Quotes of All Topics . Occasions . Authors
You have to realize, when you're a comedian, that you have to have a thick skin. And trust me, being onstage in front of people is already difficult enough. Somebody's personal attack in an email is not as hard as getting onstage.
As a comedian, you're making so many observations, so many measurements. You might catch someone's eyes as you're telling a joke, and they can have this sort of glazed expression on their face, and that can set all your dials off.
You have two choices, two paths to take as a comedian. You can tackle the difficult subjects and be harsh about it, be brash, be abrasive. But adding hatred to racism is not going to help everybody. So I like to have fun around it.
Honestly, I never really thought I'd be a comedian. But I did take an aptitude test in seventh grade - and this is 100 percent true - I took an aptitude test in seventh grade, and it said in my best profession was a clown or a mime.
For stand-up comedians that go onstage and get to write and perform and direct, and do all these things, the allure of a television show is still there but if it doesn't offer a level of creative fulfillment, it's oddly unappealing.
Here's a message to all the employers out there reading this: if a comedian comes to you having given up comedy and wants a job; don't employ them. They're utterly feckless and incapable of handling any kind of responsibility. Fact.
I was going to be a comedian but then also winning Oscars and directing movies and creating my own charities and saving the world. The more I've let go of that... I see more access to possibly being able to have something like that.
My father was a really funny guy. He lived a good long life. And he was the reason I wanted to be funny and become a comedian and a comedy writer, so to say that he's somewhat of a mythic figure in my life would be an understatement.
I tell people all the time, as I was going through my process of being a comedian or being an actor and a writer at SNL, I tell people that everything you do is all a piece of your puzzle to determine where you’re going to end up at.
When people laugh at me, they are not laughing in the way that they normally would at a comedian. They are laughing with relief, because the truth has been spoken, and political correctness has not strangled this particular gigastar.
I used to think of myself as a comedian. I've always admired comedians. Their minds, the way in which they se the world is so striking, the way they juxtapose things, the way they can see humor in people. There's a liberation in that.
I want to be a little more dramatic nowadays. I definitely want something big and funny, but I look for things that can just have people see me in a different light and let me mature as both an entertainer and an actor and a comedian.
Some comedians really are funnier than others. Some people really are more beautiful than others. But these are true only because of the kinds of creatures we happen to be; the perceptual apparatus - apparati - that we happen to have.
I was definitely prepared for it to be slower, and it has not worked out that way in any shape or form. I'm grateful as a comedian, and slightly demoralized, occasionally, as a human being - those two things are always very different.
Music is very similar to comedy: It's all about texture, timing, context, vocabulary, performance. When someone's onstage doing a solo, essentially it's the same thing as what a comedian does. They're in the moment. They're listening.
Any of Bette Midler's concerts should be required viewing for every actor/performer. She has the audience in the palm of her hands at all times and can switch emotions on a dime: Great singer, great actress, great comedian - fearless.
Some comedians tell nice jokes that you can tell to your kids. Some use bad words - they work 'blue.' If you don't want to hear a joke that's blue, you shouldn't go to a comedy club where a comedian who makes blue jokes is performing.
I'm not saying being a comedian is brain surgery, but it is definitely - it's like being a carpenter. You learn how to make tables and chairs. You have to have the right tools, and you have to know how to put the thing together, right?
I tell people all the time, as I was going through my process of being a comedian or being an actor and a writer at 'SNL,' I tell people that everything you do is all a piece of your puzzle to determine where you're going to end up at.
You must not be afraid of small bits of silence. To use it well is the height of confidence and skill for a comedian. It increases the tension in a good way and adds contrast like a curveball complements the fastball of a good pitcher.
Growing up, I didn't really watch a lot of standup. I didn't know you could be a low-energy comedian. It was something I did daydream about, but in the way you daydream about becoming the president or something - it could never happen.
Who's famous anymore? No one. There are these comedians that are famous in a weird way. There are comedians, like Anjelah Johnson and Russell Peters, [who] are unbelievably famous, but in a way they're selling out 1,000-person stadiums.
I just like observing people - it's something I've done ever since I was a kid, and I got really good at it. That's a big part of why I became a comedian. My audience is filled with every kind of person you can imagine, and I love that.
Standup comedians are attracted to one another because of their faults. So we're all kind of messed up in the same way, and once I was around a group of people that saw the world in a different way, it's like this is where I need to be.
I never really thought of myself as a physical comedian. But when I was a kid, I used to, you know, pretend to trip over things to make girls laugh in school and stuff like that. So I kind of learned how to fall without hurting yourself.
I set out to become a comedian, and I said in order to do that the first thing I'll do is become a disc jockey and know my pop music. I like it, my voice is good, and I can start out getting confidence without an audience in front of me.
