Quotes by Jane Campion - Page 2

'The Piano Lesson' is very sophisticated, easily the most adult or complex material I've attempted. It's the first film I've written that has a proper story, and it was a big struggle for me to write. It meant I had to admit the power of narrative.
Jane Campion / Screenwriter
Narrative
Sophisticated
Struggle
Adult
Admit
Attempted
Meant
Complex
Easily
Lesson
Proper
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One of the things we learn in movies directed by men is what the 'fantasy woman' is. What we learn in movies directed by women is what real women are about. I don't think that men see things wrong and women right, just that we do see things differently.
Jane Campion / Screenwriter
Learning
Movie
Women
Real
Copy Quote
I didn't like England. I couldn't take the look of the place or the style of friendship. I need more intimacy from people than is considered okay there, and I felt that my personality and my enthusiasms weren't understood. I had to put a big lid on myself.
Jane Campion / Screenwriter
Friendship
England
Intimacy
Okay
People
Personality
Style
Understood
Considered
Enthusiasms
Lid
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I seem to have been able to make a career out of doing what I feel like doing, so why not keep doing it? What's corrupting is wanting to be more important. You want to be more arty - you get your identity from that. Or you get your identity out of making more money.
Jane Campion / Screenwriter
Careers
Identity
Important
Why Not
Money Your Keep
Arty
Wanting
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Women often postpone their lives, thinking that if they're not with a partner then it doesn't really count. They're still searching for their prince, in a way. And as much as we don't discuss that, because it's too embarrassing and too sad, I think it really does exist.
Jane Campion / Screenwriter
Sad
Women
Doe
Embarrassing
Thinking
Way
Count
Exist
Discuss
Partner
Postpone
Searching
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Because there is that sort of feeling that people don't know what to do with gaps in their lives. It's a scary notion, but actually, if you can stand in space just for a little while, a new door will open, or you'll be able to see in the dark after a while. You'll adjust.
Jane Campion / Screenwriter
Space
Dark
Doors
Gaps
Notion
Scary
Adjust
Door
Little While
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A message I've been telling myself: the cinema is very conservative, and unless you have a story that satisfies you, that is within the unchallenging zone, but you love it, you can't do it as cinema. Otherwise, you better go do it for television, which is more daring now.
Jane Campion / Screenwriter
Cinema
Conservative
Daring
Stories
Television
Zone
Love Myself Better
Otherwise
Satisfies
Unless
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I feel that directors at times are like the janitors on the set. I am the secretary, I am the organizer, I am the maid, and I ask if they have eaten or rested. The best things are always out of your control. It's those moments that surpass the imagination that are thrilling.
Jane Campion / Screenwriter
Imagination
Directors
Maids
Moments
Organizer
Secretary
Thrilling
Best Always I Am
Ask
Set
Eaten
Maid
Rested
Surpass
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Eight years ago, I was drawn into Keats's world by Andrew Motion's biography. Soon I was reading back and forth between Keats's letters and his poems. The letters were fresh, intimate and irreverent, as though he were present and speaking. The Keats spell went very deep for me.
Jane Campion / Screenwriter
Andrew
Eight
Intimate
Irreverent
Letters
Reading
Years
Years Ago
World Me Back
Biography
Drawn
Forth
Present
Motion
Soon
Speaking
Though
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It's been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they've got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all.
Jane Campion / Screenwriter
Journey
Romantic
Amazing
Died
Epitaph
Mean
Poet
Shelley
Young
Close
Deep
Getting
John
Poets
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With 'Bright Star' and with 'The Piano,' too, I felt a kind of sadness about it being in such a different era, because of my lack of experience with the era. And one of the ways I'd get over it is to remind myself that every film, even if it's contemporary, creates its own world.
Jane Campion / Screenwriter
Contemporary
Over It
Piano
Sadness
Stars
Bright
Creates
Era
Remind
Copy Quote
I did this Super-8 film at art school called Tissues, this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.
Jane Campion / Screenwriter
Art
Children
Father
Copy Quote
I did this Super-8 film at art school called 'Tissues,' this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.
Jane Campion / Screenwriter
Arrested
Art School
Black Comedy
Inch
Thrilled
Copy Quote
This is the first generation to grow up on Thatcher - it's a different ethos. It's money minded, and it's the cult of yourself. Now that's fine, except when it falls down, and you can't achieve your goals - through high unemployment, through the fact that you probably need inherited money to get anywhere.
Jane Campion / Screenwriter
Cult
Ethos
Fall
Growing Up
Unemployment
Money Yourself Your
First Generation
Grow Up
High Unemployment
Inherited
Minded
Thatcher
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There's no artist in this world that doesn't enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats' poem 'Endymion' is a really difficult poem, and I'm not surprised that a lot of people pulled it apart in a way.
Jane Campion / Screenwriter
Dream
Artist
Fantasy
Reviews
Thinking
Apart
Poem
Pulled
Redeem
Surprised
Copy Quote
I took four years off after 'In the Cut' because I wanted to see who I'd be without work. I even tried being a hermit in the wilderness in New Zealand. I stayed in a warden's hut two-and-a-half hours off the Routeburn Track through the fjords on the South Island. It was early winter, so there was no electricity or running water.
Jane Campion / Screenwriter
Running
Cutting
Electricity
New Zealand
Track
Wilderness
Winter
Island
Hermit
Hut
Stayed
Zealand
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I think that the romantic impulse is in all of us and that sometimes we live it for a short time, but it's not part of a sensible way of living. It's a heroic path and it generally ends dangerously. I treasure it in the sense that I believe it's a path of great courage. It can also be the path of the foolhardy and the compulsive.
Jane Campion / Screenwriter
Courage
Romantic
Believe
Ends
Foolhardy
Heroic
Impulse
Path
Short Time
Thinking
Treasure
Living
Also
Part
Compulsive
Dangerously
Short
Generally
Sense
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That's just how I see things on a base level: there's so much going on. Or at least I like to have that feeling. It's part of being interested in notions of reality apart from storytelling. I don't know if it has something to do with having an art school education, which makes you aware of the way visuals speak, or makes you trust them more.
Jane Campion / Screenwriter
Art
Reality
School
Copy Quote
There was a big drive when I was at art school to make you aware of the economy of meaning - after all, this was still during the tail end of minimalism. Being responsible for everything you put in your picture, and being able to defend it. Keeping everything clear around you so you know what is operating. To open the wound and keep it clean.
Jane Campion / Screenwriter
Art
Able
Art School
Being Responsible
Clean
Minimalism
School
Defend
Operating
Tail
Wound
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Jane Campion Quotes - Page 2

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