Quotes by Hilary Mantel - Page 4

When I was thin, I had no notion of what being fat is like. When I worked in a department store, I had sold clothes to women of most sizes, so I should have known; but perhaps you have to experience the state from the inside, to understand what fat is like.
Hilary Mantel / Writer
Clothes
Department
Notion
Should Have
Size
Inside
Fat
Department Store
Perhaps
Sizes
Sold
Store
Thin
Worked
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I once stole a book. It was really just the once, and at the time I called it borrowing. It was 1970, and the book, I could see by its lack of date stamps, had been lying unappreciated on the shelves of my convent school library since its publication in 1945.
Hilary Mantel / Writer
Book
Borrowing
Lying
Publication
School
Shelves
Stamps
Since
Date
Convent
Could
Stole
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Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.' But in the six years of writing that novel, I actually learned to write, to invent things.
Hilary Mantel / Writer
French Revolution
Greater
Historical
Novel
Revolution
Safety
Six
Writing
Years
Actually
Back
French
Invent
Learned
Place
Plots
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Back in my 20s, when I wrote 'A Place of Greater Safety,' the French Revolution novel, I thought, 'I'll always have to write historical novels because I can't do plots.'' But in the six years of writing that novel, I actually learned to write, to invent things.
Hilary Mantel / Writer
Historical Novels
Writing
Years
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Writers do not want to think they are less rational than other people, and at the mercy of compulsions, but in their hearts they know they are like those people who are taken for walks by their dogs, towed through hedges and ditches by an untrained sub-human energy.
Hilary Mantel / Writer
Compulsion
Mercy
Rational
Taken
Walks
Dogs
Writers
Hearts
Untrained
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I used to think that when I set out that doing the research was enough! But then the gaps would emerge that could only be filled by the imagination. And imagination only comes when you privilege the subconscious, when you make delay and procrastination work for you.
Hilary Mantel / Writer
Imagination
Procrastination
Thinking
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I think psychologically [Margaret Thatcher] is really worth studying. I am reading Charles Moore's biography of her, and he has gotten us right there with a woman who lived the unexamined life, and lived it deliberately, and who has contempt for history, even her own.
Hilary Mantel / Writer
Biographies
Reading
Thinking
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It's complementary. It's fairly clear where the boundaries are. When I start telling you the contents of his head, I am making it up. But I try to make it up based on what is on the record. So even my wildest speculations [on Thomas Cromwell] will have a root somewhere.
Hilary Mantel / Writer
Records
Roots
Trying
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The writer I adore is Ivy Compton-Burnett.I couldn't get more than a few pages in when I first read her. In many ways, she is very clumsy and her plots are rubbish. But we don't read her for that. There are pages and pages of dialogue. What it requires is real effort and attention.
Hilary Mantel / Writer
Effort
Ivy
Real
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As Danton sees it, the most bizarre aspect of Camille's character is his desire to scribble over every blank surface; he sees a guileless piece of paper, virgin and harmless, and persecutes it till it is black with words, and then besmirches its sister, and so on, through the quire.
Hilary Mantel / Writer
Black
Character
Desire
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You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, in its strings, holds a concord. A shriveled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts.
Hilary Mantel / Writer
House
Prayer
Silence
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The word 'however' is like an imp coiled beneath your chair. It induces ink to form words you have not yet seen, and lines to march across the page and overshoot the margin. There are no endings. If you think so you are deceived as to their nature. They are all beginnings. Here is one.
Hilary Mantel / Writer
Lines
Pages
Thinking
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For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together.
Hilary Mantel / Writer
Running
Book
Description
Dialogue
Isolated
Lines
Metaphor
Narrative
Scrap
Together
Collage
Construct
Elaborate
Holds
Object
Threads
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I will get into trouble, I am sure, because since my Kate Middleton speech and before, certain papers were after me. I am not saying, however, that it would have been moral or right to assassinate Mrs. [Margaret] Thatcher, but I know it will be read that way. I know it will cause a problem.
Hilary Mantel / Writer
Paper
Speech
Way
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When I began to read as an adult, I read almost exclusively novelists of a generation back. I did the Russians, then I started getting more up to date. When you become published and become a reviewer, piles of books come along and you are pushed by fashion and what you are commissioned to do.
