I'm a really artistic person, and so, with the live stuff, there's a lot that I think is really cool. Beyonce and Rihanna have all these dancers. So with the live costumes and video costumes, I'd really like to have my vision. The way that I want people to dress is very specific. I love fashion.

I was a big party guy in my twenties, and kind of a playboy as well. I adopted a lot of values and goals that were fairly superficial and, in many cases, self-destructive. They looked cool and sounded sexy on the surface, but underneath, there was no real meaning going on, just a lot of escapism.

Virtual reality sort of encloses and immerses the person into an experience that can be really cool but probably has a lower commercial interest over time. Less people will be interested in that, but there are some really cool areas there for education and gaming that we have a lot of interest in.

I had my bad-boy moment in my teens. I'll never do that again. It wasn't pleasant, and I learned my lesson. It was sexy and mysterious, and it's like, 'Look how cool they are,' but it's just not worth it. He was lying to me and accusing me of cheating - but then I realized he was the one cheating.

I think it's our responsibility as artists to not only fight for our art but fight for the communities that are the reason we're able to continue making art, especially since, in Brooklyn's case, we as artists somehow made it 'cool' enough for the bigger money-making industries to start taking over.

I remember being in Atlantic City once when I was 18 or 19, and a sea of people were screaming and pulling their hair because I was there. It was weird. Nobody deserves adulation like that. I tried to explain it to my kids once. I said, 'Mommy used to be kind of cool, kind of like a Britney Spears.'

There are different kinds of R&B happening today. There's the traditional, more soulful R&B that doesn't get the recognition that it deserves. Then there's the more hip-hop oriented stuff. You got your boy Ty Dolla $ign, people like that, who are bringing more hip-hop elements to R&B, which is cool.

Portishead's production is just insane beats you would expect to be on a KRS-One album. But then there's this little white girl with an angel voice singing over it. It was a cool juxtaposition. I like 'It's A Fire.' That's a chill song with kind of a military drum thing going on, like a drummer boy.

I feel like I've kinda danced around telling the truest story I can for many years of my life. I've been a little distracted by trying to be shocking or edgy or cool or whatever, and by letting go of that and telling the truest story I can - even if it's about aliens and talking raccoons - it works.

When I hit 16, I got a scooter to ride to school. It was bright pink, and I saw on the ownership papers that Jonathan Ross once owned it. My friends slated me for it because of the colour, but it was cool. My father used to ride, and my mother's boyfriend has a bike, so we're a bit of a biker family.

The idea of bringing color into the Super Brow collection was really inspired by seeing all our fans and followers posting colorful eyebrow pictures using our liquid lipsticks. I think that's really cool because you know, the formula, although it's not designed for the eye, it can work on an eyebrow.

I think when you're a kid coming out of college, you're just kinda going with the flow. You don't really understand what's happening around you - you're just out there playing basketball - but now that I'm older and I see where the league has come in my 15 years, it's pretty cool to have witnessed it.

I try to explain to people that the only way to be cool is to be who you truly are, and the only way to live life is to do the things that you want to do and be the person that you want to be no matter who that is or what that is or how you have to do it. That's the only way you can be genuinely happy.

I remember once acting really cool on a bus with this girl named Stephanie. When I got home, I realized that I had a really big zit on my forehead. If you have acne problems, you really shouldn't be acting like Don Juan. I should have been contrite - and apologized for exposing her to the angry pimple.

I saw the Bangles before I was in a band. I really liked their rhythm. That was right when I was trying to learn how to play guitar. I was really frustrated because I couldn't strum, and then I saw Susannah Hoffs do this cool strum on a song, and it was my goal after that to learn how to do that strum.

Standing up for what you believe is right, as well as standing up for what you believe is funny, standing up for what you believe is cool. As we found each other and the music that we do, we get to live out all of those things. That's what Run The Jewels is: it's all of those aspects of our personality.

We all want to be identified as someone cool, and I have struggled with repping where I'm from and my heritage before. It's part of growing pains. But when people see me being proud of what I am - and they are what I am too - it makes them proud. That's why I try to represent my Asian and my black side.

