Muqtada leads the only real mass movement in Iraq. It's a mass movement of the Shia, who are 60 percent of the population, and of poor Shia - and most Shia are poor. Otherwise the place is full of sort of self-declared leaders, many of whom spend most of their time outside Iraq.

I think emotion is just anything that is emotional, you know, people can feel with music. Music is already so emotional, like the strings, the chords, and the notes and the melodies and stuff. And then you throw on a topic that everyone can relate to. That's gonna be real music.

I find the best way to make things real is to just put two characters into a space and let them talk to each other in the way that they would talk to each other, and then see what they would say. I know it sounds weird, but that leads the plot and takes you in another direction.

You've got to remember that improvisers are writers and actors and directors all simultaneously. That's what's happening in real time because you're writing on your feet, and you are acting out the words and you are directing what the staging is. You're deciding what staging is.

What I say is, that the real non-resistants can believe in direct action only, never in political action. For the basis of all political action is coercion; even when the State does good things, it finally rests on a club, a gun, or a prison, for its power to carry them through.

What Sri Krishna is saying, is that it's a terrible mistake to believe that this life we lead is real. Obviously it's real, but it doesn't last very long in its realness. It's very ephemeral and to mistaken the forms of life, the shapes that life takes, for reality, is not wise.

Most people stiffen with self-consciousness when they pose for a photograph. Lighting and fine camera equipment are useless if the photographer cannot make them drop the mask, at least for a moment, so he can capture on his film their real, undistorted personality and character.

I just want a man -a real, two-balled masculine guy -and there aren't many of them around, believe me. But I do want somebody my own age, and somebody who has brains enough to keep me interested and to earn enough money to support me in the style to which I've become accustomed.

The issue in the Bible is not just "Do you believe in God or not?" Everybody believed in gods of some sort. The question was, "Who is truly the only living God?" And if that God is indeed Yahweh the God of Israel, then there are consequences in real life - as shown in the Torah.

I think TV has been a little bit irresponsible in how they portray these people because homicide detectives are not brooding, tortured souls who are stained with the stink of the city and who have blood on their hands. They are real, live people that are incredibly entertaining.

Being in L.A. has definitely given me the opportunity to experience how my music sounds in real life because I can drive around and listen to the mixes, which I couldnt do in New York. I get to feel how a song works in combination with a sunset and a drive through the mountains.

What I have noticed which I'm not nuts about that the trend that a lot of shows are hiring the American Idol type of talent without real training and real technique and I think that audiences are smart and sometimes seeing that things are not as high caliber as they were before.

Titles and mottoes to books are like escutcheons and dignities in the hands of a king. The wise sometimes condescend to accept of them; but none but a fool would imagine them of any real importance. We ought to depend upon intrinsic merit, and not the slender helps of the title.

I feel a real responsibility to my community and so right now there has been this bizarre myth in our community how our vote doesn't count. I'm trying to get out there and re-educate on how the government works and break that myth and talk about the importance of being involved.

Friendship is only friendship when it is real. Passionate and relentless. Forgiving and joyful. Don't forget today to have real moments with your friends. Not a text, or a tweet, an Instagram-- that's all deceit. Hold real hands, kiss genuine lips, be a truly strong human force.

My fans don't feel like I hold anything back from them. They know whatever I'm going through now, they'll hear about it on a record someday. They'll hear the real story. There's a little bit of lag time. It's not as instant as going on a gossip blog. But it's much more accurate.

I like to find characters. Here's the bottom line: I can't play someone if I can't figure out what he cares about. Everybody cares about something, even a rough character. It defines where we step in life. As soon as you find out what somebody cares about, then it all gets real.

I'm not a religious person. I don't have any desire. To me it's imitative of a conventional culture. I'm all for it for anybody. I totally have a free and open feeling about how other humans want to live their lives. It's just not something that has any real significance for me.

A photographic portrait is a picture of someone who knows he's being photographed, and what he does with this knowledge is as much a part of the photograph as what he's wearing or how he looks. He's implicated in what's happening, and he has a certain real power over the result.

Each of us believes himself to live directly within the world that surrounds him, to sense its objects and events precisely, and to live in real and current time. I assert that these are perceptual illusions ... Each of us lives within the universe - the prison of his own brain.

For the decisions of our will are often so directly opposed to the decisions of our emotions, that, if we are in the habit of considering our emotions as the test, we shall be very apt to feel like hypocrites in declaring those things to be real which our will alone has decided.

Many people think they are too refined, or too rational, to entertain a real sense of wonder in themselves or in others. This is preposterous to me, since the natural world is full of endless wonders, both on Earth and especially in space, no matter how you think it was created.

These are the times for real choices and not false ones. We are at the moment when our lives must be placed on the line if our nation is to survive its own folly. Every man of humane convictions must decide on the protest that best suits his convictions, but we must all protest.

I want to be clear that when you mention the Republican critique of President Obama, that is not President-elect Trump's critique, right? So you have a real clash within the Republican Party, and I think within the Trump administration, about how to develop policy toward Russia.

I have the best friends in the world. I miss my friends, I miss my family but they always come out and visit me. I went to boarding school in the country so there's no real differentiation between family and friends. I went there from when I was 8 until I was 17 - it was insane.

