Quotes of All Topics . Occasions . Authors
I never thought about having a daughter, and then I had a daughter, and it was a remarkable thing. It was very different from having a son and your response to it. With a son, it's much more complex. And it's probably because of my stuff in the past. With a daughter, I was surprised at how simple it is.
They loved, and quarreled, and made up, and loved, and fought, and were true to each other and untrue. She made him the happiest man in the whole world and the most wretched, and after a few years she died, and then, when he was thirty, he died, too. But by that time Catullus had invented the love poem.
I'm happy that I feel a little less out of place in filmmaking than I once was - but it's almost impossible for a playwright in the U.S. to make a living. You can have a play, like I did with 'Angels,' and it still generates income for me, but it's not enough for me to live on and have health insurance.
Being sad and going out on terrible dates and having horrible breakups and then having a shitty job and then quitting the shitty job and then wondering if you shouldn't have quit the shitty job and then getting a new shitty job that you get fired off of after six weeks, it's all so good for your writing.
I was 22 and stopped writing plays, and I didn't start again until I was 25. I was writing badly. In college, I attempted to write these more conventional plays, but the theater I loved was downtown experimental theater. I didn't feel like I could do that either. It didn't occur to me to do my own thing.
Tis not the wholesome sharp mortality, Or modest anger of a satiric spirit, That hurts or wounds the body of a state, But the sinister application Of the malicious, ignorant, and base Interpreter; who will distort and strain The general scope and purpose of an author To his particular and private spleen.
There are two things that a playwright can have. Success or failure. I imagine there are dangers in both. Certainly the danger of being faced with indifference or hostility is discouraging, and it may be that success - acceptance if it's too quick, too lightning-quick - can turn the heads of some people.
We're always learning. We're all in the process of decolonizing ourselves - removing all the parts of us that are sexist, homophobic, transphobic, racist. I mean, everybody in society needs to be in this process because everybody's been brought up in a misogynist, racist, homophobic, transphobic culture.
My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
The martial spirit is never dead. It sleeps through fortunate generations, but it wakes up very quickly to the toot of a fife. There's that roistering spirit in men which leads them to think a good fight is a lark - until they've been in one. And the impulse to fight for your own incarnation of an ideal.
According to Domino's head of marketing, whose job we are doing for her right now, quote, "it makes it easy for people to ask and receive something that they'll really use." It's cute. What better way to practice for your inevitable divorce than a gift you can easily divide evenly between the two of you?
Thomas More: Will, I'd trust you with my life. But not your principles. You see, we speak of being anchored to our principles. But if the weather turns nasty you up with an anchor and let it down where there's less wind, and the fishing's better. And "Look," we say, "look, I'm anchored! To my principles!
Everyone should know nowadays the unimportance of the photographic in art: that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.
There are men whose sense of humour is so ill developed that they still bear a grudge against Copernicus because he dethroned them from the central position in the universe. They feel it a personal affront that they can no longer consider themselves the pivot upon which turns the whole of created things.
There's no neutral language about travel. Either travel is described in ways that make it sound kind of shallow or just glossy or silly or a way for rich people to spend their time; or else travel is often described in quite derogatory ways, you know, like immigrants swarming across borders, for instance.
If I had a dream it would be to think, What would it be like for everybody to have the kind of health care I had? What would that feel like? How would that be, to live in that world? Because I'll tell you, to be really, really sick, and to not have money. That is terrifying. And in my opinion, a travesty.
A Native American elder once described his own inner struggles in this manner: Inside of me there are two dogs. One of the dogs is mean and evil. The other dog is good. The mean dog fights the good dog all the time. When asked which dog wins, he reflected for a moment and replied, The one I feed the most.
In the early '90s or so, I drove my father to Providence, Ky., his hometown, and he was pointing out, 'That's where the doctor's office was,' and 'That's where we bought ice cream.' And he was pointing to empty lots. When you lose communities, what do you have? We often survive by remembering the stories.
The reason that I'm a writer today is because of Shakespeare and falling in love with Shakespeare when I was 8. That was through the movies, actually - through Olivier's 'Hamlet.' That was the first thing that got me to fall in love with Shakespeare and movies and everything in one big preadolescent rush.
Twenty years ago, when you bumped into someone and asked how they were, they would say, 'Mustn't grumble' or 'Getting by': now they feel obliged to say 'Just great!'. In both cases, the reply is just a social nicety, but the framework has changed, it's as if it's become a social duty to express happiness.
When I was fourteen, my father decided to initiate me into the ways of manhood, and took me to the local whorehouse. The woman spread her legs, and made me look between them. All I could see was something that looked like a dyin' orchid; consequently, I have never been comfortable around women or orchids.
My '60s plays were as good as most of the other plays I've written ... except I wasn't in a condition to refine them, to help in the rehearsal, or do anything. I was hardly conscious of what was going on except during the hours of the day when I was actually writing ... and that was with the aid of speed.
I get the 'Guardian' delivered every day and read it very quickly. I like it for both the TV and theatre reviews and because it's very accessible. At the weekend, I get the 'Observer' because I love the food supplement, Observer Food Monthly, and the style section. And I can't resist the News of the World.
It's what you do when you have Allison Janney.My jaw-dropped at her performance. You think that part is sort of a regular part until she steps into the shoes of the officer. She just filled it with such dimension and by giving her the whole shebang, the whole police thread, I think it was the right choice.