Hilary Mantel / Writer
Book
Fashion
Novelists
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Sometimes you buy a book, powerfully drawn to it, but then it just sits on the shelf. Maybe you flick through it, the ghost of your original purpose at your elbow, but it's not so much rereading as re-dusting. Then one day you pick it up, take notice of the contents; your inner life realigns.
Hilary Mantel / Writer
Ghost
Inner Life
One Day
Purpose
Life Your Day
Original
Buy
Contents
Life Day Sometimes
Drawn
Elbow
Flick
Inner
Notice
Pick
Shelf
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There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing.
Hilary Mantel / Writer
Blow
Feelings
Hands
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When I was a child, there was very little money, so I've always been concerned for my financial security, which has meant that finding myself as a writer was a bad move. The practical difference the money has made is that I can support myself by fiction. That is what I have been trying to do throughout my life.
Hilary Mantel / Writer
Concerned
Financial
Financial Security
Little Money
Life Money Myself
Practical
Throughout
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If the monarchy were removed tomorrow, it wouldn't have a huge effect on the national mind-set. The monarchy is mildly interesting and largely harmless. I can't find I can get very heated about it. In the next couple of generations, it is bound to go. There is so much else in the world that is more interesting.
Hilary Mantel / Writer
Couple
Interesting
Mind
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The weight of the old world is stifling, and trying to shovel its weight off your life is tiring just to think about. The constant shuttling of opinions is tiring, and the shuffling of papers across desks, the chopping of logic and the trimming of attitudes. There must, somewhere, be a simpler, more violent world.
Hilary Mantel / Writer
Attitude
Thinking
Trying
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I spend a great deal of time on research, on finding all the available accounts of a scene or incident, finding out all the background details and the biographies of the people involved there, and I try to run up all the accounts side by side to see where the contradictions are, and to look where things have gone missing.
Hilary Mantel / Writer
Accounts
Available
Biographies
Details
Missing
Time Great Look
Background
Contradictions
Finding
Great Deal
Incident
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If you get stuck, get away from your desk. Take a walk, take a bath, go to sleep, make a pie, draw, listen to music, meditate, exercise; whatever you do, don't just stick there scowling at the problem. But don't make telephone calls or go to a party; if you do, other people's words will pour in where your lost words should be.
Hilary Mantel / Writer
Music
Exercise
Lost
Party
Pie
Problem
Sleep
Stuck
Words
Away
Bath
Calls
Desk
Draw
Whatever
Walk
Meditate
Pour
Stick
Telephone
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Cravats grow higher, as if they mean to protect the throat. The highest cravats in public life will be worn by Citizen Antoine Saint-Just, of the National Convention and the Committee of Public Safety. In the dark and harrowing days of '94, an obscene feminine inversion will appear: a thin crimson ribbon, worn round a bare white neck.
Hilary Mantel / Writer
Dark
Mean
White
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I was the subject of an experiment in love. I lived my life under her gaze, undergoing certain trials for her so that she would not have to undergo them for herself. But, how are our certainties forged, except by the sweat and tears of other people? If your parents don't teach you how to live; you learn it from books; and clever people watch you learn from your mistakes.
Hilary Mantel / Writer
Book
Clever
Mistake
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It was a very funny conference. I knew [Christopher Hitchens] before that. He had always been a good angel to me. He once stole a phrase from me that came out of his mouth on television. I saw his eyes move sideways. I thought, It's alright, you can have it! The conference was light on women. Salman Rushdie showed up, they were doing their own thing. I didn't feel neglected!
Hilary Mantel / Writer
Angel
Eye
Moving
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Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time.
Hilary Mantel / Writer
Book
People
Writing
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Suppose within each book there is another book, and within every letter on every page another volume constantly unfolding; but these volumes take no space on the desk. Suppose knowledge could be reduced to a quintessence, held within a picture, a sign, held within a place which is no place. Suppose the human skull were to become capacious, spaces opening inside it, humming chambers like beehives.
Hilary Mantel / Writer
Space
Book
Skulls
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He once thought it himself, that he might die with grief: for his wife, his daughters, his sisters, his father and master the cardinal. But pulse, obdurate, keeps its rhythm. You think you cannot keep breathing, but your ribcage has other ideas, rising and falling, emitting sighs. You must thrive in spite of yourself; and so that you may do it, God takes out your heart of flesh, and gives you a heart of stone.
