People know who I am or are fans of 'Chelsea Lately,' and that makes my shows more fun. People know I'm silly and are on board with what I'm bringing to the table. I see the boyfriends who got dragged to the show by their girlfriends, and by the end, they're laughing harder than anybody. That's the best feeling: 'I knew I was going to get you.'

The idea is to keep reinventing yourself. Once you attain a certain status as an actor, your fans start expecting from you and you should be able to fulfill them. That's why I try to choose as many different kind of roles as I can so that my fans are not disappointed with me. It would also get boring for me as an actor to keep repeating myself.

I would like all my friends, followers, fans and fellow travelers to know that I am fighting cancer and will therefore be taking a break from performing while getting the treatment and cure. I shall of course be continuing to write music - in my world it just has to be part of the therapy - and I fully expect to be back in good shape next year.

Because I was independent for such a long time, and I was always just feeding my fans - every month, I'd be giving them something new. So I had to adjust to the process of making a record. And after signing with a label, there are just certain things you can't do anymore. It was frustrating at first, but as the months went by, I got used to it.

I like a lot of good European films, good - anything really. I'm a big fan of Netflix and I get films from them all the time. If I hear about something that I don't know, that I haven't seen, forgot about, I immediately jot it down and add it to my Netflix list or if there's a film that's available that I haven't seen for many years, I get that.

Before I joined the Clippers I played basketball at the University of Kentucky. There the game of basketball is very important. It is important for the fans. There is not a lot to do there so they really support the team. It is hard to describe. The fans, the coaching staff, the basketball program is everything and the kids who go there love it.

There's a lot of science in it, and as Slartibartfast [in The Hitchhiker's Guide to the Galaxy] said: 'I am a great fan of science, but I cannot do a quadratic equation.' I've never, ever been able to do one. I remember one occasion at Warwick University, when Jack and Ian were at their wits' end because I couldn't get it. I felt totally ashamed.

I always point people to the article '1,000 True Fans' by Kevin Kelly. If you choose your thousand ideal customers or readers properly and find the single author blog that targets that audience, you never have to do any more marketing. You're done. That is a lesson that very few product developers and marketers have learned, and it's unfortunate.

It's a brutal world out there. If you consider the case of superstar Rajesh Khanna, he was a darling of the masses in his hey days, and his fans resurfaced only after he passed away. Such is the life of actors: one gets so addicted to fame and glory, and then it is very difficult to accept a fall. You are forgotten and only remembered when you die!

I grew up with the media circus. My whole life. My parents were very calm about the photographers, the fans, and all that. But I understood right away that I hadn't done anything to deserve that attention. No matter what happens, it will be there. I didn't choose it. You just can't take that too seriously. You need to live your life. And stay calm.

I was just learning to be by myself. He seemed to really see me, see through the bullshit...He was so handsome, and he could dance. I thought, 'He won't be interested in me; I'm not a contender. He was so cool, so funny - I was such a fan of his and had always fancied his speed and his intelligence. I thought, 'I'm not beautiful enough or his type.'

You can say that all you want, but even in the little time that I've been in this industry, I've learned that it isn't exactly what you expect, so you've got to have a level head. I thought people would dig it. I thought people would enjoy it. It's AMC. I thought people would be fans. But, I did not think we would be the best new show on television.

We definitely needed to spend a good solid year just finding ourselves before anyone would even notice us. We had our fan-base growing around here in Los Angeles, but I wouldn't even have wanted anyone to come out to see us that was from a record label or something like that at that time, because we really needed to feel ourselves out as a live band.

Now don't go wandering off, William," she said with a meaningful glance. "I don't want to lose you in the crowd." Will's jaw set. "I'm getting the oddest feeling that you're enjoying this," he said under his breath. "Nothing odd about it." Feeling unbelievably bold, Tessa chucked him under the chin with the tip of her lace fan. "Simply behave yourself.

I'm not interested, Larry, in being a perfect, plastic pop singer that looks great in bikinis and is on the cover of every magazine. I'm more interested in helping my fans to love who they are, and helping them to reject prejudice and reject those things that they're taught from society to not like themselves, to feel like freaks, that they're not wanted.

Everybody when they saw it, they said, "Did Willie Nelson sign your hat?" I'd say, "No, that'd be Willie Knucklehead - Robertson, OK?" We were at an event for the fans and I took my hat off and set it down on the couch, and he signed it. I said, "What are you doing, idiot?" He said, "Look, I was in the zone, and you just happened to put your hat in my zone."

I've always been a big fan of the Yeti, simply because I have an affiliation to Everest - who was the New Zealander, Sir Edmund Hillary, the guy that conquered it. He actually went on an expedition after the Everest climb to look for the Yeti, and they didn't find it, but they found a footprint and some hair samples that turned out to be a goat or something.

