Conductors are performers.

I enjoyed harassing tram conductors.

Composers are not all good conductors.

I played with the best conductors of the world.

I was different from most young conductors today.

I have a big problem with conductors who gesture a lot.

Conductors start getting good when everybody else retires.

Conductors don't suffer, they are part of the performance.

I think conductors do spend too little time with their orchestras.

Technique is communication: the two words are synonymous in conductors.

Young conductors who are confident enough, they very often have success.

The great actors are the luminous ones. They are the great conductors of the stage.

Conductors must give unmistakable and suggestive signals to the orchestra - not choreography to the audience.

The great leaders are like the best conductors - they reach beyond the notes to reach the magic in the players.

Catalysts are the conductors who choreograph the chemical dance that results in the formation of new structures.

Conductors make too much fuss about conductors! Humility and hard work are virtues. We're nothing without our musicians.

I've always been accused of moving around too much when I play concertos. Sometimes, conductors ask me which of us is leading.

The intensity of being in front of all these incredible musicians and tremendous conductors in these elaborate halls can be overwhelming.

Drummers are conductors - we set the pace for the music - so if you're not relaxed and feeling right, the whole thing goes out the window.

Directors have a tendency to use their hands like orchestra conductors. They don't realize that the actor is looking at their faces, anyway.

Good conductors know when to push and when to lay back. I've known so many great conductors that I'm still doing what I can to learn the craft of this role.

You hear the same work by different orchestras, different conductors, violinists, pianists, singers, and slowly, the work reveals itself and begins to live deeper in you.

Perhaps, once I am gone, the one thing I might be remembered for is having sung a great deal of Mahler with a great many phenomenal conductors. It is wonderful music, very spiritual.

The composers could no longer direct all performances in person, and so the responsibility of interpreting their works in the spirit in which they had been conceived was placed upon conductors.

I look at composers and conductors, anybody involved in music or writing or art in general; they got more done as they got older. If I can, I'll be one of those people because what I do is my passion.

They gave me four weeks, and I asked if the first week could be just music with the two main conductors. So, the conductors came over to my home, and we worked in the music room, and I learned my two little songs.

Few of us boggle - though we should - at the fact that Louis Armstrong sang and played trumpet with similar panache, or that Leonard Bernstein and Benjamin Britten were equally adept as composers, conductors and pianists.

So many times, I've seen conductors that, every time they have a thought, they stop the orchestra and say it, and I can see the orchestra rolling their eyes and saying, 'Oh, God, he stopped again.' So there's a technique to rehearsing.

Go to the young conductors who are not making it, and you will hear how we shouldn't push ourselves or sell ourselves, how they don't have the right connections and the right opportunities. Well, you can be sure they've had the opportunities.

Nobody would comment on what clothes male conductors wear. Or if they kind of put on some weight or something like that, and maybe their jacket is a little bit too tight. But if that happens to me as a female, then that's immediately pointed out.

Many, many years ago, I was one of the few conductors who talked to the audience and now a lot of classical conductors have figured it out... otherwise, you just get the back of someone's head playing music you could hear on a CD. It's not enough anymore.

As I got older, I lived right next next to the Long Island Railroad, so in junior high and high school I'd just jump on the train with friends and head to the city. We'd run away from the conductors, hide from them in the bathroom. It was just what you did.

When I was young, Tchaikovsky was ruined for me by conductors who made it slick and treacly. Hearing Valery Gergiev conduct Tchaikovsky has been a revelation - he brings out all its raw passion. And Gergiev with the super-virtuoso LSO - well, it's just the perfect combination.

Carbon nanotubes are amazing because they're really good electrical conductors, yet they are only a few atoms in diameter. You can make transistors out of them in the same way you can with silicon. At Berkeley, we made the narrowest device anybody had ever made. It was basically a single molecule.

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