You know, at parties, people always ask, 'Where were you when Kennedy was shot?' Well, I don't have an alibi!

In New York you can actually run into people on the street, unlike in California where you're always in the car.

I don't want to make videos where people are always happy and they're agreeing. It's boring! Do something where people can talk about it.

I've always been very curious about fringe cultures where people temporarily adopt a different social model or way of presenting themselves.

People are always asking, 'Where does Michael Pennington end and Johnny Vegas begin,' and you're going, 'It's not like that: it's blurred right across.'

I always say 'thriller;' if they see you're a woman - and you're a blond woman - people assume you're writing about cats and romances where somebody has died.

I've always wondered if, at some point, everything will snap, and it'll be like 'Alice in Wonderland,' where the delightfully mad people turn into sinister mad people.

I have always been interested in religion, especially in forms of ecstatic religion, where people are touched directly by the Spirit and go completely out of themselves.

A drone isn't any different than a bomb; it's not any different than other weapons that are used, where there is always a capacity for people to be killed who you wished were not.

The communism of Marx seeks a strong state centralization, and where this exists, there the parasitic Jewish nation - which speculates upon the labor of people - will always find the means for its existence.

A drone isn't any different than a bomb; it's not any different than other weapons that are used, where there is always a capacity for people to be killed who you wished were not. It's just the weapons platform.

The big ideas always come in flashes. I don't really craft stories that much. I genuinely don't know where these people come from, and I've often wondered if writing is just a socially acceptable form of madness.

I did a gig at a comedy club in Bournemouth where they served a buffet while the acts were on. There was the clang of people carving turkey during the set. If you put comedy and turkey side by side, turkey always wins.

I always wanted to do films. I'd gone to New York early in 1976 and did a lot of theater, but I really wanted to chase the paths of people like Pacino and Lemmon and those guys. Alan Arkin. Film was where I wanted to go.

I always say that the horror genre and the comedy genre are close cousins because they are the two genres where you are attempting to elicit an involuntary vocal response from a crowd of people and you instantly know whether it's working or not.

Share This Page