I wanted to make a fan film for a character I've always loved and believed in - a love letter to Frank Castle & his fans. It was an incredible experience with everyone on the project throwing in their time just for the fun of it. It's been a blast to be a part of from start to finish - we hope the friends of Frank enjoy watching it as much as we did making it.

I had a hard time on TV, the last time on television, so I wasn't sure that I wanted to do that again. But, I really am a big fan of Jenji and I knew this is her next thing, so I read it. And once I read the script, I was really, really impressed that there was a woman who was the centerpiece of her own story, and that she was in the center of her own narrative.

As he passed me, he leaned to Curran and handed him a paper fan folded from some sort of flyer. Curran looked at the fan. “What?” "An emergency precaution, Your Majesty. In case the lady faints.” Curran just stared at him. Raphael strode toward the Pit, turned, flexed a bit, and winked at me. "Give me that,” I told Curran. “I need to fan myself.” "No, you don’t.

From [Nikolai] Medtner himself, who I do not think was the best possible advocate of his own works. But that's my opinion: I find him a little uninteresting and cold, sometimes. Also, at first, the thematic material is not of a kind that makes the greatest appeal, but if you keep with Medtner, I think he will take hold of you, and you're very likely to become a fan.

Nothing like tailgating on the Bayou. LSU is my personal favorite. Maybe it's my penchant for the spicy stuff. But there's nothing like sampling a little gumbo, a little jambalaya and then diving face-first in to a shrimp boil. The aroma just walking through the parking lot of Tiger Stadium stays with you the whole day, and the LSU fans get there early and stay late.

'Big Day Out' is one of our favourite festivals, it's such an eclectic mix of so many different things and it's really about music - which is what a good festival should be about. The reaction from the fans in that part of the world rivals our greatest territories and the kids are always very rabid and very appreciative of us being there, so we're super excited to get back.

Nichelle Nichols had decided leave the original Star Trek series after the first season. Fed up with racist harassment and limitation, culminating with her learning that studio executives were withholding her fan mail, she submitted her resignation. She withdrew it when Dr. Martin Luther King, Jr. convinced her that her role was too important a cultural breakthrough to leave.

All the carbon copies, the stuff that the industry puts together, it's not selling if you pay attention and look at the charts. The stuff that they put together, these hits that just go out, it doesn't sell. It doesn't have a core fan base of fans that dedicatedly watch their life. It's just a song, another song, another hit song, a one-hit wonder. It doesn't sell. It doesn't last.

In pulp fiction it is a rigid convention that the hero's shoulders and the heroine's balcon constantly threaten to burst their bonds, a possibility which keeps the audience in a state of tense expectancy. Unfortunately for the fans, however, recent tests reveal that the wisp of chiffon which stands between the publisher and the postal laws has the tensile strength of drop-forged steel.

The literature now is so opaque to the average person that you couldn't take a science-fiction short story that's published now and turn it into a movie. There'd be way too much ground work you'd have to lay. It's OK to have detail and density, but if you rely on being a lifelong science-fiction fan to understand what the story is about, then it's not going to translate to a broader audience.

I'm not saying this because I'm looking for a soft cushion wherever I'm heading, I just feel that I've got thousands and thousands of young fans that have to learn about what's real when it comes to AIDS. Like the others before me, I would like to turn my own problem into something good that will reach out to all my homeboys and their kin. Because I want to save their asses before it's too late.

There are different levels of fame. There are the polite fans who quietly and respectfully approach you and ask for an autograph - and that's acceptable. But the next level... when you think you're having a moment of privacy and there's someone with a long lens catching you when you're about to eat, or sunbathe, or worse... it's just so intrusive and I think it's part of the sickness of our culture.

The God-honest truth is that Jeff and I just do what we do. You have no control. We didn't have control last year, or the year before either, or the year before that. We can only do what we do, which is to make the show that we love, continue to follow the path for the stories that we want to tell, tell great and compelling stories, week-to-week, that interest our fans, and really hope for the best.

I was a big fan of Gary Moore, he was my buddy and I miss him a lot. I loved his playing because you've got that passion; it was sort of a Celtic thing. The Irish and Scots they just go for it and not too worried about looking good. When I was in the states touring, I landed in Seattle to do a gig and one of the fans came to me and told me about Gary's death. It was very hard for me to carry on, it was awful.

I can't judge how another person does their [music] work. Everyone has a choice and the music industry is much more open that it was when I was younger. Certain things are gone, others have developed, but everyone makes their choices. Pop music has always been about the mainstream and what appeals to the public. I don't feel it's my place to judge. I just look at things as a fan, I like or or I don't like it.

