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The sky always seems to be out there, away from us. I like to bring it down in close contact with us, so you feel you are in it. We feel we are at the bottom of this ocean of air; we are actually on a planet.
James Turrell / Artist
Ocean
Air
Bottom
Contact
Sky
Feel Always Down
Planet
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The sky is no longer out there, but it is right on the edge of the space you are in. The sense of colour is generated inside you. If you then go outside you will see a different coloured sky. You colour the sky.
James Turrell / Artist
Space
Light
Sky
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We live within this reality we create, and we're quite unaware of how we create the reality. So the work is often a general koan into how we go about forming this world in which we live, in particular with seeing.
James Turrell / Artist
Particular
Reality
World
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There's traditionally been a large disconnection in contemporary art between the audience and the artist. Generally, audiences are looking towards what they like, and I can tell you, that's the last thing on an artist's mind.
James Turrell / Artist
Contemporary
Contemporary Art
Audiences
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If you think about art, if you look at Rembrandt and Vermeer and Caravaggio, if you look at Turner and Constable and all the Impressionists and the Hudson River School, there's a tradition of light in art, especially painting.
James Turrell / Artist
Painting
Tradition
Turner
Hudson
Impressionist
Rembrandt
River
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My works are about light in the sense that light is present and there; the work is made of light. It's not about light or a record of it, but it is light. Light is not so much something that reveals, as it is itself revelation.
James Turrell / Artist
Light
Records
Revelations
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We're made for the light of a cave and for twilight. Twilight is the time we see best. When we dim the light down, and the pupil opens, feeling comes out of the eye like touch. Then you really can feel colour, and experience it.
James Turrell / Artist
Experience
Best
Colour
Eye
Light
Made
Twilight
Feel
Really
Time Best Experience
Then
Touch
Out
Cave
Best Time Experience
Dim
Down
Opens
Pupil
See
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We think of color as a thing that we’re receiving. And if you go into one of the Skyspaces, you can see that it’s possible to change the color of the sky. Now, I obviously don’t change the color of the sky, but I changed the context of vision.
James Turrell / Artist
Color
Sky
Thinking
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It is interesting to work in Las Vegas. I've always thought of Las Vegas as Los Angeles on its day off. There's not any hierarchy of taste, and that's what L.A. always was to me: It's not really a town of culture, it's a town of entertainment.
James Turrell / Artist
Days Off
Interesting
Vegas
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I always thought that people who live in the desert are a little crazy. It could be that the desert attracts that kind of person, or that after living there, you become that. It doesn't make much difference. But now I've done my 40 years in the desert.
James Turrell / Artist
Desert
Attracts
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Light is a powerful substance. We have a primal connection to it. But, for something so powerful, situations for its felt presence are fragile . . . I like to work with it so that you feel it physically, so you feel the presence of light inhabiting a space.
James Turrell / Artist
Space
Light
Powerful
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We have spent billions to go to the moon - we go to this lesser satellite called the moon and say we are in space, but we are in space right now; we just don't feel ourselves to be in space. Some forms of art and some forms of spirituality do give us that sense.
James Turrell / Artist
Space
Billions
Moon
Forms
Lesser
Satellite
Sense
Spent
To The Moon
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The works of previous artists have come from their own experiences or insights but haven't given the experience itself. They had set themselves up as a sort of interpreter to the layman... Our interest is in a form where you realize that the media are just perception.
James Turrell / Artist
Interpreter
Layman
Perception
Insights
Previous
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In a way, light unites the spiritual world and the ephemeral, physical world. People frequently talk about spiritual experiences using the vocabulary of light: Saul on the road to Damascus, near-death experiences, samadhi or the light-filled void of Buddhist enlightenment.
James Turrell / Artist
Buddhist
Enlightenment
Ephemeral
Light
Spiritual
Vocabulary
Void
Talk
Light World People
Experiences
Frequently
Physical
Physical World
Road
Saul
Spiritual World
Unites
Using
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[My work] is using light as a material to influence or affect the medium of perception. I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
James Turrell / Artist
Light
Magic
Mean
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At Roden Crater, I was interested in taking the cultural artifice of art out into the natural surround. I wanted the work to be enfolded in nature in such a way that light from the sun, moon and stars empowered the spaces. I wanted to bring culture to the natural surround as if one was designing a garden.
James Turrell / Artist
Artifice
Empowered
Garden
Light
Moon
Natural
Stars
Sun
Surround
Nature Art Work
Interested
Bring
Cultural
Designing
Nature Work Art
Spaces
Such A Way
Taking
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I was maybe 5 or 6, and my grandmother would begin sitting me in the Quaker meeting house. I asked my grandmother, 'What am I supposed to do?' and she said, 'Just wait, we're going inside to greet the light.' I liked that—this idea to go inside to find that light within, literally as well as figuratively.
James Turrell / Artist
Grandmother
Ideas
Light
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We eat light, drink it in through our skins. With a little more exposure to light, you feel part of things physically. I like feeling the power of light and space physically because then you can order it materially. Seeing is a very sensuous act-there's a sweet deliciousness to feeling yourself see something.
James Turrell / Artist
Light
Order
Sweet
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My aunt was Frances Hodges, who in the Fifties was the editor of 'Seventeen' and later one of the creators of 'Mademoiselle.' She was my Auntie Mame; she loved culture. She was a Quaker, but she became a milliner against all Quaker logic - they feel that fashion and art are vanities - because she loved fashion.
James Turrell / Artist
Aunt
Logic
Quaker
Seventeen
Creators
Editor
Fifties
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Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
James Turrell / Artist
Feels
Passing
Perception
Arrest
Generally
Illuminate
Occupying
Plane
Seem
Spaces
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I always wanted to make a light that looks like the light you see in your dream. Because the way that light infuses the dream, the way the atmosphere is colored, the way light rains off people with auras and things like that...We don't normally see light like that. But we all know it. So this is no unfamiliar territory - or not unfamiliar light. I like to have this kind of light that reminds us of this other place we know.
James Turrell / Artist
Dream
Light
Rain
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In thinking of light, if we can think about what it can do, and what it is, by thinking about itself, not about what we wanted it to do for other things, because again we've used light as people might be used, in the sense that we use it to light paintings. We use it to light so that we can read. We don't really pay much attention to the light itself. And so turning that and letting light and sound speak for itself is that you figure out these different relationships and rules.
James Turrell / Artist
Light
People
Thinking
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The Meeting is actually like the Gunpowder Meeting, or some of the earlier American Quaker MeetingsThe long house form is something that was traditionthat's what I started with as an idea. But then making this in terms of the sizing and the use that was asked for by Live Oak Meeting- I mean it's a very traditional form, except it's convertible. The top opens, and it makes a sky space where sky is really brought down to you; your awareness of it is made quite different. It was a little bit of a novel idea, that it's a roof that opens.
James Turrell / Artist
Ideas
Mean
Sky
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James Turrell Quotes - Page 3

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