Quotes by Alexander Payne - Page 2

I'm so not interested in producing, other than doing my own work, producing my own films. I only do it as favors, for other people to get their films made.
Alexander Payne / Film Director
Favors
Not Interested
Work People Doing
Producing
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That's how I like to do it with actors, have them really go for it and I'll tell them when it's too much. It's always easier to bring it back then to push it further.
Alexander Payne / Film Director
Actors
Easier
Too Much
Further
Go For It
Push
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But it's just that the whole country is making generally lousy films these days and has been for quite a while. That's the big problem that we all have to think about.
Alexander Payne / Film Director
Country
Problem
Thinking
Big Problem
Lousy
Generally
Quite A While
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If you were falling in love and you could go back in time and relive a day and see the banal things you did that you'd forgotten about, you'd weep, looking at that day.
Alexander Payne / Film Director
Falling In Love
Forgotten
Go Back In Time
Love Time Day
Banal
Falling
Relive
Weep
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Well, that's what life is - this collection of extraordinarily ordinary moments. We just need to pay attention to them all. Wake up and pay attention to how beautiful it all is.
Alexander Payne / Film Director
Attention
Moments
Ordinary
Pay
Pay Attention
Wake Up
Collection
Extraordinarily
Well
Wake
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I've always approached screenplays and so forth with, "How would it really happen?" Not "What's the movie version?" but "What's the real-life version?" Then I just follow my nose.
Alexander Payne / Film Director
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My flag is always flying. My shingle is always out. I'm always looking for movie ideas. The hardest part of this whole movie-making endeavor is finding ideas. That's the real goal.
Alexander Payne / Film Director
Goal
Ideas
Real
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I get asked, 'How can you have such failures in your films?' Well, what else is life about? There's some sense of constant failure in something. Humor gives you a distance from it.
Alexander Payne / Film Director
Humor
Constant
Distance
Life Failure Your
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In a general sense, to convert any short story, novel, play, or opera into a movie, you have to re-rig it. Even though they're all narratives over time, they're very different forms.
Alexander Payne / Film Director
Different
Novel
Short Story
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I guess maybe I try to make movies that are closer to real life than are many Hollywood movies. But I still try to stay within a commercial narrative, a contemporary American vernacular.
Alexander Payne / Film Director
Contemporary
Hollywood Movies
Narrative
Real Life
Vernacular
Closer
Life Movies Real
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Even if we die at 100, we're still dying young. I want at least 700 years. There's a lot of travelling and books to read and movies to see. I'm not going to squeeze it all in in 85 years.
Alexander Payne / Film Director
Book
Dying
Years
Squeeze
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When you're a houseguest and you leave, it's nice to straighten something up or send your hosts a useful gift. And when you leave the planet, it's nice to have made a positive contribution.
Alexander Payne / Film Director
Contribution
Host
Made
Nice
Hosts
Send
Straighten
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Anytime you cast a movie and you need someone famous in the lead part, you're a prisoner of whoever happens to be famous in the six-month window in which you're trying to get a film financed.
Alexander Payne / Film Director
Prisoner
Window
Anytime
Financed
Whoever
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The novel succeeds on terms exclusive to literature. A good film succeeds on terms exclusive to the cinema. That's why so many bad novels can become good movies, like 'Jaws' or 'The Godfather.'
Alexander Payne / Film Director
Cinema
Exclusive
Godfather
Good Film
Good Movies
Jaws
Succeeds
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Hollywood films have become a cesspool of formula and it's up to us to try to change it... I feel like a preacher! But it's really true. I feel personally responsible for the future of American cinema. Me personally.
Alexander Payne / Film Director
Change
Future
Cinema
Hollywood
Hollywood Films
Preacher
Trying
Cesspool
Films
Formula
Personally
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It seems that our politicians see the world in black and white, so why not our artists? Did Woody Allen's 'Manhattan' have to be in black and white? No. But is it fantastic that it was? To see New York like that? Yes!
Alexander Payne / Film Director
New York
Artist
Black And White
Manhattan
Why Not
Woody
Black And White World Black
Allen
Politicians
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They say you can do honest, sincere work for decades, but you're given in general a 10-year period when what you do touches the zeitgeist - when you're relevant. And I'm aware of that, and I don't want my time to go by.