When I first thought about becoming Jane Austen I had to forget about the fear, or at least choose something else to focus on because it was becoming paralysing, I couldn't focus. I felt frightened, not so much by her fans' reaction to my performance but that I would be playing someone who I think is a legend, who I respect and admire so much. I didn't want to fail, so I was putting a lot of pressure on myself.

Roxanne came along in '86, when I was doing a lot of stand-up. I auditioned for the movie, and of course I was a huge Steve Martin fan, so I really hoped I would get this part. I don't think there was any part in particular that I auditioned for. I just went in and talked with them. There were so many parts in there, and so many comedians ended up getting in that movie, playing different firemen and townspeople.

It is great to have direct, unfiltered, interaction with your fans on Twitter and FaceBook, or whatever. I am not totally convinced that it has revolutionized the sales model. Its not completely apparent to me that it is easier to sell music. Obviously, there is a possibility of smaller bands, having their music listened to, but I am not sure to what degree it actually happens. Just because it can happen, doesn't mean it does.

When picking a show, I took into consideration who my fans are. Let's be honest, Buffy was a mid-season replacement on The WB, based on a failed movie. If it wasn't for the outpouring of fans and critics supporting us, we would have been canceled after four episodes. Sure, you want to stretch and you want to do different things, but it's also our job to think about who our fans are and what they want to see. Ultimately, that's why we do.

After my early days of being a passionate young Elvis fan, Chuck Berry, Little Richard, etc. I got interested in Ray Charles and Ella Fitzgerald. Then I got turned on to the blues. I realized how important it was to our music in England at the time. Everyone was into the blues. Then you start looking at the different kinds of blues, and you follow the journey backwards from Chicago to earlier times back down to the Delta to the Memphis Blues.

I'm a big fan of fiction film where you have a story and you have to transform that into a visual language, basically working with actors and also transforming that into how you pronounce that in the visual language of the shots, the construction of the shots and the lighting. All of that appealed to me from the beginning of my career at the university. When I graduated from the university, I wanted to deal mainly with that, with the visual aspect of the movie.

The economics of television syndication and DVD sales mean that there's a tremendous financial pressure to make programs that can be watched multiple times, revealing new nuances and shadings on the third viewing. Meanwhile, the Web has created a forum for annotation and commentary that allows more complicated shows to prosper, thanks to the fan sites where each episode of shows like 'Lost' or 'Alias' is dissected with an intensity usually reserved for Talmud scholars.

Well, I don't like the UK. I haven't ever been a fan of the pound (sterling), and even though they are taking some steps in the right direction - more so than the US - in addressing some of their problems, I still think they're doing it much too slowly. So, I think that the pound will continue to lose value relative to some of these other currencies. I ultimately expect the pound to rise against the dollar, but that's not the best way to take advantage of dollar weakness.

Still, I figure we shouldn't' discourage fans of actively managed funds. With all their buying and selling, active investors ensure the market is reasonably efficient. That makes it possible for the rest of us to do the sensible thing, which is to index. Want to join me in this parasitic behavior? To build a well-diversified portfolio, you might stash 70 percent of your stock portfolio into a Wilshire 5000-index fund and the remaining 30 percent in an international-index fund.

I would go to these 'Supernatural' conventions because, well, one, it's like going to your own version of Disneyland. You're adored for an hour or whatever, and then you walk out and you're nobody again, but, boy, when you're there, it must be what it's like to be Brad Pitt all day, you know? You're the best thing going. And it pays pretty well, too! But I was concurrently loved and hated by everybody, because the suspension of disbelief is, uh, pretty high among 'Supernatural' fans.

As for myself: I had come to the conclusion that there was nothing sacred about myself or any human being, that we were all machines, doomed to collide and collide and collide. For want of anything better to do, we became fans of collisions. Sometimes I wrote well about collisions, which meant I was a writing machine in good repair. Sometimes I wrote badly, which meant I was a writing machine in bad repair. I no more harbored sacredness than did a Pontiac, a mousetrap, or a South Bend Lathe.

I have seen quite a few folk whom I know to be both fair minded and, as it happens,[Bob] Dylan fans, take up cudgels for this position. To them, it's not necessarily that Dylan doesn't merit the highest honour. It's that he doesn't merit this specific highest honour [Nobel prize], in the way a champion pole vaulter shouldn't be given a medal for the long jump. It is in this group that the Wahey!s are mainly to be found, firing off jests, or mock solemnly reciting Dylan's sillier lyrics as if these are entirely representative of his oeuvre.

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