Ultimately, so much Dr. Seuss is about empowerment. He invites us to disappear into our imagination and then blows the doors off what that can mean.

Movies dealing with social subjects in France become very paternalist. They want to teach lessons. They don't show poorness like a normal situation.

But having a really good understanding of history, literature, psychology, sciences - is very, very important to actually being able to make movies.

I must admit I suffered a bit when I first came to England. But then I realised that there was nothing to be intimidated by, everybody had two legs.

So, not for lack of love of language, but because I feel our language is in an enormous state of humiliation, I decided to make films without words.

I feel like my job is to give hope. The world is in a dark place and we are living in somewhat of a nightmare. So I want to make films to give hope.

It's hard to say things without coming off in a certain way, but at a young age, I felt very driven. All I ever wanted to be is a soldier of cinema.

Filmmaking is a very complex form - ya know, acting, lighting, screenwriting, storytelling, music, editing - all these things have to come together.

I had to live on $17,000 a year until I was 33, because I was a failed artist until I was 29, when I made my first short film that went to Sundance.

To this day, people ask me where is Austin Powers 4? I don't have that answer, it so hard to come up with a story that deserves an encore like that.

Why must one talk? Often one shouldn't talk, but live in silence. The more one talks, the less the words mean. (Nana Kleinfrankenheim, Vivre Sa Vie)

Why all these signs around us that make me doubt language and submerge me in meanings, drowning reality instead of extracting it from the imaginary?

I know from the past, critics often say my films don't have any plot, that kind of thing. I'm used to being told, "Yeah, it's slow and has no plot."

You need a pulse in a film. If I see a film that doesn't have rhythm, it's like listening to music that doesn't have rhythm; it doesn't really work.

Physicians are the cobblers, rather the botchers, of men's bodies; as the one patches our tattered clothes, so the other solders our diseased flesh.

You always want to do something different. I enjoy the process. I like making movies, and it's increasingly hard to find a movie you'd want to make.

I kind of approach action/non-action very much similarly. It has to be character-based and it has to kind of come off the theme and the overall arc.

Basically, the system works to my disadvantage for no other reason than that I am a person of color, and I am telling stories about people of color.

The Communist regime didn't consider this to be a shining moment in history and assigned no heroism to it. They classified it as merely an accident.

If change is to come, it must come from the working class. That's why telling their story is important. That's why knowing our history is important.

You must find the note, the correct key, for your story. If you find it, everything will work. If you do not, everything will stick out like elbows.

I don't really believe that all theater needs to be filmed - for some things, the special part of live theater is that it exists and then it's gone.

Not all movies are movies you want to spend $14 on - and not all movies are movies you want to spend $10 on for ultra VOD, or even $6.99 on renting.

I'm done with effects movies for now. When you do a movie like 'Transformers,' it can feel like you're doing three movies at once - which is tiring.

I'm done with effects movies for now. When you do a movie like 'Transformers', it can feel like you're doing three movies at once - which is tiring.

Drama lives on conflict. If you're trying to deal with social issues seriously, there's no way of avoiding violence, which is so present in society.

When I see a good film, it's like a whiplash. I run away, in order not to be influenced. Thus, the films I liked most are those I think least about.

I wish there were a class where we could just keep going around the circle. around and around, until we had finally said everything about ourselves.

I think the more the actor lets you know what he thinks of the character, the less the audience cares - like a comedian who laughs at his own jokes.

I believe shooting chronologically gives you a very fresh perspective and you're always aware of where you are in the development of the characters.

The stories that I want to tell are completely, well somewhat autobiographical. It's completely based on my own self-absorption issues and problems.

The development of Africa will not happen without the effective participation of women. Our forefathers' image of women must be buried once for all.

I told myself over and over again, do it for its images, for the pleasure you get out of it. Do it for your friends If you get more, that's a bonus.

A pivotal moment for me as a filmmaker was when I saw 'Total Recall,' the Arnold Schwarzenegger version, which was the first movie I saw in America.

One of the other experts we consulted with, this guy named Dacher Keltner, he was big on sadness as community bonding - I think is the word he used.

Imagine a world where nothing is stable. In the West, we have three moving elements -- Air, Fire, Water -- but at least we can depend on the fourth.

So much of the work is intuitive. The resistance you detect is just that, a kind of evasion, a sense that too much analysis will inhibit creativity.

I want to have the fun of doing anime and I love anime, but I can't do storyboards because I can't really draw and that's what they live and die on.

Films have to find a way to compress many anecdotes into one, or many events into one. Otherwise there is no way to tell it in two and a half hours.

I hate Sridevi. I hate her for making me realise that she, too, is finally only just a human being. I hate that her heart, too, has to beat to live.

I love different themes, different venues, different movies. I love to jump about and tackle different subjects. I have no intellectual master plan.

I also love Australian movies. I love Muriel's Wedding - I've seen in six times. Baz Luhrmann's best movie is strictly ballroom... without question.

I like people who have the capacity to forget. I think that to forget is a good thing. Forgetting is good. But sometimes I cannot. For me, I cannot.

I love the shared experience of watching a movie with my kids. One of the great joys in life is when we're all laughing together, at the same thing.

The things one can express with the hand, with the head, with the shoulders!... How many useless and encumbering words then disappear! What economy!

Shah Rukh made 'Devdas' for me, and I made it for him. He's special to me, and I think I am special for him. We are and will always be good friends.

I've got a peculiar weakness for criminals and artists. Neither takes life as it is. Any tragic story has to be in conflict with things as they are.

This black hole that people talk about in my career in the '70s, when I didn't make any films - in retrospect, what I was doing was learning my job.

People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.

People don't necessarily do evil deeds because they want to; people happen to do something with horrible consequences even if they meant to be kind.

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