Forbes did a story on , when I seen it in Forbes I was just like, "This looks good!" and it felt good so I just went ahead and posted it. As soon as I posted it, people started calling and congratulating me and then it really started sinking in that it was a real accomplishment.

All of my characters are a little bit based on people I know in real life. You know when you do that you have to change the character a little bit in case your friend or your relative reads the book, because you don't want them to know you wrote about them... They might get mad.

We've painted ourselves into a corner where the only choice is real nightmare - triage, epidemic disease, famine, fascism, the collapse of human rights - or a leap to an entirely different level. We've taken business-as-usual off the menu. Now only the extreme possibilities loom.

My dad, Frank Addison Albini, was a terrific shot with a rifle and had generally excellent hunting skills. While my dad loved hunting and fishing, he didnt romanticize them. He was filling the freezer, not intellectualizing some caveman impulse or proving his worth as a real man.

I got famous in my 30s. I already had a real life and kids and responsibilities, like laundry and cleaning bathrooms. It's hard not be grounded when you have that. I think, if you get super-famous and everyone tells you you're wonderful when you're 12, it's probably a lot harder.

On the first day of school, you got to be real careful where you sit. You walk into the classroom and just plunk your stuff down on any old desk, and the next thing you know the teacher is saying, 'I hope you all like where you're sitting, because these are your permanent seats.'

Real happiness is so simple that most people do not recognize it. They think it comes from doing something on a big scale, from a big fortune, or from some great achievement, when, in fact, it is derived from the simplest, the quietest, the most unpretentious things in the world.

We have Christians against Muslims against Jews. They're making incompatible claims on real estate in the Middle East as though God were some kind of omniscient real estate broker parsing out parcels of land to his chosen flock. People are literally dying over ancient literature.

I'd say that any character or setting can be given a bit of an otherworldly sheen and be the better for it. The one thing I insist on with my own writing is that I won't let magic solve my characters' real world problems. The solutions have to come from the characters themselves.

Heart is tied with a lot of controversies, a lot of heartbreaks in show business. With 'Love Marie' who I really am in the real world. I feel more free, I feel more clean. I feel like people don't judge me, and that is why I shy away from being Heart when it comes to my painting.

Madame Michel has the elegance of the hedgehog: on the outside she is covered in quills, a real fortress, but my gut feeling is that on the inside, she has the same simple refinement as the hedgehog: a deceptively indolent little creature, fiercely solitary--and terrible elegant.

Simply put, you can read a story in a single sitting and hold it all in your mind. You can experience all of its rhythms, beginning to end, during that span. Consequently it has, I think, greater emotional power than a novel because of this real-time effect. Stories can stun you.

Nothing of real worth can be obtained without courageous working. Man owes his growth chiefly to the active striving of the will, that encounter with difficulty which he calls effort; and it is astonishing to find how often results apparently impracticable are then made possible.

When you're filming in Russia in Catherine's Palace, and you're in the real place where the Tsar's ball really happened, all those years ago, it does so much of the work for you. It's so vivid. You escape into this different time through the costumes, the sets and the atmosphere.

To someone like Zurbaran, who paints still lifes, lemons and pears are the objects of art. But to the electronics engineer who works on the technologies of virtual reality, the whole reality has become the object of art, with a possibility to substitute the virtual with the real.

I am going to say something I have never said before and this is the truth. I have no reason to lie to you and God knows I am telling the truth. I think all my success and fame and I have wanted it, I have wanted it because I wanted to be loved. That's all. That's the real truth.

I wouldn't be an actor if it weren't for the English teacher I had my junior year in high school. She's the one who told me I could be an actor. I had never met an actor, I had never seen a real play, only high school plays. I didn't know actors were real, that it was a real job.

It's strange, the lack of emotion, the absence of drama in reality. When things happen in real life, extraordinary things, there's no music, there's no dah-dah-daaahhs. There's no close-ups. No dramatic camera angles. Nothing happens. Nothing stops, the rest of the world goes on.

The most real things in the world are those that neither children nor men can see. Did you ever see fairies dancing on the lawn? Of course not, but that’s no proof that they are not there. Nobody can conceive or imagine all the wonders there are unseen and unseeable in the world.

Hyun Joong hyung is totally a real man. He is very generous, easy to get along, and dependable. Sometimes, he would hide and cry secretly at night. He won’t tell others when he is sad about something. He’ll bear the sadness himself. He has a strong personality (he will not fall).

People in debt become hopeless and hopeless people don't vote. They always say that that everyone should vote but I think that if the poor in Britain or the United States turned out and voted for people that represented their interests there would be a real democratic revolution.

Real power has fullness and variety. It is not narrow like lightning, but broad like light. The man who truly and worthily excels in any one line of endeavor, might also under a change of circumstances, have excelled in some other line. Power is a thing of solidity and wholeness.

The families who chose me to take their terminally ill kids on their last hunts in life many times over the years know and love the real Ted Nugent. That they decide I'm good enough to take part in such a spiritual and emotional moment in their lives proves that I am good enough.

When you look back at the fight against Communism, one thing that is striking is the degree to which we [the United States] were carried on by our own values. One of the real challenges of the new era is going to be to maintain those values and not adopt those of our adversaries.

I think I have always wanted to tell stories. My mother was the real catalyst. I kept talking about it and so she pulled out a story I wrote (and illustrated) back in elementary school. She used that as proof that I should be writing and had been doing so unconsciously for years.

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