The attacks on the World Trade Center and the current economic recession, which is particularly powerful in New York City, have put a number of building plans on hold for the time being.

We're creating these massive urban areas in the Third World. It's like you take the entire population of California and put it in one city. Then you remove basic sanitation and medical services, and you have a ticking biological time bomb.

When Japan was on the rise, American governors would come to inspect Toyota City and study 'just in time' manufacturing to increase efficiency; when America was at its peak in the late 1990s, the world beat a path to its venture capitalists.

I played with a few local bands in the West Country, where I grew up, but when I was 18, I moved to London, which at that time was probably the most exciting musical city in the world. I was supposed to be studying dentistry, but all the time I was looking for a band to join.

My father was into fame and leaving his mark. He was a city planner, sort of a genius in that world, the Robert Moses of Philadelphia. He was on the cover of 'Time' once, and I remember going to his office and seeing, like, two hundred copies, which he would hand out to people.

I started when I was 15 years old. And at that time, I was not thinking about changing the world, I was doing graffiti - writing my name everywhere, using the city as a canvas. I was going in the tunnels of Paris, on the rooftops with my friends. Each trip was an excursion, was an adventure.

In cities across the world, directors of leading arts institutions, galleries and museums know that when it comes to attracting locals to their major exhibitions and shows, weekdays tend to be 'cultural dead time' for working people, who are simply too busy to enjoy what their city has to offer.

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