Quotes by Nina Jacobson - Page 2

Honestly, I don't think it's harder to be a producer as a woman. I think it helps me because I don't get bogged down in shows of male dominance that can sometimes get in the way of the best idea prevailing.
Nina Jacobson / Film Producer
Dominance
Prevailing
Best Me Way
Bogged
Best Me Woman
Producer
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I think a lot of what I loved being a studio executive was the variety and freedom. But now, as a producer, you're much more able to enjoy those two things. What I loved about it doesn't necessarily exist anymore.
Nina Jacobson / Film Producer
Variety
Executive
Producer
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We didn't want to dilute or soften the material because that would really be irresponsible, in its own way. The [Hunger Games] books are very intense and very demanding of the reader, and the movie should be that too.
Nina Jacobson / Film Producer
Book
Games
Want
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When you're younger and you see something that really speaks to you, it's indelible in a way that's not the same as when you're an adult. So I'll always love reading books and making movies that resonate with young people.
Nina Jacobson / Film Producer
Movies
Indelible
Reading
Reading Books
Adult
Love Movies Always
Love Always People
Love Movies People
Younger
Books
Making Movies
Resonate
Speaks
Young People
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In the evolution of the [The Hunger Games] movie, Gary [Ross] and I talked a lot about tonal bandwidth and making sure that the look and feel and style and choices of the movie stayed within a certain consistent bandwidth.
Nina Jacobson / Film Producer
Choices
Games
Style
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I can't imagine Hunger Games, even with its very popular books, being nearly a success that it's been without Jen Lawrence being the perfect person to play that role - a very modern celebrity, a very down-to-earth, accessible, celebrity.
Nina Jacobson / Film Producer
Book
Games
Play
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We knew that we wanted TheHunger Games to be PG-13 because she wrote the book for readers 12 and up, and we wanted them to be able to see the movie. It's a movie that is meant to be relevant to young people, and not exclude them, in any way.
Nina Jacobson / Film Producer
Book
Games
People
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Ultimately, mentorship plays such a big role in breaking directors that successful male directors tend to reach the helping hand to guys who remind them of themselves. We need more women directors so they can reach out to girls who remind them of themselves.
Nina Jacobson / Film Producer
Helping Hand
Breaking
Remind
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When fans get very passionate about a movie, they just want you to do it well. They don't want you to screw it up. Their idea of doing it well might be different than yours, but ultimately, they really just don't want you to mess up the thing that they love.
Nina Jacobson / Film Producer
Different
Fans
Ideas
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The hiring of Phil Messina, the production designer, was a big decision. He's so gifted, and his ideas were always so smart and rooted in American history and architecture. Nothing feels like it's not us, or couldn't be us, and I think that's very important.
Nina Jacobson / Film Producer
Ideas
Smart
Thinking
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I was an executive before I was a producer, and I've seen franchise fever grow, over the course of my career. The one thing that people always forget is that it's only a franchise if audiences really want to see more of it. It's up to them. It's really not up to us.
Nina Jacobson / Film Producer
Careers
Fever
People
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Television is often out ahead on social issues. With film, we've only recently proved that one of the oldest misconceptions in the book is wrong, which is the idea that girls will see films with boys as protagonists, but boys won't see movies with girls as protagonists.
Nina Jacobson / Film Producer
Protagonists
Social Issues
Misconceptions
Oldest
Proved
Recently
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I've been fortunate enough to match up the material I'm producing with the right buyer, the company that will make it and that wants it, and that isn't saying yes to be nice, but is saying yes because they want and need that movie and it's going to be important on their slate.
Nina Jacobson / Film Producer
Movie
Fortunate
Slate
Be Nice
Buyer
Match
Producing
Saying
Wants
Yes
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The more women and people of color who find positions of influence, the more women and people of color who will find positions of influence. So we need critical mass, and we're still working toward that. I won't be satisfied until we're at the 50-50 place, where we ought to be.
Nina Jacobson / Film Producer
Color
Critical
Critical Mass
Influence
Mass
Ought
Satisfied
Women People Will
Positions
Toward
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When you read a book [The Hunger Games], you create that tonal bandwidth. You set a tone for yourself, as you're reading it, in which everything exists within the world of your imagination. In the book, it's great when she can push a button and food comes up, as per your order.
Nina Jacobson / Film Producer
Book
Order
Reading
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When doing family entertainment, you don't actually worry about kids. You know what you can't do. But in terms of sensibility and sophistication and wit and ambition, aim for your own taste level, and kids will - if they're interested in the subject matter - be glad that you did.