Hilary Mantel / Writer
Daughter
Fall
Father
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For me, it is about using everything that is there and using the gaps in the record, figuring out why the gaps might be there. And then when you move on to the level of what historians said, laying the interpretations side by side. You also have to look back at the documents and make your own judgments. What the record says and what people say about it. A novelist can fill the gaps in a way that a biographer cannot.
Hilary Mantel / Writer
Moving
Novelists
People
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It's not easy to diagnose because depending where the endometrial deposits are, the symptoms can be quite different. It's an unrecognized problem among teenage girls, and it's something that every young woman who has painful menstruation should be aware of... It's a condition that is curable if it's caught early. If not, if it's allowed to run on, it can cause infertility, and it can really, really mess up your life.
Hilary Mantel / Writer
Girl
Running
Teenage
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And if a diversion is needed, why not arrest a general? Arthur Dillon is a friend of eminent deputies, a contender for the post of Commander-in-Chief of the Northern Front; he has proved himself at Valmy and in a halfdozen actions since. In the National Assembly he was a liberal; now he is a republican. Isn't it then logical that he should be thrown into gaol, July 1, on suspicion of passing military secrets to the enemy?
Hilary Mantel / Writer
July
Military
Secret
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The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh.
Hilary Mantel / Writer
Men
Fate
Flower
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He is careful to deny responsibility for September, but he does not, you notice, condemn the killings. He also refrains from killing words, sparing Roland and Buzot, as if they were beneath his notice. August 10 was illegal, he says; so too was the taking of the Bastille. What account can we take of that, in revolution? It is the nature of revolutions to break laws. We are not justices of the peace; we are legislators to a new world.
Hilary Mantel / Writer
August
Law
Responsibility
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When I came to write my Thomas Cromwell books, I moved onto the center ground of English history, but I was never there before. I didn't feel it was my history particularly, coming from Northern Britain, being of Irish extraction, being a cradle Catholic. The image of England I grew up with felt somewhere else. There was an official England in postcards, but it wasn't one I had visited. But I decided to march onto the center ground and occupy it whether it was mine or not.
Hilary Mantel / Writer
Book
Somewhere Else
Writing
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We have a number of very powerful women in the world now - Mrs. [Angela] Merkel, who the Germans call Mutti. What did we call Mrs. [Margaret] Thatcher? When she was minister of education, she stopped the children's free school milk. This may sound quaint, but after the war we were such a malnourished nation that part of the founding of the welfare state were public health initiatives. Every little schoolchild got milk. Mrs. Thatcher stopped it. They called her "Maggie Thatcher, milk snatcher."
Hilary Mantel / Writer
War
Children
Powerful
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A sea-green sky: lamps blossoming white. This is marginal land: fields of strung wire, of treadless tyres in ditches, fridges dead on their backs, and starving ponies cropping the mud. It is a landscape running with outcasts and escapees, with Afghans, Turks and Kurds: with scapegoats, scarred with bottle and burn marks, limping from the cities with broken ribs. The life forms here are rejects, or anomalies: the cats tipped from speeding cars, and the Heathrow sheep, their fleece clotted with the stench of aviation fuel.
Hilary Mantel / Writer
Running
Cat
Sheep
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Read Becoming a Writer by Dorothea Brande. Then do what it says, including the tasks you think are impossible. You will particularly hate the advice to write first thing in the morning, but if you can manage it, it might well be the best thing you ever do for yourself. This book is about becoming a writer from the inside out. Many later advice manuals derive from it. You don't really need any others, though if you want to boost your confidence, "how to" books seldom do any harm. You can kick-start a whole book with some little writing exercise.
Hilary Mantel / Writer
Morning
Book
Hate
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Rafe asks him, could the king's freedom be obtained, sir, with more economy of means? Less bloodshed? Look, he says: once you have exhausted the process of negotiation and compromise, one you have fixed on the destruction of an enemy, that destruction must be swift and it must be perfect. Before you even glance in his direction, you should have his name on a warrant, the ports blocked, his wife and friends bought, his heir under your protection, his money in your strong room and his dog running to your whistle. Before he wakes in the morning, you should have the axe in your hand.
Hilary Mantel / Writer
Kings
Running
Morning
Dog
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Hilary Mantel Quotes - Page 4

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