Usually, I think of the song, and then the video plays out in my head as I'm writing the song. I started rapping to become a comedian, so I'm certainly thinking about the visual component of things beyond just the music most of the time.
I paid attention to not being a comedian, and just concentrated on being who I was. That is what you have to do. If you say you are a comedian that has been done before. If you just be who you are then you are unique. Everyone is unique.
As a comedian, I'm forced to have a tough skin. Until people laugh, they are detractors. You walk into a new audience where nobody knows you, they go: 'Make us laugh. Show us what you're made of. Prove why we should be listening to you.'
The comedians all finished their acts with a song. They would get a certain amount of money from the song publishers and would use that money to pay the writers. None of them paid very much for their comedy material, but it all added up.
I'm standing behind a wall of jokes. You don't know about my personal life, my girlfriends, or what I do when I'm not on the road. There's this guy, this comedian, and this is how he thinks, but people really don't know anything about me.
The truth is, for however much my stories come out of things that have happened to me, they're not darkly or as deeply personal as someone like Marc Maron or a lot of comedians, but they are essentially my life and my interpretation of it.
I don't believe in burning holy books, but I am organizing a protest. I'll be burning all my Dennis Miller VHS cassettes as a special protest. I don't want to hear the introduction 'you may have seen our next comedian on the Hannity show'.
This is something that the nimblest standup comedians learn, over time, to handle gracefully. They'll go between prepared material, then they'll respond to what's happening in the room and weave it back into the prepared material and so on.
Working with people like Jennifer Aniston and Jason Sudeikis is such a blessing because I've watched them a great deal. I grew up with 'Friends' and always aspired to work with someone from that cast. Jason is just such an amazing comedian.
I'm honored that other comedians like what I do. That means the world to me. But at the same time when I'm on stage I'm not just trying to make the comedians laugh - I'm also trying to make the audience laugh. I want to make everybody laugh.
I don't think anyone's particularly conscious of thinking suits are the thing, but when you see a comedian on stage in jeans and a t-shirt it doesn't matter how good they are - it always looks like amateur hour when they walk onto the stage.
There was this whole middle time that only Chris Rock came out of, you know, 10 years ago it was Chris and a few other people, but that's about it. Chris is in a class of his own; I don't see another comedian who I put in high regard as him.
There are certain types of stand-up, who are very successful, who do one type of joke, and never stray out of that. The audience knows that he's the depressive comedian, he's the up-beat, crazy comic. He's the one that talks about real life.
I have the comedian's fear of bottles flying. I've never been bottled off, but I have had things thrown at me. Bag of crisps. And there's still a part of me, when I sit in an audience, that thinks people are going to start heckling the play.
If a comedian has a strong following, and the branded segment feels different compared to what you typically do, people will know right away that it's not authentic to who you are as a comedian or performer. Brands need to keep that in mind.
I try not to apologize, especially publicly. That's a slippery slope, because I'm a comedian. If you take anything I'm saying too seriously, then you shouldn't be paying attention in the first place. If you find me offensive, don't follow me.
You do what you're supposed to do, but you have to be honest about what they're doing. When you do a comedy show on a network the problem is there are going to be a bunch of people who aren't comedians that are going to tell you what's funny.
It's funny, because I was trained as a dramatic actor at New York's Colonnades Theater Lab in the '70s, along with Jeff Goldblum, Danny DeVito and Rhea Perlman. People I worked with there saw a comedian in me. I'm still most at home in comedy.
It is hard to get mad at Donald Trump for saying stupid things, in the same way you don't get mad at a monkey when he throws poop at you at the zoo... What does get me angry is the ridiculous, disingenuous defending of the poop-throwing monkey.
I wanted to be a tragedienne. I only wanted sad parts. When mother read the press notices when I was on the road, saying I was a 'comedienne,' the tears rolled down my cheeks. I thought comedians had to have black on their faces, or red beards.
I was a kid, and I would watch standup comics do the 'Tonight Show,' and if Johnny Carson liked you, he'd wave you over to the desk; that pretty much meant you were about to be the most successful comedian in the country for the next few years.
Whatever comedian says he doesn't read comments, I never believe him, because we all have the same pathological problem to see what people think of us, and it sucks, because you try not to take it personally, and people are monsters and idiots.
We are living in the machine age. For the first time in history the comedian has been compelled to supply himself with jokes and comedy material to compete with the machine. Whether he knows it or not, the comedian is on a treadmill to oblivion.
I'm a lot smarter and thoughtful of a comedian. This market is different than it was. You don't have to have cable to hear this comedy. It comes on a basic channel, and that's one of the biggest differences between now than when I first started.