Alexander Payne / Film Director
Decades
My Time
Relevant
Sincere
Zeitgeist
They Say
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There's a bizarre insistence on how a story should be. 'The protagonist must be sympathetic!' they say. Whatever that means. I never engage in that discussion. I never use that word, 'sympathetic.' I just know 'interesting.'
Alexander Payne / Film Director
Bizarre
Discussion
Insistence
Sympathetic
Never Know Story
Protagonist
They Say
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Adult movies with any artistic credit are released in the last quarter of the year and expected to gird for battle for Globes and Oscars. So the films aren't being seen just for themselves, but rather in a competitive context.
Alexander Payne / Film Director
Adults
Battle
Years
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I spend a long time casting, but once I've cast a film there's a reason why I selected those people. So I'm hands-on in selecting the cast, hands-off to see what they do with their characters, and hands-on again to offer suggestions.
Alexander Payne / Film Director
Character
Hands
Long
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The better a novel is, in literary terms, the more you can't be faithful. The novel succeeds on terms exclusive to literature. A good film succeeds on terms exclusive to the cinema. That's why so many bad novels can become good movies.
Alexander Payne / Film Director
Faithful
Good Movie
Literature
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Cinema really lends itself well to big, archetypal stories, you know, classic old stories and you need kind of a weird, big terrain like the Japanese plains for Samurai movies or the West. You need that for these giants to walk around.
Alexander Payne / Film Director
Cinema
Giants
Needs
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Comedy is a wonderful device for distance that allows us to look at what we're talking about with some degree of distance and hopefully with a bit more perspective and honesty. With many exceptions, a movie with no jokes is far less appealing to me.
Alexander Payne / Film Director
Distance
Honesty
Talking
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When I'm introduced as a two-time Oscar winner, I'm happy that a film of mine has found an audience and some acclaim because that keeps me in business. A filmmaker's greatest concern is the ability to make future films, so it helps keep me in business.
Alexander Payne / Film Director
Helping
Oscars
Two
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'Independent' means one thing to me: It means that regardless of the source of financing, the director's voice is extremely present. It's such a pretentious term, but it's auteurist cinema. Director-driven, personal, auteurist... Whatever word you want.
Alexander Payne / Film Director
Cinema
Financing
Independent
Pretentious
Term
Extremely
Regardless
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Marketing has supplanted story as the primary force behind the worthiness of making a film, and that's a very sad thing. It's film only as a function of consumerism rather than as an important component of our culture, and that's everywhere around the world.
Alexander Payne / Film Director
Consumerism
Culture
Function
Important
Marketing
Worthiness
Component
Primary
Sad Thing
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A lot of people get stuck, like, "Oh, if it's made by a studio, it can't be independent." Often they link it to the source of financing, or how it's distributed, but I don't really know how you can. A filmmaker will take his money from anywhere. It doesn't matter.
Alexander Payne / Film Director
Independent
People
Stuck
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Just because I make films doesn't mean I think they're great. I just make them and then when I'm done with them I'm just a filmgoer like I always am. They're all lessons. I'm still in film school, honestly. And this one is just a dry run for whatever the next one is.
Alexander Payne / Film Director
Running
Mean
School
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Forgiving yourself may be for many people, at least for myself, extremely difficult. And then in a larger context, I will say that I'm constantly astonished by those who pray daily, "Forgive me my sins as I forgive those who sin against me," and beat very loudly the war drum.
Alexander Payne / Film Director
War
Forgive Me
People
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A book is a book, but a movie is a movie. The more faithful you are, the more you'll come up with Harry Potter #1 and #2, which are like filmed books on tape. They're so petrified of turning off the readers that they make no concessions to the fact that they're trying to make a piece of cinema.
Alexander Payne / Film Director
Book
Faithful
Trying
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A lot of documentaries have been made very quickly, but I think they're like frogs in an ecosystem: They're harbingers. Film is always two or three years behind, because it takes so long to write a script, get financing, and get it made. It just takes a while. But I think it's coming. It has to.
Alexander Payne / Film Director
Long
Thinking
Writing
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I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth.
Alexander Payne / Film Director
Cinema
Composition
Orchestration
Visual
Bodies
Forth
Verbal
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I want studios to be financing director-driven, auteurist cinema, as they did in the '70s. I think it's starting to happen now. Plus, because of how our world has changed politically, I think audiences are demanding more realism. We need to have more stuff in our culture about what is really going on right now.