At my age, I'm not trying to score cool points. I'm just excited when I can speak to younger members of our audience in the WWE. I just get to be a superhero to kids, but I'm not trying to be on the cutting edge of style or anything like that. Once you reach that point of deprivation, you don't mind it.

I was born and grew up in Phoenix, and I left there when I was 17 to go to Interlochen Arts Academy - a boarding school in Michigan - for a year, and then I went to college for a year at The Boston Conservatory and landed the 'Spring Awakening' tour midway through my freshman year, which was pretty cool.

People always ask, 'Man, why don't you come out and enjoy it? Why don't you celebrate? Why don't you have any fun?' My fun is Sundays. Anybody can go to the club. You don't have to be good at going to the club to go to the club. You have to be good to be playing on Sundays, and to me, that's what's cool.

I always hated high-school shows and high-school movies, because they were always about the cool kids. It was always about dating and sex, and all the popular kids, and the good-looking kids. And the nerds were super-nerdy cartoons, with tape on their glasses. I never saw 'my people' portrayed accurately.

I simply can't do one-word message replies: Yes. Ok. No. Sure. Cool. None of these are options for me. I must write something extra. Something personal. I put kisses and emoticons. Emoticons, by the way, are my very best friends. They have removed all the pressure of thinking up something personal to say.

On the tennis court, one needs a cool temperament, tremendous ball sense, reflexes, speed, hand-eye co-ordination, power, timing and peak physical fitness. Off the court, the player and support team need skills in planning, execution, travel, an ability to raise funds when needed, and several other talents.

One of the best things you can do to get on an engineer's good side is make him feel as much like a regular person as possible, without insulting his intelligence. Say things like, 'You're too cool to be an engineer,' or 'Nice kicks!' or 'You don't seem lonely at all.' Note: This only works on male engineers.

More than anything, Play Cloths has taken risks in regards to the pieces of clothing that we're even creating. We started out as straight T-shirts. It was just T-shirts and a couple cool things. Now, it's leisure pants, it's all types of clothing. We're evolving even with fashion trends on a super high level.

My thing with New York was that it felt so insular. When I went to L.A., everybody I knew was a cool, amazing musician. In New York, they'd be hunkered down trying to form a band. But in L.A., guys in bands were also playing with other artists, touring with other artists, and collaborating with other artists.

You show up in Paris, and on the drive from the airport to the hotel you're like, 'This is so cool! I want to see something! I want to go to the Eiffel Tower!' And then you leave the next morning. You think, Oh, I didn't get to do anything. I tell people: I've been just about everywhere, but I've seen nothing.

I'm aware that I have a career. But, if I was the hottest in the game, songs all over the radio - let's say whoever produced made me super big. Like, that would be cool, but there would be something in me that goes, 'You only wrote the raps. You didn't make the beats. You didn't direct. You didn't do all that.'

Honestly, in the music business, it's all about being cool or being the newest thing or being the 'It' person, and I've tried really hard to be what is expected of me or what would be advantageous to my career, and I just reached the point where I said, 'No, I'm an emotional loser. I can't pretend to not care.'

I want to break into the acting industry. It's something I have a great deal of respect for; it's a passion of mine. It's so amazing, the differences between acting and being an athlete, but the one commonality is they both evoke emotion in the viewer. And those emotions are real. So I think that's pretty cool.

I wasn't scouted in the mall as a kid; it just kinda happened naturally 'cause of Instagram and New York and being visible, which is cool. Things just started rolling in. Timing was in my favour 'cause the Internet acted as a catalyst for the fashion industry to change and be more open 'cause people demanded it.

I've always believed in good music over bad music. I believe in two sorts of musics. And the lines that separate us, I don't believe in that. That's for people who need to easily define what they're hearing. Me, I'm cool with everything and anything I'm hearing that's music. It comes under one definition for me.

I recognise life is like a magnet. Positive and negative are on the opposite sides of the magnet. You can try to cut the negative part off, but it's still there. When you accept both of them, it's like, 'You know what? Don't get too identified with success or too identified with failure - just be cool with them.'

