Quotes of All Topics . Occasions . Authors
When God loves a creature he wants the creature to know the highest happiness and the deepest misery ... He wants him to know all that being alive can bring. That is his best gift.... There is no happiness save in understanding the whole.
Some American delusions: 1) That there is no class-consciousness in the country. 2) That American coffee is good. 3) That Americans are business-like. 4) That Americans are highly-sexed and that redheads are more highly sexed than others.
The arts reflect profoundly the most democratic credo, the belief in an individual vision or voice . . . The arts' belief in potential gives each of us -- both audience and creator -- pride in our society's ability to nurture individuals.
All anger is not sinful, because some degree of it, and on some occasions, is inevitable. But it becomes sinful and contradicts the rule of Scripture when it is conceived upon slight and inadequate provocation, and when it continues long.
I think the writer's quite low down in the hierarchy really. But the fact that they took the piss out of Nicholas [Hynter] who, besides being the director, is also director of the National Theatre is, I'd have thought, slightly more risky.
At home I mostly stick to online Scrabble, or chess or Risk - games I find far less addictive than the spectacular games created for consoles these days. But, whenever I get the chance I head over to my friend Kyri’s house to play his PS3.
The main question in drama, the way I was taught, is always, 'What does the protagonist want?' That's what drama is. It comes down to that. It's not about theme, it's not about ideas, it's not about setting, but what the protagonist wants.
Obama is a tyrant the same way FDR was a tyrant. He has a view of presidential power that states: the government is in control of the country, and the president is in charge of the government. He's taken an imperial view of the presidency.
The smaller a group, the easier it is for more people to argue and enter into discussions. The U.S. is vast. It's too large. The intellectuals hide out in enclaves, in big cities or universities, like a bunch of chickens hiding from a fox.
It's not only what we have inherited from our father and mother that walks in us. It's all sorts of dead ideas, and lifeless old beliefs, and so forth. They have no vitality, but they cling to us all the same, and we can't get rid of them.
You have to live in order to have something to write about - you get caught up in moviemaking and celebrities and money, and it's very intoxicating, but it doesn't give you what you need as a writer. You have to do something else for that.
Daddy felt that this country was hopeless in its treatment of Negroes. So he became a refugee from America. He bought a house in Polanco, a suburb of Mexico City, and we were planning to move there when he died. I was fourteen at the time.
It is very, very difficult for a playwright to write a scene in which a young man has his first deep experience of sex with a girl whom he found immensely attractive, is fully satisfied by this event and gets up and blinds a lot of horses.
My friends and family have been so well trained that they know I really mean it when I say that I don't care if the review is good, because that can be as dangerous as when it's bad. It's less demoralizing, but it can be just as confusing.
To sing a song is quite different than to write a poem. I'm not and never will be a novelist, but to write a novel is not the same thing as writing a play. There is a difference in form, but essentially what you're after is the same thing.
My plays are for the kind of black people who relate to funk music, to Parliament-Funkadelic. When those guys get out of a spaceship - the idea that black people are from outer space, theres a poetic truth to that. We are this vast people.
All my life I have been haunted by the obsession that to desire a thing or to love a thing intensely is to place yourself in a vulnerable position, to be a possible, if not a probable, loser of what you most want. Let's leave it like that.
I didn't take into account the critical tsunami that comes with having work going out. I've gone from being a complete narcissist, someone who googles my own name, to someone who has to work separately from that to avoid creative paralysis.
I think casting is everything. You get a great cast and - certainly, as happens in 'The Hour' - so many of those performances on the page were transformed by those actors who took those parts and made it into something completely different.
There are always and only two trains running. There is life and there is death. Each of us rides them both. To live life with dignity, to celebrate and accept responsibility for your presence in the world is all that can be asked of anyone.
At home I mostly stick to online Scrabble, or chess or Risk - games I find far less addictive than the spectacular games created for consoles these days. But, whenever I get the chance, I head over to my friend Kyri's house to play his PS3.
No society has been able to abolish human sadness, no political system can deliver us from the pain of living, from our fear of death, our thirst for the absolute. It is the human condition that directs the social condition, not vice versa.
Culture cannot be separated from politics. The arts, philosophy and metaphysics, religion and the sciences, constitute culture. Politics are the science or art of organizing our relationships to allow for the development of life in society.
Two days ago we waded through the mud out to this grave beneath the pines at the foot of the hill to place a Christmas wreath on it, hoping he would look down from the Paradise of Ten Billion Trees and Unrationable Dog Biscuits and pity us.
All this struggling and striving to make the world better is a great mistake. Not that it's wrong to try to improve the world if you know how but simply because struggling and striving are the worst possible ways to go about doing anything!