Alexander Payne / Film Director
Culture
Thinking
World
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I think about what movie I would like to see. I don't think of them as a correction or palliative. I certainly am irritated by anything that's shot in the Midwest and filled with these noble people. "Oh, they're so good, and they're so honest..." I'm not interested in that. I just think of what's right for a movie.
Alexander Payne / Film Director
Irritated
People
Thinking
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My editor and I remain very disciplined. It's just sometimes when you're making a film, you get into the cutting room and you see a scene that's slowing you down in a certain section, but if you remove that scene then, emotionally or story-wise, another scene a half-hour later won't have the same impact. You just get stuck with it.
Alexander Payne / Film Director
Wise
Cutting
Editors
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I love comedies. I take comedy very seriously as a form. It's a serious form, involving a certain way of looking at life, specifically the painful aspects of life. I get asked, "How can you have such failures in your films?" Well, what else is life about? There's some sense of constant failure in something. Humor gives you a distance from it.
Alexander Payne / Film Director
Distance
Giving
Serious
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I'm considered to some degree a successful director working in Hollywood, making films my way but using studio financing. But with almost every single one, I get praised up the wazoo by people who never would have financed the films. It's: "Gee, this movie is so new and different - what do you want to do next?" "This." "Oh, that's too new and different."
Alexander Payne / Film Director
Different
People
Successful
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I make comedies and I always try... I don't try but I allow to have at least 5% of the jokes or have some jokes that I know will be understood by only about 5% of the audience. It's that guy in the corner who gets it and laughs. But he has to have his jokes too. That's part of my audience. Part of my audience is the people who will only get certain things.
Alexander Payne / Film Director
Guy
Laughing
People
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Were "A Clockwork Orange" or "Blue Velvet" released today, would they have the same power to shock that they had when they came out? Are we too inured by that torrent of images and the ridiculousness of modern political life, so that nothing shocks us anymore? What does it take to shock someone today - or at least jolt them? I don't have an answer. I'm just asking the question.
Alexander Payne / Film Director
Modern
Political
Today
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I'd love to be a director-for-hire and get a nice paycheck and captain one of those big ships, but I think studios mistakenly think I want to write what I direct - which I don't. I write out of desperation, because I never get a script I like, other than "Nebraska." It's a matter of: What's the screenplay? Is it intelligent? Is it human? I don't care what genre, what scale. I'm here for the movies.
Alexander Payne / Film Director
Nice
Thinking
Writing
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I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on.
Alexander Payne / Film Director
Brother
Goal
Thinking
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The thing is, right now the films don't need to be overtly political to be about our times. We also need films that are just human, that are about people. People need that, too. It's like we need to reconnect to what it is to be human. Not just what our political situation is. That's not what I'm thinking about exclusively. Human content is needed again, as it was in the '70s. I think films were more human than they've been since then.
Alexander Payne / Film Director
People
Political
Thinking
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Whenever I'm asked about independent cinema, I think of what Fidel Castro said during the Cold War about the league of non-aligned nations. He said that really, there were only two non-aligned nations: the U.S. and the USSR. The rest of us have to be aligned somewhere. I say similarly, in a way, Paramount, Sony, and Warner Bros. are the only true independents, because they're the only ones who can do whatever they want and have distribution for their films built in.
Alexander Payne / Film Director
War
Independent
Thinking
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Independent means one thing to me: It means that regardless of the source of financing, the director's voice is extremely present. It's such a pretentious term, but it's auteurist cinema. Director-driven, personal, auteurist... Whatever word you want. It's where you feel the director, not a machine, at work. It doesn't matter where the money comes from. It matters how much freedom the director has to work with his or her team. That's how I personally define independent movies.
Alexander Payne / Film Director
Independent
Mean
Team
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I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.
Alexander Payne / Film Director
Appreciate
Computer
Reading
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All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
Alexander Payne / Film Director
Editing
Mean
Writing
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I could never be a part of an adaptation of a film where there's pressure to not disappoint the immense fan base. In those cases, they often wind up with filmed books on tape, quite uncinematic. Having said that, I'd say all the adaptations I've done are quite faithful to the original... You have to pick and choose which storylines and plot threads, because you don't have the time to kill in the film as they have in novels. All those pages with detours and plots and different storylines. But films add a lot, and you gotta keep it moving.
Alexander Payne / Film Director
Book
Moving
Wind
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I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.
Alexander Payne / Film Director
Brother
Talking
Thinking
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Alexander Payne Quotes - Page 2

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