Nina Jacobson / Film Producer
Aim
Ambition
Entertainment
Glad
Sensibility
Sophistication
Subject Matter
Taste
Wit
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As a studio executive, I took the approach that people are competent until proven otherwise. But when you make a movie, because there is so little time to fix things when they break, you have to almost come to it with the mindset that everyone is incompetent until proven otherwise.
Nina Jacobson / Film Producer
Competent
Incompetent
Little Time
Mindset
Proven
Time People Everyone
Executive
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The reality is that diversity as an overall subject has to continue to be addressed onscreen. That goes beyond having a gay superhero. There should be a black superhero, a Latino superhero and, while we're at it, we still aren't seeing nearly enough women behind the scenes and as the anchors of movies.
Nina Jacobson / Film Producer
Anchors
Latino
Superhero
Onscreen
Overall
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The majority of people are straight, and movies, with their bigger budgets and burdensome marketing costs, will try to appeal to as many people as they can. As the means of production and distribution become more democratized with advances in technology, more gay stories will make their way to the mainstream.
Nina Jacobson / Film Producer
Technology
Bigger
Budgets
Distribution
Mainstream
Majority
Stories
Advances
Appeal
Burdensome
Production
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Suzanna Collins was very supportive, but we very much wanted her blessing on casting. In production, she visited us once, but she really was not involved in the production process. She's seen the Hunger Games movie twice, in the post-production process, once as an early cut and then once when it was finished.
Nina Jacobson / Film Producer
Blessing
Cutting
Games
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There is a variety of different kind of producers. I'm a very hands-on, creative producer. I find material that I think would make a good movie or TV show, find the right financier/studio/network, hire a writer, get a good script, find a director, and collaborate with him/her to cast the movie and hire department heads.
Nina Jacobson / Film Producer
Department
Good Movie
Variety
Different Kind
Hands-On
Heads
Hire
Producer
Tv Show
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Suzanne Collins, it was such a big thing for me to make the handshake with her and to say, 'You can trust me. I will not screw up your books. And I won't let them be diluted and softened. And I won't let them be exploited and made guilty of the sins that are being commented on in the books.' I take that really seriously.
Nina Jacobson / Film Producer
Guilty
Handshake
Trust Me
Trust Your Me
Big Thing
Collins
Commented
Diluted
Exploited
Screw
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I love the Hunger Games books. Certainly, the fans are there. They're grown enormously since the beginning. When I first brought the books to Lionsgate, they had sold about 150,000 copies, which is a very good result for a YA book. And to their credit, Lionsgate was very excited and committed to the movie, from the beginning.
Nina Jacobson / Film Producer
Book
Fans
Games
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I felt that there were so many things that could go wrong, in adapting The Hunger Games , and I had this fierce desire to protect this book that she had written. At that time, I read the second book, in manuscript form, and so I saw where she was going with the series. I was able to convince Suzanne [Collins] to trust me with the books.
Nina Jacobson / Film Producer
Book
Desire
Games
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Being able to just stick to our instincts and honor the [Hunger Games] books and find a way to stay the course of trying to make the best possible decisions that you would make creatively on any movie, without having your head turned too much by all of the interest, has been a great challenge. It's the best challenge you could ask for, but that was a big challenge.
Nina Jacobson / Film Producer
Book
Decision
Games
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We both [with Suzanne Collins ] felt strongly that you wouldn't want to age up the characters, no matter the age of the actors playing the roles. They should be playing the age that they are in the [Hunger Games] books. It would let people off the hook, if you said, "Well, instead of 12 to 18, why don't you make them 18 to 25 or 16 to 21?" If you don't stay true to the horror of the fact that they are 12 to 18, you're not doing justice to the book.
Nina Jacobson / Film Producer
Book
Character
Games
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There is a young fella who works for me, named Brian Unkeless, who's very smart. We're a very small company that has been Brian and me and two assistants, although we're growing a little bit now. He read the [The Hunger Games] book and loved it, and told me I should read it. He had been a fan of the Gregor books. So, I read it and couldn't put it down and couldn't stop thinking about it. I really became obsessed with the thought of producing it, and was completely bothered by the idea that anybody but me could produce it.
Nina Jacobson / Film Producer
Book
Smart
Thinking
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Nina Jacobson Quotes - Page 2

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