My life needed to be saved. Not just Foxy. That's my character. That's my work. Inga is a person.

Grissom is a character who doesn't really want people poking around in his life. He likes to poke around in his work.

The challenge is always in portraying characters who've led a very different life from your's as you get to work on the character.

Whenever I work on a part, I look at the world through the filter of the character and I pick things they might use through my observations of real life.

You jot down ideas, memories, whatever, concerning your real life that somehow parallels the character you're playing, and you incorporate that in your scene work.

I've done a lot of work in my life and have begun to let go of that need to be perfect, and I loved that my character in 'Moms' Night Out' was going through the same thing.

We did so much work developing the character of Kratos, why would we throw all that out? We're sort of treating the first seven games like chapter one of this character's life.

My character, Charlotte, is very confident, and I try to be more like my character in real life. Not that I'm not confident, but I've really found my personal growth through work.

I'm a character actress, plain and simple... Who can worry about a career? Have a life. Movie stars have careers - actors work, and then they don't work, and then they work again.

On the whole, the psychological work of the last quarter of the nineteenth century emphasized the study of consciousness to the neglect of the total life of intellect and character.

My journey through life has led me through both light and dark places, and it's because of those experiences that I have learned how to work through my character defects and to help others do the same.

In my work, I want to convince people that I'm that character. If they know everything about Lesley Manville - private life, all of that stuff - it doesn't help. So the kind of anonymity I enjoy is key.

I've always used my own personal emotions and things that I've gone through in my life to build a character. The work that I do before a film feels almost like therapy, between me and whoever I'm playing.

The part of my life where my character was defined was at work because of the decisions I make and the things I do, and I guess that's what I feel qualifies me and attracts me to write the characters I do.

The more deeply connected you are with the people that you're working with, the better the work and the character, and then, I think, that really translates to life. It will help you in life to be more grounded and genuine.

I feel like there's a currency to your personal life and your performance - your acting, your work. If that personal life starts to outweigh what the work is, then your work suffers. Your actual performance suffers because the audience won't see the character, they'll see you.

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