The notion that Nature does not proceed by jumps is only one of the budget of plausible lies that we call classical education. Nature always proceeds by jumps. She may spend twenty thousand years making up her mind to jump; but when she makes it up at last, the jump is big enough to take us into a new age.
Confidence comes in going on personal journeys in a public arena and feeling as though you have a right to do that. You have to give yourself permission to discover what you need to discover and not worry about how pretty the journey is. If you're aware of the pretty, you're not going to dig into the mess.
Was the majority right when they stood by while Jesus was crucified? Was the majority right when they refused to believe that the earth moved around the sun and let Galileo be driven to his knees like a dog? It takes fifty years for the majority to be right. The majority is never right until it does right.
I was in the Marine Corps in 1971. The idea 'Where does authority come from?' is fascinating to me. And also, the idea of a chaplain is fascinating to me because it's a man of the cloth in uniform, and it's the uniform of a killing machine. Back when I was in the Corps, when I saw that, I was amazed by it.
As a woman of color, slowly and with some coercing, the not-for-profit theaters around the country are beginning to recognize and embrace the power of our stories, but with regards to Broadway and other commercial venues, we remain very much marginalized and excluded from that larger creative conversation.
He was a boy, just a boy, when I was a very young girl. When I was sixteen, I made the discovery - love. All at once and much, much too completely. It was like you suddenly turned a blinding on something that had always been half in shadow, that's how it struck the world for me. But I was unlucky. Deluded.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
I think when people begin to tell their stories, everything changes, because not only are you legitimized in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.
I think when people begin to tell their stories, everything changes, because not only are you legitimised in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.
I have very carefully studied Islam and the life of its Prophet (PBUH). I have done so both as a student of history and as a critic. And I have come to conclusion that Muhammad (PBUH) was indeed a great man and a deliverer and benefactor of mankind which was till then writhing under the most agonising Pain.
The medical profession (is) a conspiracy to hide its own shortcomings. No doubt the same may be said of all professions. They are all conspiracies against the laity... (U)ntil there is a practicable alternative to blind trust in the doctor, the truth about the doctor is so terrible that we dare not face it.
Only look to Jesus. He died for you, died in your place, died under the frowns of heaven, that we might die under its smile. Regard neither unbelief nor doubt. Fear neither sin nor hell. Choose neither life nor death. All these are swallowed up in the immensity of Christ and are triumphed over in His cross.
I only tend to think of the week ahead, to keep my eye on the ball and question whether a full stop is in the right place. It's easy to get distracted by the wrong things. If you start thinking of grand gestures, it's going to be a lot of hot air. You have to be logical. The theatre is a very logical place.
We should tell ourselves once and for all that it is the first duty of the soul to become as happy, complete, independent, and great as lies in its power. To this end we may sacrifice even the passion for sacrifice, for sacrifice never should be the means of ennoblement, but only the sign of being ennobled.
At the time of Caliph Omar's invasion of Egypt, the Arab officer on duty in the destruction of the library of Alexandria used two stamps with which he marked the books. One said: 'Does not agree with the Koran - heretic, must be burned'. The other said: 'Agrees with the Koran - superfluous, must be burned'.
Some people do stage and film. Some people are film actors, and some people are stage actors. I'm quite sure that any of the actors who did the original production of 'August' could have done the film of 'August.' I don't think any of them were particularly surprised when they didn't wind up doing the film.
When the soldier returns from the wars, even though he has white hair, he very soon finds a young wife. But a woman has only one summer; if she does not make hay while the sun shines, no one will afterwards have anything to say to her, and she spends her days consulting oracles that never send her a husband.
You always want to try, in everything you do, to attempt something you've never tried before, and the only way to succeed at that is through failure, and the only way to succeed through failure is just banging your head against the wall over and over until you get to that interesting thing on the other side.
The pursuit of Fashion is the attempt of the middle class to co-opt tragedy. In adopting the clothing, speech, and personal habits of those in straitened, dangerous, or pitiful circumstances, the middle class seeks to have what it feels to be the exigent and nonequivocal experiences had by those it emulates.
By some curious mischance, a couple of my plays managed to hit an area where commercial success was feasible. But it's wrong to think I'm a commercial playwright who has somehow ceased his proper function. I have always been the same thing - which is not a commercial playwright. I'm not after the brass ring.
I don't think there's any intrinsic difference between a lover and a husband. ... If I were cynical, I would say that a woman should have both a good husband and a lover. But I'm not cynical so I'll just say that a woman should have a lover who's a good husband and a husband who's a good lover, perhaps both.
I have to go with what I do, and what I do has more to do with what people say to each other than telling a story through images. Of course, you're trying to do both. And there are some people who are brilliant at it, but I don't consider myself to be particularly good at it. My mind gets into a verbal mode.
Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them.
I can't complain that I've had a public all through my writing life, but people don't quite know what I've written. People don't read you too closely. Perhaps, after I've died, they'll look at my stuff, and read it through, and find there's more in it. That may be wrong, but that's what I comfort myself with.
Sometimes, particularly in summers in New York, I have tried to write in shorts or with no shirt on and found myself unable to do so, the reason being, I take it, that writing, even of the most impersonal sort, is for me a divestment, a striptease, even, so that if I start off undressed, I have nowhere to go.
The avant-garde theater is fun; it is free-swinging, bold, iconoclastic, and often wildly, wildly funny. If you will approach it with childlike innocence - putting your standard responses aside, for they do not apply - if you will approach it on its own terms, I think you will be in for a liberating surprise.