I was offered a lot of reality shows in the past. I continue to be offered things like 'The Surreal Life.' I did one in 2002, right after the attacks on the World Train Center. It was called 'Celebrity Bootcamp.' It sounded exciting and cool when they presented it. When you get down to it, it was corny and cheesy.

Jada, Styles P, the LOX, period. You throw on one of their joints... I'm in the whip; I try to keep my cool in the whip. I don't like bouncing around, getting my crazy on, but it's certain joints you gotta wild out. Roll the window down, blast the joints, let it be heard. That's one of them groups that bang it out.

When I created the Cruiserweight division in WCW, nobody called them cruiserweights in the industry at that point. That was a boxing term, not a wrestling term, but I did not want to call them junior heavyweights, light heavyweights, or anything that made them sound diminutive. I wanted it to sound special and cool.

I have this desire to just while away weeks, months and years. It took me two years to make this record but that was with me trying to condense my process and not disappear down the rabbit hole with all the cool things I've collected. I could take 10 years and not explore everything I want to with these instruments.

I feel the same way about Shondaland I feel about Africa and Greece. I feel pretty in both places. Men look at me like I'm a novelty, and women think I'm just cool. I feel absolutely at home immediately. I'm not altering myself to fit in. I'm walking in just as I am. And there are open arms stretched out to greet me.

'Boyz-n-the-Hood' was actually supposed to be written for Eazy's group. He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mix tapes. So when I wrote it, it was too West Coast for them.

My first project was to build an ionization gauge control circuit for Professor Edgar Everhart's Cockcroft-Walton accelerator. In those days, vacuum tubes were the active components in electronic circuits. I can still recall the warm orange glow of the vacuum tube filaments and the cool blue glow of the thyratron tubes.

The car is absolutely central to our approach. Everything we do begins with the automobile, whether it's old, new, bizarre, weird, strange, or cool. We're not going out to make a comedy show, and that's great, certainly from my point of view because obviously I'm totally obsessed with cars and I don't really like people.

Prince turned experimental music into pop music. 'When Doves Cry,' the whole 'Purple Rain' soundtrack - he was inspired by the Cocteau Twins and new wave pop and brought it into R&B when he first started, and then it became this cool, next-level, kind of hard-to-digest music. Which is what I felt 'House of Balloons' was.

Our team, in general, is in a position where people look up to us, and kids look up to us. I embrace that, and I think I have a huge LGBT following. I think it's pretty cool, the opportunity that I have, especially in sports. There's really not that many out athletes. It's important to be out and to live my life that way.

Hopefully everybody in the audience thinks, 'That's cool. I could do that.' I don't like the thought that they say, 'I saw the Beastie Boys last night, and they're mega-stars.' I'm a lot happier when the kids who come backstage or to the hotel try to give us tapes of what they've done instead of just getting an autograph.

Me and Vince are like cool, man. Good relationship with Vince, man, and I've been on a lot of trips with Vince, as far as with overseas, going to visit the military. And even at work, man, ideas, he's open to a lot of people, everybody, pretty much. If you have a good idea, he wants you to go in there and prepare with it.

A God of fire is the only one there is. Our God is not like an iceberg but like a forest fire. He is never compared to the moon with its cool glow but rather to the sun, radiating warmth. He dwells in the light of the rising sun. Whatever he does shines brightly and is carried out with burning desire and a blazing purpose.

There's a gap between what I want to do, what I do on camera, and what gets edited. Right? So the goal is to try and close the gaps. What's the biggest compliment is if I read a review and it's exactly what I wrote down in my diary before ever filming it. That's really cool. That's the biggest signifier of closing the gaps.

I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.

White people couldn't do black music back in the day because they weren't funky or bad enough. They weren't from the ghettoes, but hip-hop and R&B changed all of that because white kids want to be down with it. They wanted to learn it so they studied the culture. It's kind of a cool thing because we shouldn't be so separate.

You think aerobics is not a cool sport? I think you are wrong. It requires amazing discipline - flexibility, fitness, knowledge. And you have to do it with a big smile on your face. Also, I once performed in front of 10,000 screaming women. I tell you something, I'd rather do that than kick a ball around in front of a few men.

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