When the horrors of anarchy force us to set up laws that forbid us to fight and torture one another for sport, we still snatch at every excuse for declaring individuals outside the protection of law and torturing them to our hearts content.
A critic recently described me, with deadly acuteness, as having 'a kindly dislike of my fellow-creatures.' Perhaps dread would have been nearer the mark than dislike; for man is the only animal of which I am thoroughly and cravenly afraid.
Anna Karenina is just a story about a woman falling in love with a bloke who is not her husband. Its gossip, rubbish - on the other hand, its the deepest story there could be about social transgression, about love, betrayal, duty, children.
When I was writing The Shadow of the Glen I got more aid than any learning could have given me from a chink in the floor of the old Wicklow house where I was staying, that let me hear what was being said by the servent girls in the kitchen.
My grandfather was a Pullman porter, and my father put his way through college by cleaning floors at night in the libraries. I understand that working people are in some way the bedrock of my existence and the existence of many people here.
My plays are for the kind of black people who relate to funk music, to Parliament-Funkadelic. When those guys get out of a spaceship - the idea that black people are from outer space, there's a poetic truth to that. We are this vast people.
Shape without form, shade without color, Paralyzed force, gesture without motion; Those who have crossed With direct eyes, to death's other Kingdom Remember us-if at all-not as lost Violent souls, but only As the hollow men The stuffed men.
Theatre for a New Audience is one of America's most admirable and exciting theatre companites...some of the best acted and directed work to be found on American stages, engaging with the canon of world dramatic literature in a vigorous way.
When irrational terror takes to itself the fiat of moral goodness somebody has to die. ... No man lives who has not got a panic button, and when it is pressed by the clean white hand of moral duty, a certain murderous train is set in motion.
The writer must be in it; he can't be to one side of it, ever. He has to be endangered by it. His own attitudes have to be tested in it. The best work that anybody ever writes is the work that is on the verge of embarrassing himself, always.
You are responsible for the world that you live in. It is not government's responsibility. It is not your school's or your social club's or your church's or your neighbor's or your fellow citizen's. It is yours, utterly and singularly yours.
It's probably the last thing you think about when you're making a film is other people's problems. You're thinking about your problem, which is making the movie. But you do have a responsibility. You can't mess around with people's emotions.
We recipients of the boon of liberty have always been ready, when faced with discomfort, to discard any and all first principles of liberty, and, further, to indict those who do not freely join with us in happily arrogating those principles.
I've been alienating my public since I was 20 years old. When 'American Buffalo' came out on Broadway, people would storm out and say, 'How dare he use that kind of language!' Of course I'm alienating the public! That's what they pay me for.
Don't lose faith. Promise yourself that you will be a success story, and I promise you that all the forces of the universe will unite to come to your aid; you might not feel today or for a while, but the longer you wait the bigger the prize.
If a group of beings from another planet were to land on Earth - beings who considered themselves as superior to you as you feel yourself to be to other animals - would you concede them the rights over you that you assume over other animals?
The art of government is the organization of idolatry. The bureaucracy consists of functionaries; the aristocracy, of idols; the democracy, of idolaters. The populace cannot understand the bureaucracy: it can only worship the national idols.
In your Salvation shelter I saw poverty, misery, cold and hunger. You gave them bread and treacle and dreams of heaven. I give from thirty shillings a week to twelve thousand a year. They find their own dreams; but I look after the drainage.
When you're a man, you're often in situations where you have to decide how far you're going to go in an argument. How big is the other guy? All this stuff that girls don't have to worry about as much, because that's not part of the equation.
Old Etonians are the most charming people in the world. It's not just the analytic ability and the great education; there is a really easy confidence to them that draws people to them and makes their passage though the world a little easier.
I'm interested in the moments where the audience is restless. I'm interested in the moments where they lean in and become incredibly engaged: the laughter, the silence. All of that is part of how I think about shaping and rewriting the play.
Translating Candide into tweets has really deepened my appreciation of his writing - it wouldn't work so well with nineteenth-century authors. Every single sentence in Voltaire seems to advance the story, and yet stand alone as a sound-bite.
By the very nature of his art, which depends on invention and innovation, a story teller must depart from the beaten track and, having done so, occasionally startle and disagree with some of his associates. Healthy disagreement we must have.
I try to work every day because you have no refuge but writing. When you're going through a period of unhappiness, a broken love affair, the death of someone you love, or some other disorder in your life, then you have no refuge but writing.
I don't want realism. I'll tell you what I want. Magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth. I tell what ought to be truth. And if that is sinful, then let me be damned for it!